2024-03-29T13:49:55Zhttp://harvester-bl.britishart.yale.edu/oaicatmuseum/OAIHandleroai:tms.ycba.yale.edu:9362024-03-28ycba:ps
YCBA/lido-TMS-936
http://www.cidoc-crm.org/cidoc-crm/E22_Human-Made_Object
Human-Made Object
300033618
painting
300139140
genre subject
300033618
Painting
Selling Guinea Pigs
Guinea Pigs
Pigs
500303557
Yale Center for British Art
http://britishart.yale.edu
B1981.25.452
https://www.wikidata.org/wiki/Q23761617
Not on view
Yale Center for British Art
41.3080060, -72.9306282
30 x 25 inches (76.2 x 63.5 cm)
height
cm
76.2
width
cm
63.5
936
300054713
production
George Morland, 1763–1804, British
ycba_actor_131
http://d-nb.info/gnd/118584197
http://en.wikipedia.org/wiki/George_Morland
http://viaf.org/viaf/37185990
http://vocab.getty.edu/ulan/500031295
http://isni-url.oclc.nl/isni/0000000066297696
https://www.wikidata.org/wiki/Q2405427
http://id.loc.gov/authorities/names/n83013597
http://www.idref.fr/078793742/id
https://n2t.net/ark:/99166/w6q53n3d
Morland, George, 1763-1804
George Charles Morland
George Moreland
George Morlhnd
George Mortand
S. Morland
George Morland
Morland George, 1763–1804
George Morland, 1763–1804
George Morland, 1763–1804
7011781
7011781
British
1763
1804
male
300025103
Artist
landscape painter
genre painter
ca. 1789
1784
1794
22
18th century
Oil on canvas
300015050
oil paint
300014078
canvas
300054216
painting (technique)
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31)
133
https://britishart.yale.edu/node/665
300054766
exhibition
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door "
Yale Center for British Art
Yale Center for British Art
ycba_actor_1281
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
http://vocab.getty.edu/ulan/500303557
http://id.loc.gov/authorities/names/n77005277
Yale Center for British Art
British Art Center
BAC
YCBA
1977
0
300311675
Borrower
66
Lender
2005-10-06 - 2005-12-31
2005-10-06
2005-12-31
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
New Haven
7014210
New Haven
300435424
Taking as its focal point Thomas Gainsborough’s great landscape painting The Cottage Door, about 1780 (now in The Huntington Library, Art Collections, and Botanical Gardens), this exhibition brought together for the first time a group of paintings, prints, and drawings related to Gainsborough’s pictorial treatment of the cottage and cottage life. These works are some of the first by a British artist to embody the eighteenth-century ideal of sensibility, a movement that encouraged an emotional response to the artless beauty of nature and idealized the life of the rural peasantry. Together, Gainsborough’s scenes of cottage life form a vision of a rustic idyll that resonated powerfully with the metropolitan culture of late-eighteenth-century Britain and had an immediate impact on new modes of thinking about vision and visual perception. — —
The exhibition included modern recreations of models, viewing apparatuses, and period rooms that aimed to evoke for today’s viewers the ideas, objects, and practices that contributed to Gainsborough’s landscape vision and shaped his audiences’ emotional response to his works. The show featured a spectacular recreation of an eighteenth-century sound-and-light show, called an Eidophusikon, the original of which was created in 1781 by Gainsborough’s friend, the artist and theatrical designer Philippe-Jacques de Loutherbourg. — —
Equally exciting was the installation of The Cottage Door within a room specifically created to evoke the “Tent Room” of Sir John Leicester’s Hill Street Gallery, where the painting was displayed to great fanfare in 1818. This modern recreation—complete with fabric tenting, mirrors, and special lighting evoking the glow of oil lamps—allowed twenty-first-century visitors to experience how early viewers would have encountered Gainsborough’s painting. — —
Venues — —
Yale Center for British Art: October 6–December 31, 2005 — —
The Huntington Library, Art Collections, and Botanical Gardens: — —
February 11–May 14, 2006 — —
Credits — —
Sensation and Sensibility: Viewing Gainsborough’s “Cottage Door” was co-organized by the Center and The Huntington. It was curated by Ann Bermingham, Professor of History of Art and Architecture, University of California, Santa Barbara; in collaboration with Julia Marciari Alexander, the Center’s Associate Director for Programmatic Affairs; and Shelley Bennett, Curator of British and European Art at The Huntington. It was generously supported by grants from the Samuel H. Kress Foundation, the National Endowment for the Humanities, and the David T. Langrock Foundation.
