2024-03-28T10:54:20Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:36342024-03-27ycba:pd
YCBA/lido-TMS-3634
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033973
drawing
300078925
watercolor
300451718
religious and mythological subject
300410510
literary theme
300033973
Drawing & Watercolor
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
Verso: The Poems of Thomas Gray, Design 46, "The Progress of Poesy"
The Poems of Thomas Gray
Inscribed in black ink upper right: "5"; in graphite center: "x"; on verso in black ink upper left: "6"; in graphite center: "x"
500303557
Yale Center for British Art
http://britishart.yale.edu
B1992.8.11(23)
Not on view
Yale Center for British Art
41.3080060, -72.9306282
16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
width
cm
32.4
height
cm
41.9
Sheet
3634
300054713
production
William Blake, 1757–1827, British
ycba_actor_248
http://d-nb.info/gnd/118511513
http://libris.kb.se/resource/auth/178705
https://www.wikidata.org/wiki/Q41513
http://en.wikipedia.org/wiki/William_Blake
http://id.loc.gov/authorities/names/n78095331
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX853571
http://isni-url.oclc.nl/isni/000000012096135X
http://id.ndl.go.jp/auth/ndlna/00433456
http://vocab.getty.edu/ulan/500012489
http://viaf.org/viaf/54144439
https://n2t.net/ark:/99166/w6h132g2
http://www.idref.fr/026730626/id
Uil'iam Bleik
William Blake
Blake, William, 1757-1827
Blake William, 1757–1827
William Blake, 1757–1827
William Blake, 1757–1827
7011413
7011781
7011781
British
1757
1827
male
300025103
Artist
300112172
draftsman (artist)
300025165
engraver (printmaker)
300025136
painter
300025164
printmaker
300025157
watercolorist
300025569
philosopher
300025513
poet
300025492
writer
300025123
illustrator
300111159
British
between 1797 and 1798
1797
1798
22
18th century
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
300011098
graphite
300014187
wove paper
300015045
watercolor
black ink
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
248
300054766
exhibition
An American's Passion for British Art - Paul Mellon's Legacy
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
BAC
YCBA
Yale Center for British Art
British Art Center
1977
0
66
Lender
2007-04-18 - 2007-07-29
2007-04-18
2007-07-29
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
248
300054766
exhibition
An American's Passion for British Art - Paul Mellon's Legacy
Yale Center for British Art
Royal Academy of Arts
ycba_actor_5870
https://viaf.org/viaf/153543255
http://www.wikidata.org/entity/Q270920
http://vocab.getty.edu/ulan/500115632
http://id.loc.gov/authorities/names/n80032672
RA
Royal Academy of Arts
0
0
300311675
Borrower
2007-10-20 - 2008-01-27
2007-10-20
2008-01-27
Royal Academy of Arts
ycba_actor_5870
http://id.loc.gov/authorities/names/n80032672
http://vocab.getty.edu/ulan/500115632
http://www.wikidata.org/entity/Q270920
https://viaf.org/viaf/153543255
Royal Academy of Arts
Piccadilly
https://en.wikipedia.org/wiki/Piccadilly
Piccadilly
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
252
https://britishart.yale.edu/node/656
300054766
exhibition
Paul Mellon's Legacy : A Passion for British Art
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
http://id.loc.gov/authorities/names/n77005277
https://viaf.org/viaf/155449049
BAC
YCBA
Yale Center for British Art
British Art Center
1977
0
300025633
Curator
2007-04-18 - 2007-07-29
2007-04-18
2007-07-29
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
To celebrate the thirtieth anniversary of the Yale Center for British Art and the centennial of the birth of its founder Paul Mellon (Yale College Class of 1929), the Center mounted a major exhibition showcasing Mr. Mellon’s extraordinary collection of paintings, watercolors, rare books, and manuscripts. Paul Mellon’s Legacy: A Passion for British Art was displayed across all three floors of the Center’s public exhibition galleries. — —
Venues — —
Yale Center for British Art: April 18–July 29, 2007 — —
Royal Academy of Arts, London: October 20, 2007–January 27, 2008 — —