Yale Center for British Art
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (The Huntington Library, Art Collections, and Botanical Gardens, 2006-02-11 - 2006-05-14)
133
https://britishart.yale.edu/node/665
300054766
exhibition
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door "
Yale Center for British Art
The Huntington Library, Art Collections, and Botanical Gardens
ycba_actor_2030
http://www.wikidata.org/entity/Q1400558
https://viaf.org/viaf/147236009
http://vocab.getty.edu/ulan/500293829
http://id.loc.gov/authorities/names/n79049138
The Huntington Library, Art Collections, and Botanical Gardens
0
0
300311675
Borrower
66
Lender
2006-02-11 - 2006-05-14
2006-02-11
2006-05-14
The Huntington Library, Art Collections, and Botanical Gardens
ycba_actor_2030
http://id.loc.gov/authorities/names/n79049138
http://vocab.getty.edu/ulan/500293829
http://www.wikidata.org/entity/Q1400558
https://viaf.org/viaf/147236009
The Huntington Library, Art Collections, and Botanical Gardens
San Marino
7014461
San Marino
300435424
Taking as its focal point Thomas Gainsborough’s great landscape painting The Cottage Door, about 1780 (now in The Huntington Library, Art Collections, and Botanical Gardens), this exhibition brought together for the first time a group of paintings, prints, and drawings related to Gainsborough’s pictorial treatment of the cottage and cottage life. These works are some of the first by a British artist to embody the eighteenth-century ideal of sensibility, a movement that encouraged an emotional response to the artless beauty of nature and idealized the life of the rural peasantry. Together, Gainsborough’s scenes of cottage life form a vision of a rustic idyll that resonated powerfully with the metropolitan culture of late-eighteenth-century Britain and had an immediate impact on new modes of thinking about vision and visual perception. — —
The exhibition included modern recreations of models, viewing apparatuses, and period rooms that aimed to evoke for today’s viewers the ideas, objects, and practices that contributed to Gainsborough’s landscape vision and shaped his audiences’ emotional response to his works. The show featured a spectacular recreation of an eighteenth-century sound-and-light show, called an Eidophusikon, the original of which was created in 1781 by Gainsborough’s friend, the artist and theatrical designer Philippe-Jacques de Loutherbourg. — —
Equally exciting was the installation of The Cottage Door within a room specifically created to evoke the “Tent Room” of Sir John Leicester’s Hill Street Gallery, where the painting was displayed to great fanfare in 1818. This modern recreation—complete with fabric tenting, mirrors, and special lighting evoking the glow of oil lamps—allowed twenty-first-century visitors to experience how early viewers would have encountered Gainsborough’s painting. — —
Venues — —
Yale Center for British Art: October 6–December 31, 2005 — —
The Huntington Library, Art Collections, and Botanical Gardens: — —
February 11–May 14, 2006 — —
Credits — —
Sensation and Sensibility: Viewing Gainsborough’s “Cottage Door” was co-organized by the Center and The Huntington. It was curated by Ann Bermingham, Professor of History of Art and Architecture, University of California, Santa Barbara; in collaboration with Julia Marciari Alexander, the Center’s Associate Director for Programmatic Affairs; and Shelley Bennett, Curator of British and European Art at The Huntington. It was generously supported by grants from the Samuel H. Kress Foundation, the National Endowment for the Humanities, and the David T. Langrock Foundation.