Credits — —
Paul Mellon’s Legacy was curated by Brian Allen, Director of Studies, Paul Mellon Centre for Studies in British Art, London; John Baskett, friend and art advisor to Paul Mellon; and MaryAnne Stevens, Acting Secretary and Senior Curator, Royal Academy of Arts, London, in collaboration with the curators of the Yale Center for British Art. At the Center, Paul Mellon’s Legacy was supported by Bank of New York Mellon and Mr. and Mrs. Bart T. Tiernan, Yale LL.B. 1968. — —
Yale Center for British Art
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
104
https://britishart.yale.edu/node/690
300054766
exhibition
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
British Art Center
Yale Center for British Art
BAC
YCBA
1977
0
300025633
Curator
2001-05-19 - 2001-08-05
2001-05-19
2001-08-05
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
The eighteenth century in Britain witnessed an extraordinary flourishing of the practice of drawing, among both professional artists and amateurs. This exhibition of one hundred outstanding drawings and watercolors from the Yale Center for British Art celebrated the richness and diversity of its eighteenth century holdings—rivaled only by the great national collections in London—and examined the professional and social roles played by draftsmanship during the period. Among the highlights were works by William Blake, Alexander and John Robert Cozens, Henry Fuseli, Thomas Gainsborough, Allan Ramsay, Paul Sandby, and William Hogarth (whose controversial and innovative theory of the “Line of Beauty” suggested the title for the exhibition). — —
Ranging from large-scale highly finished exhibition watercolors to informal sketches intended for private use and enjoyment, the drawings were arranged in illuminating thematic and contextual groupings: the portrait, landscape, the city, science and natural history, sports and amusements, and the life of the artist. — —
Credits — —
Curated at the Center by Scott Wilcox, Curator of Prints and Drawings, and Gillian Forrester, Assistant Curator of Prints and Drawings, The Line of Beauty also featured drawing manuals and instructional literature of the period, selected from the Center’s rich collection of rare books.
Yale Center for British Art
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
635
https://britishart.yale.edu/node/716
300054766
exhibition
The Human Form Divine - William Blake from the Paul Mellon Collection
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://www.wikidata.org/wiki/Q6352575
BAC
YCBA
Yale Center for British Art
British Art Center
1977
0
63
Organizer
1997-04-02 - 1997-07-06
1997-04-02
1997-07-06
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
In the spring of 1997, the Center celebrated its twentieth anniversary with an exhibition of its incomparable collection of illuminated books, engravings, and drawings by William Blake. The Center’s founder, Paul Mellon (Yale College, Class of 1929), assembled a rich and remarkable group of works over a lifetime of personal involvement with the poetry and art of this romantic paragon. For this comprehensive survey of the collection, several of the Center’s twelve illuminated books were exhibited in their entirety for the first time. These included Blake’s masterwork, the unique, colored copy of Jerusalem, two copies of the pastoral Songs of Innocence, and the prophetic Songs of Experience, Book of Urizen, Book of Thel, and America a Prophecy. Blake’s work as a painter was represented by individual tempera paintings from his series of illustrations to the Bible commissioned by Thomas Butts. A generous selection of forty sheets from the watercolor illustrations to the Poems of Thomas Gray revealed the magnificent range of Blake’s interpretive genius and the brilliance of his watercolor technique. — —
Credits — —
Patrick Noon, Curator of Prints, Drawings, and Rare Books at the Center, organized this special exhibition, which was accompanied by a catalogue illustrated in color.