Yale Center for British Art
Life in England 1750 - 1850 (Paul Mellon Arts Center, 1990-03-27 - 1990-05-21)
448
300054766
exhibition
Life in England 1750 - 1850
Yale Center for British Art
Paul Mellon Arts Center
ycba_actor_7200
Paul Mellon Arts Center
0
0
300311675
Borrower
1990-03-27 - 1990-05-21
1990-03-27
1990-05-21
Paul Mellon Arts Center
ycba_actor_7200
Paul Mellon Arts Center
Wallingford
2017494
Wallingford
936
3614275
NJ18 M83 B35 + OVERSIZE (YCBA)
1940865
2129
300054686
publication event
J. T. Herbert Baily, ^George Morland, a biographical essay by J.T. Herbert Baily, with a catalogue of the engraved pictures ^, Otto limited, London, 1906, p. 83, NJ18 M83 B35 + OVERSIZE (YCBA) Extra Number of 1901 Connoisseur
Yale Center for British Art
J. T. Herbert Baily
ycba_actor_10967
Baily J. T. Herbert
300025492
Author
Otto limited
ycba_actor_9670
Otto limited
300025574
Publisher
1906
1906
1906
London
936
583000
N590.2 A83 (YCBA)
13422488
323
300054686
publication event
Malcolm Cormack, ^Concise Catalogue of Paintings in the Yale Center for British Art^, Yale Center for British Art, New Haven, CT, 1985, pp. 162-163, N590.2 A83 (YCBA)
Yale Center for British Art
Malcolm Cormack
ycba_actor_6010
Cormack Malcolm
300025492
Author
Yale Center for British Art
ycba_actor_1281
http://id.loc.gov/authorities/names/n77005277
http://vocab.getty.edu/ulan/500303557
https://viaf.org/viaf/155449049
https://www.wikidata.org/wiki/Q6352575
Yale Center for British Art
300025574
Publisher
1985
1985
1985
New Haven, CT
936
156420
NJ18 M83 D5 + OVERSIZE (YCBA)
3590440
2130
300054686
publication event
George Dawe, ^Life of George Morland, with an introduction and notes by J.J. Foster ... illustrated by full-page plates from examples in the National and private galleries.
^, Dickinsons, London, 1904, pp. 40, 145, 173, pl. XXII, NJ18 M83 D5 + OVERSIZE (YCBA)
Yale Center for British Art
George Dawe, 1781–1829, British
ycba_actor_3021
http://id.loc.gov/authorities/names/n83227323
http://vocab.getty.edu/ulan/500021368
https://n2t.net/ark:/99166/w6w972dv
https://viaf.org/viaf/22413721
https://www.wikidata.org/wiki/Q1507231
Dawe George
300025492
Author
Dickinsons
ycba_actor_10968
Dickinsons
300025574
Publisher
1904
1904
1904
London
936
580032
ND466 G67 (YCBA)
7500731
2775
300054686
publication event
Catherine M. Gordon, ^British paintings Hogarth to Turner^, Frederick Warne, London, 1981, p. 44, ND466 G67 (YCBA)
Yale Center for British Art
Catherine M. Gordon
ycba_actor_11569
Gordon Catherine M.