Yale Center for British Art
3634
7838392
N5220 M552 P38 2007 OVERSIZE (YCBA)
74916141
48
300054686
publication event
John Baskett, ^Paul Mellon's Legacy: a Passion for British Art: Masterpieces from the Yale Center for British Art, ^, Yale Center for British Art, New Haven, CT, 2007, p. 275-76, no. 70, pl. 70, N5220 M552 P38 2007 OVERSIZE (YCBA)
Yale Center for British Art
John Baskett
ycba_actor_6645
Baskett John
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2007
2007
2007
New Haven, CT
3634
3545157
NJ18 .B57 A15 G73 K49 + Oversize YCBA
193748941
4820
300054686
publication event
William Blake, ^William Blake's water-colour designs for the poems of Thomas Gray^, London, 1971, p. 54, NJ18 .B57 A15 G73 K49 + Oversize YCBA
Yale Center for British Art
William Blake, 1757–1827, British
ycba_actor_248
0105F2386
10536
11892202
21498
35019221
68478070
a11658393
ADV10055248
http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX853571
http://d-nb.info/gnd/118511513
http://en.wikipedia.org/wiki/William_Blake
http://id.loc.gov/authorities/names/n78095331
http://id.ndl.go.jp/auth/ndlna/00433456
http://isni-url.oclc.nl/isni/000000012096135X
http://libris.kb.se/resource/auth/178705
http://viaf.org/viaf/54144439
http://vocab.getty.edu/ulan/500012489
http://www.idref.fr/026730626/id
https://n2t.net/ark:/99166/w6h132g2
https://www.wikidata.org/wiki/Q41513
jn19990000832
LNC10-000026278
n95202182
vtls001093123
Blake William
300025492
Author
Geoffrey Keynes
ycba_actor_10877
Keynes Geoffrey
300025526
editor
1971
1971
1971
London
3634
579677
NJ18 B57 B874 OVERSIZE (YCBA)
6942981
2828
300054686
publication event
Martin Butlin, ^Paintings and Drawings of William Blake^, Yale University Press, New Haven, 1981, p. 263, no. 335 46, NJ18 B57 B874 OVERSIZE (YCBA)
Yale Center for British Art
Martin Butlin
ycba_actor_8278
Butlin Martin
300025492
Author
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
1981
1981
1981
New Haven
3634
172153
NJ18 .B57 B87 (LC)+ Oversize YCBA
03971181
4823
300054686
publication event
Martin Butlin, ^William Blake^, Tate Publishing, London, 1978, p. 73, no. 129, NJ18 .B57 B87 (LC)+ Oversize YCBA
Yale Center for British Art
Martin Butlin
ycba_actor_8278
Butlin Martin
300025492
Author
Tate Publishing
ycba_actor_8079
Tate Publishing
300025574
Publisher
1978
1978
1978
London
3634
11677749
V 1245
2887
300054686
publication event
Colin Cross, ^Blake revealed, William Blake : Discovery of a Masterwork ^, Observer, vol. 12, November 21, 1971, pp. 19-23, V 1245 Detached from Observer colour magazine
Yale Center for British Art
Colin Cross
ycba_actor_11725
Cross Colin
300025492
Author
November 21, 1971
1971
1971
3634
12276825
V 2557
12276825
3365
300054686
publication event
Matthew Hargraves, ^William Blake and Paul Mellon : the life of the mind^, Open Knowledge Foundation, New York, 2014, [ pp. 8-9 ], fig. 8, V 2557 Printed from URL: http://openglam.org/2014/10/07/william-blake-and-paul-mellon-the-life-of-the-mind
Yale Center for British Art
Matthew Hargraves
ycba_actor_7112
Hargraves Matthew
300025492
Author
Open Knowledge Foundation
ycba_actor_12090
Open Knowledge Foundation
300025574
Publisher
2014
2014
2014
New York
3634
4085443
NJ18 .B57 N66 (LC) YCBA
37020022
4819
300054686
publication event
Patrick Noon, ^The human form divine : William Blake from the Paul Mellon Collection^, Yale University Press, New Haven, 1997, p. 63, NJ18 .B57 N66 (LC) YCBA
Yale Center for British Art
Patrick Noon, American
ycba_actor_1810
http://id.loc.gov/authorities/names/n80005498
Noon Patrick
300025492
Author
Yale University Press
ycba_actor_7029
Yale University Press
300025574
Publisher
1997
1997
1997
New Haven
3634
7964230
N5220 M552 P381 2007 OVERSIZE (YCBA)
701808157
190
300054686
publication event
^Paul Mellon's Legacy : a passion for British art [large print labels], ^, Yale Center for British Art, New Haven, CT, 2007, v. 2, no. 70, N5220 M552 P381 2007 OVERSIZE (YCBA)
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
2007
2007
2007
New Haven, CT
3634
584152
NJ18 .B57 A15 G73 T69 YCBA
974465974
4821
300054686
publication event
Irene Tayler, ^Blake's illustrations to the poems of Gray^, Princeton, 1971, pp. 86-87, NJ18 .B57 A15 G73 T69 YCBA
Yale Center for British Art
Irene Tayler
ycba_actor_14289
Tayler Irene
300025492
Author
Princeton University Press
ycba_actor_8871
Princeton University Press
300025492
Author
1971
1971
1971
Princeton
3634
10177030
871817413
Illustrated London News Historical Archive
2880
300054686
publication event
Arnold Fawcus, ^Unknown Watercolours by William Blake^, Illustrated London News, vol. 259, No. 6881, December 25, 1971, pp. 45-46, 49-51, Illustrated London News Historical Archive
Yale Center for British Art
Arnold Fawcus, 1917–1979, British
ycba_actor_7116
Trianon Press Fawcus Arnold
300025492
Author
December 25, 1971
1971
1971
3634
3951876
NJ18 .B57 A15 G73 V38 1996 (LC)+ Oversize YCBA
32132472
4822
300054686
publication event
Frank A. Vaughan, ^Again to the life of eternity : William Blake's illustrations to the poems of Thomas Gray^, Selinsgrove and London, 1996, pp. 69-70, NJ18 .B57 A15 G73 V38 1996 (LC)+ Oversize YCBA
Yale Center for British Art
Frank A. Vaughan
ycba_actor_14290
Vaughan Frank A.
300025492
Author
Susquehanna University Press
ycba_actor_14291
Susquehanna University Press
300025492
Author
1996
1996
1996
Selinsgrove and London
3634
15533301
NJ18.B57 A12 2020 OVERSIZE (YCBA)
1133663900
4572
300054686
publication event
^William Blake : Visionary^, The J. Paul Getty Museum, Los Angeles, p. 33, fig. 12, NJ18.B57 A12 2020 OVERSIZE (YCBA)
Yale Center for British Art
The J. Paul Getty Museum
ycba_actor_6085
http://vocab.getty.edu/ulan/500329598
J. Paul Getty Museum
300025574
Publisher
Edina Adam
ycba_actor_14020
Adam Edina
300025492
Author
Julian Brooks
ycba_actor_14021
Brooks Julian
300025492
Author
0
0
Los Angeles
3634
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1992
1992
1992
300138913
gift
In about 1795 the London bookseller Richard Edwards commissioned William Blake to provide illustrations for a deluxe edition of Edward Young’s “Night Thoughts”. A standard edition of the poem was taken apart and the pages mounted on large sheets of paper on which Blake drew and colored his designs. Blake created 537 illustrations on 269 sheets (now in the British Museum, London), only a fraction of which were actually published. With the model of Blake’s watercolors for “Night Thoughts” in mind, Blake’s friend John Flaxman commissioned a set of watercolor illustrations of the poems of Thomas Gray as a birthday gift for his wife, Ann, known as Nancy. Again the pages of a standard edition of the poems were mounted on large sheets, perhaps left over from the earlier project, on which Blake created his watercolor illustrations. Unlike his illustrations to “Night Thoughts”, these 116 watercolors on fifty-eight sheets (all now in the Paul Mellon Collection, YCBA) were never intended for publication.\n\n
On each of the pages of text Blake marked with a graphite “X” the lines that he intended to illustrate. The three pages displayed in the 2007 YCBA “Legacy Exhibition” convey something of the range and variety of Blake’s responses to Gray’s poetry. The image of Cythera’s day, from Gray’s ode celebrating the poet’s calling, is light and exuberant. Cythera, one of the Ionian Islands, was the center of a cult of Aphrodite. A group of levitating young devotees of the goddess of love dance and play instruments beneath a six-pointed star.\n\n