300025492
Author
Frederick Warne
ycba_actor_11570
Frederick Warne
300025574
Publisher
1981
1981
1981
London
936
582639
Online resource
ND497 M8 H3 1806 OVERSIZE (YCBA)
3828588
2088
300054686
publication event
John Hassell, ^Memoirs of the life of George Morland^, Albion Press, London, 1806, pp. 149, 170, Online resource Available in Google Books
Yale Center for British Art
John Hassell, 1767–1825, British
ycba_actor_1935
http://id.loc.gov/authorities/names/n87115546
http://vocab.getty.edu/ulan/500003191
https://n2t.net/ark:/99166/w64j2mjz
https://www.wikidata.org/wiki/Q2584222
Hassell John
300025492
Author
Albion Press
ycba_actor_11184
Albion Press
300025574
Publisher
1806
1806
1806
London
936
582639
Online resource
ND497 M8 H3 1806 OVERSIZE (YCBA)
3828588
2088
300054686
publication event
John Hassell, ^Memoirs of the life of George Morland^, Albion Press, London, 1806, pp. 149, 170, ND497 M8 H3 1806 OVERSIZE (YCBA) in Rare Bks and Mss
Yale Center for British Art
John Hassell, 1767–1825, British
ycba_actor_1935
http://id.loc.gov/authorities/names/n87115546
http://vocab.getty.edu/ulan/500003191
https://n2t.net/ark:/99166/w64j2mjz
https://www.wikidata.org/wiki/Q2584222
Hassell John
300025492
Author
Albion Press
ycba_actor_11184
Albion Press
300025574
Publisher
1806
1806
1806
London
936
3518046
ND466 V57 v.1-2 (YCBA)
2187354
230
300054686
publication event
^Painting in England 1700-1850 : collection of Mr. & Mrs. Paul Mellon : Exhibition at the Virginia Museum of Fine Arts, ^, 1,2, Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 145 (v.1), no. 277, ND466 V57 v.1-2 (YCBA)
Yale Center for British Art
Virginia Museum of Fine Arts
ycba_actor_1286
http://id.loc.gov/authorities/names/n79046025
http://vocab.getty.edu/ulan/500310718
http://www.wikidata.org/entity/Q4013975
https://n2t.net/ark:/99166/w6991x8v
https://viaf.org/viaf/148748621
Virginia Museum of Fine Arts
300025574
Publisher
1963
1963
1963
Richmond, VA
936
160668
NJ18 M83 R55 (YCBA)
3691967
555
300054686
publication event
Ralph Richardson, ^George Morland's pictures, their present possessors, with details of the collection. ^, E. Stock, London, 1897, pp. 13, 36, 95, NJ18 M83 R55 (YCBA)
Yale Center for British Art
Ralph Richardson
ycba_actor_8635
Richardson Ralph
300025492
Author
E. Stock, British
ycba_actor_8636
E. Stock
300025574
Publisher
1897
1897
1897
London
936
3452326
NJ18 M83 A12 1904 (YCBA)
54221886
2085
300054686
publication event
Victoria and Albert Museum, ^Catalogue of an exhibition of paintings by George Morland : held at the Victoria and Albert Museum, South Kensington, ^, Wyman & Sons, London, 1904, p. 9, no. 28, NJ18 M83 A12 1904 (YCBA)
Yale Center for British Art
Victoria and Albert Museum
ycba_actor_5930
http://vocab.getty.edu/ulan/500302040
Victoria and Albert Museum
300025492
Author
Wyman & Sons
ycba_actor_11039
Wyman & Sons
300025574
Publisher
1904
1904
1904
London
936
2903127
Online resource
03891416
2087
300054686
publication event
George Charles Williamson, ^George Morland^, 1907, p. 134, no. 238, Online resource available in Google Books
Yale Center for British Art
George Charles Williamson
ycba_actor_8968
Williamson George Charles
300025492
Author
1907
1907
1907
936
197864
NJ18 M83 W56 1977A (YCBA)
1152932858
550
300054686
publication event
David Winter, ^George Morland (1763-1804)^, 1977, pp. viii, 44, 228, no. 27, NJ18 M83 W56 1977A (YCBA) Thesis--Stanford University
Yale Center for British Art
David Winter
ycba_actor_8630
Winter David
300025492
Author
1977
1977
1977
936
300157782
acquisition
Yale Center for British Art
ycba_actor_1281
YCBA
BAC
Yale Center for British Art
British Art Center
1977
0
300203630
Owner
1981
1981
1981
300138913
gift
300194498
ycba_term_42390
basket
300178227
ycba_term_41385
conversation piece
300046057
ycba_term_115646
shoes
ycba_term_2036503
curls
300046106
ycba_term_37964
hat
300005433
ycba_term_31315
house
300005425
ycba_term_31314
dwelling
1
ycba_term_2036302
animals
300214100
ycba_term_44675
chemise dress
300148821
ycba_term_21823
gloves
300139140
ycba_term_2036211
genre subject
300046088
ycba_term_21628
stockings
300046159
ycba_term_21371
dresses
300229355
ycba_term_138746
rural
300247581
ycba_term_7000
girls
300209991
ycba_term_21409
shawls
300055474
ycba_term_38768
family
300132410
ycba_term_40196
tree
300025945
ycba_term_114139
children
300217658
ycba_term_2036218
shawl
300078131
ycba_term_7881
selling
300005574
ycba_term_31360
farmhouse
300056179
ycba_term_650
gesture
300014681
ycba_term_32602
stick
300002767
ycba_term_30563
doorway
300004160
ycba_term_30929
stoop
300025932
ycba_term_35283
mother
5219702
ycba_term_2037672
Cavia porcellus
5219702
ycba_term_2037673
Guinea pigs
J. T. Herbert Baily, George Morland, a biographical essay by J.T. Herbert Baily, with a catalogue of the engraved pictures, Otto limited, London, 1906, p. 83, NJ18 M83 B35 + OVERSIZE (YCBA) Extra Number of 1901 Connoisseur
3614275
NJ18 M83 B35 + OVERSIZE (YCBA)
1940865
2129
related to
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 162-163, N590.2 A83 (YCBA)
583000
N590.2 A83 (YCBA)
13422488
323
related to
George Dawe, Life of George Morland, with an introduction and notes by J.J. Foster ... illustrated by full-page plates from examples in the National and private galleries.