Gallery label for Paul Mellon's Legacy: A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3634
300048722
Gallery label
2007-01
In about 1795 the London bookseller Richard Edwards commissioned William Blake to provide illustrations for a deluxe edition of Edward Young's Night Thoughts. A standard edition of the poem was taken apart and the pages mounted on large sheets of paper on which Blake drew and colored his designs. Blake created 537 illustrations on 269 sheets (now in the British Museum, London), only a fraction of which were actually published. With the model of Blake's watercolors for Night Thoughts in mind, Blake's friend John Flaxman commissioned a set of watercolor illustrations of the poems of Thomas Gray as a birthday gift for his wife, Ann, known as Nancy. Again the pages of a standard edition of the poems were mounted on large sheets, perhaps left over from the earlier project, on which Blake created his watercolor illustrations. Unlike his illustrations to Night Thoughts, these 116 watercolors on fifty-eight sheets (all now in the Paul Mellon Collection, ycba) were never intended for publication.\n\n
On each of the pages of text Blake marked with a graphite "X" the lines that he intended to illustrate. The three pages displayed here convey something of the range and variety of Blake's responses to Gray's poetry. The image of Cythera's day, from Gray's ode celebrating the poet's calling, is light and exuberant. Cythera, one of the Ionian Islands, was the center of a cult of Aphrodite. A group of levitating young devotees of the goddess of love dance and play instruments beneath a six-pointed star.\n\n
"The Bard" was a seminal text of Romantic nationalism. Based on the traditional account of the killing of the Celtic minstrel-poets by Edward I after his conquest of Wales, the poem is the lament of the lone surviving bard and his curse on Edward and his descendants. Blake himself identified with the bard, writing in the Introduction to the Songs of Experience: "Hear the voice of the Bard!" For the opening of Gray's poem, Blake produced one of the most powerful designs in the set. Departing from his standard practice, he chose to illustrate a line later in the poem. He marked a double "X" in the upper left of the letterpress page, which corresponds to the similarly marked line, "And weave with bloody hands the tissue of thy line," several pages further on. The figure of the bard plucks the bloody strands from which he will weave Edward's fate. The strands at the same time suggest the harp with which the bard traditionally accompanied his songs.\n\n
While Gray's most celebrated poem, "Elegy in a Country Churchyard," gave little scope to the more extravagant side of the artist's visual imagination, Blake did create a sequence of images that enhance the quiet poignancy of the poet's meditation. The compact figure of the reaper, with its coiled energy, forcefully evokes the former vitality of those "rude forefathers" who lie buried in the churchyard.\n\n
Scott Wilcox\n\n John Baskett, Paul Mellon's Legacy: a Passion for British art: Masterpieces from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 2007, cat. no. 70, N5220 M552 P38 2007 OVERSIZE (YCBA)
3634
300111999
Published catalog entry
ycba_actor_1252
Scott Wilcox
300025492
Author
2007
300025928
ycba_term_35274
man
300379798
ycba_term_2036330
branches
300054144
ycba_term_2037227
dancing
ycba_term_2036328
sun
300247581