, Dickinsons, London, 1904, pp. 40, 145, 173, pl. XXII, NJ18 M83 D5 + OVERSIZE (YCBA)
156420
NJ18 M83 D5 + OVERSIZE (YCBA)
3590440
2130
related to
Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 44, ND466 G67 (YCBA)
580032
ND466 G67 (YCBA)
7500731
2775
related to
John Hassell, Memoirs of the life of George Morland, Albion Press, London, 1806, pp. 149, 170, Online resource Available in Google Books
582639
Online resource
ND497 M8 H3 1806 OVERSIZE (YCBA)
3828588
2088
related to
John Hassell, Memoirs of the life of George Morland, Albion Press, London, 1806, pp. 149, 170, ND497 M8 H3 1806 OVERSIZE (YCBA) in Rare Bks and Mss
582639
Online resource
ND497 M8 H3 1806 OVERSIZE (YCBA)
3828588
2088
related to
Painting in England 1700-1850 : collection of Mr. & Mrs. Paul Mellon : Exhibition at the Virginia Museum of Fine Arts, , 1,2, Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 145 (v.1), no. 277, ND466 V57 v.1-2 (YCBA)
3518046
ND466 V57 v.1-2 (YCBA)
2187354
230
related to
Ralph Richardson, George Morland's pictures, their present possessors, with details of the collection., E. Stock, London, 1897, pp. 13, 36, 95, NJ18 M83 R55 (YCBA)
160668
NJ18 M83 R55 (YCBA)
3691967
555
related to
Victoria and Albert Museum, Catalogue of an exhibition of paintings by George Morland : held at the Victoria and Albert Museum, South Kensington, , Wyman & Sons, London, 1904, p. 9, no. 28, NJ18 M83 A12 1904 (YCBA)
3452326
NJ18 M83 A12 1904 (YCBA)
54221886
2085
related to
George Charles Williamson, George Morland, 1907, p. 134, no. 238, Online resource available in Google Books
2903127
Online resource
03891416
2087
related to
David Winter, George Morland (1763-1804), 1977, pp. viii, 44, 228, no. 27, NJ18 M83 W56 1977A (YCBA) Thesis--Stanford University
197864
NJ18 M83 W56 1977A (YCBA)
1152932858
550
related to
300055603
500303557
Yale Center for British Art
https://britishart.yale.edu
Yale Center for British Art, Paul Mellon Collection
300055598
Public Domain
300435434
https://creativecommons.org/publicdomain/zero/1.0/
936
300133025
Item
500303557
Yale Center for British Art
http://britishart.yale.edu
https://collections.britishart.yale.edu/catalog/tms:936
oai:tms.ycba.yale.edu:936
https://manifests.collections.yale.edu/v2/ycba/obj/936
https://manifests.collections.yale.edu/ycba/obj/936
IIIF manifest
Yale Center for British Art
500303557
Yale Center for British Art