ycba_term_7000
girls
ycba_term_2036696
dead
300056024
ycba_term_525
light
ycba_term_2046880
literary theme
300009910
ycba_term_1759
flames
300009811
ycba_term_32461
star
300036976
ycba_term_146175
bow
300025943
ycba_term_7002
women
300132410
ycba_term_40196
tree
ycba_term_2046879
religious and mythological subject
300132410
ycba_term_17587
trees
300205021
ycba_term_121435
musical instruments
300379004
ycba_term_2046400
angel
300250810
ycba_term_16788
text
300042215
ycba_term_37555
violin
300230426
ycba_term_106582
arrows
300042220
ycba_term_37557
fiddle
300259387
ycba_term_142633
wings
300219531
ycba_term_148605
chariot
300042513
ycba_term_147767
flutes
300068986
300068986
ycba_term_39104
fire
John Baskett, Paul Mellon's Legacy: a Passion for British Art: Masterpieces from the Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 2007, p. 275-76, no. 70, pl. 70, N5220 M552 P38 2007 OVERSIZE (YCBA)
7838392
N5220 M552 P38 2007 OVERSIZE (YCBA)
74916141
48
related to
William Blake, William Blake's water-colour designs for the poems of Thomas Gray, London, 1971, p. 54, NJ18 .B57 A15 G73 K49 + Oversize YCBA
3545157
NJ18 .B57 A15 G73 K49 + Oversize YCBA
193748941
4820
related to
Martin Butlin, Paintings and Drawings of William Blake, Yale University Press, New Haven, 1981, p. 263, no. 335 46, NJ18 B57 B874 OVERSIZE (YCBA)
579677
NJ18 B57 B874 OVERSIZE (YCBA)
6942981
2828
related to
Martin Butlin, William Blake, Tate Publishing, London, 1978, p. 73, no. 129, NJ18 .B57 B87 (LC)+ Oversize YCBA
172153
NJ18 .B57 B87 (LC)+ Oversize YCBA
03971181
4823
related to
Colin Cross, Blake revealed, William Blake : Discovery of a Masterwork, Observer, vol. 12, November 21, 1971, pp. 19-23, V 1245 Detached from Observer colour magazine
11677749
V 1245
2887
related to
Matthew Hargraves, William Blake and Paul Mellon : the life of the mind, Open Knowledge Foundation, New York, 2014, [ pp. 8-9 ], fig. 8, V 2557 Printed from URL: http://openglam.org/2014/10/07/william-blake-and-paul-mellon-the-life-of-the-mind
12276825
V 2557
12276825
3365
related to
Patrick Noon, The human form divine : William Blake from the Paul Mellon Collection, Yale University Press, New Haven, 1997, p. 63, NJ18 .B57 N66 (LC) YCBA
4085443
NJ18 .B57 N66 (LC) YCBA
37020022
4819
related to
Paul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v. 2, no. 70, N5220 M552 P381 2007 OVERSIZE (YCBA)
7964230
N5220 M552 P381 2007 OVERSIZE (YCBA)
701808157
190
related to
Irene Tayler, Blake's illustrations to the poems of Gray, Princeton, 1971, pp. 86-87, NJ18 .B57 A15 G73 T69 YCBA
584152
NJ18 .B57 A15 G73 T69 YCBA
974465974
4821
related to
Arnold Fawcus, Unknown Watercolours by William Blake, Illustrated London News, vol. 259, No. 6881, December 25, 1971, pp. 45-46, 49-51, Illustrated London News Historical Archive
10177030
871817413
Illustrated London News Historical Archive
2880
related to
Frank A. Vaughan, Again to the life of eternity : William Blake's illustrations to the poems of Thomas Gray, Selinsgrove and London, 1996, pp. 69-70, NJ18 .B57 A15 G73 V38 1996 (LC)+ Oversize YCBA
3951876
NJ18 .B57 A15 G73 V38 1996 (LC)+ Oversize YCBA
32132472
4822
related to
William Blake : Visionary, The J. Paul Getty Museum, Los Angeles, p. 33, fig. 12, NJ18.B57 A12 2020 OVERSIZE (YCBA)
15533301
NJ18.B57 A12 2020 OVERSIZE (YCBA)
1133663900
4572
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
3634
300133025
Volume
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:3634
oai:tms.ycba.yale.edu:3634
https://manifests.collections.yale.edu/v2/ycba/obj/3634
https://manifests.collections.yale.edu/ycba/obj/3634
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art