Search Details

Creator George Stubbs, 1724–1806, British
Commissioned by Thomas Foley second baron Foley, 1742–1793, British
Title Pumpkin with a Stable-lad
Alternate Title(s) A Hunter in a landscape, with bay, groom in crimson coat with sieve
Portrait of the Racehorse, Pumpkin
Date 1774
Medium Oil on panel
Dimensions 32 3/8 x 39 7/8 inches (82.2 x 101.3 cm) Frame: 39 1/2 × 47 inches (100.3 × 119.4 cm)
Inscription(s)/
Marks/
Lettering
Signed and dated, lower right: "Geo: Stubbs pinxit | 1774"
Credit Line Yale Center for British Art, Paul Mellon Collection
Accession Number B2001.2.69
Collection Paintings and Sculpture
Curatorial Comment This was the first British painting purchased by Mr. Mellon and his first wife, Mary. They bought it together in 1936 from Knoedler’s in New York City. “It was my very first purchase of a painting,” Mr. Mellon recalled later, “and could be said to be the impetus toward my later, some might say gluttonous, forays into the sporting art field” (Mellon, 1992, pp. 280–81). Until the end of Paul Mellon’s life, “Pumpkin” remained one of his favorite paintings. By Match’em out of Old Squirt Mare, the chestnut Pumpkin was foaled in 1769. In twenty-four starts he won sixteen races, many of them at Newmarket, altogether worth 6,090 guineas and nine hogsheads of claret. In 1772, in his first race, Pumpkin beat the favorite, Denmark, by half a neck. It was thought to be one of the finest races ever run on English turf. He went on to win a long series of matches in the subsequent three seasons. Pumpkin's owner was the 2nd Baron Foley, who commissioned Stubbs’s portrait. Lord Foley was a member of the Jockey Club, a racing crony of Charles James Fox, and the Presbyterian heir to an iron and coal fortune. Stubbs’s rendition of the stable lad, who is presumably about nine or ten years old, is exquisitely sensitive, conveying seriousness and responsibility as much as boyish charm: he holds a sieve, from which he feeds his charge. Stubbs painted three other portraits of Pumpkin, each with the jockey William South in Foley's blue-and-white racing colors (at Ascott House [National Trust]; with H.M. the Queen; and with the Earl of Halifax), but the warmth of the stable lad’s rose-red jacket and the unusual glimpse of white paling fence beyond the dip in the middle distance are typical of Stubbs’s supremely inventive approach to the composition and coloring of his portraits of thoroughbred racehorses.
     -- Angus Trumble, 2007-01
Link to This Record http://collections.britishart.yale.edu/vufind/Record/1667168
Subject Terms animal art | autumn | boy | breeches | buckles | child | clouds | coat | fence | grasses | horse (animal) | lake | landscape | leisure | morning | sky | stockings | trees
Publications

Julia Marciari-Alexander, This other Eden, paintings from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1998, pp. 2-3, fig. 2, ND1314.3 Y36 1998 (YCBA)


John Baskett, Paul Mellon's legacy, a passion for British art : masterpieces from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 2007, pp. 2, 253, no. 25, fig. 2, pl. 25, N5220 M552 P38 2007 OVERSIZE (YCBA)


Judy Egerton, British Sporting and Animal Paintings 1655-1867: A Catalogue, , Tate Publishing, London, 1978, p. 87, no. 84, Colour Pl. 14, ND1383 G7 B75 OVERSIZE (YCBA)


Lindsay Rothwell, Paul Mellon's legacy, an American's passion for British art : Sackler Wing of Galleries, 20 October 2007 - 27 January 2008 : an introduction to the exhibition for teachers and students., Royal Academy of Arts, London, UK, 2007, pp. 2-3, cat. 25, V 2038 (YCBA)


Paul Mellon's legacy, a passion for British art. [large print labels], Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 +P381 2007, Mellon Shelf (YCBA)


Painting in England 1700-1850, collection of Mr. & Mrs. Paul Mellon., Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 168 (v.1), no. 319, pl. 184, ND466 V57 v.1-2 (YCBA)


National Gallery of Art, Painting in Georgian England from the collection of Mr. and Mrs. Paul Mellon., National Gallery of Art, Washington, D.C., 1970, p. 6, no. 15, ND488 P25 (YCBA)


Malcolm Warner, The Paul Mellon Bequest, treasures of a lifetime, Yale Center for British Art, New Haven, CT, 2001, p. 81, N5247 M385 P28 2001 (YCBA)


Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965., vol. 1, W. Clowes and sons, New Haven, 1965, pp. 49-50 (v.1), no. 186, pl. 54, ND466 Y35 (YCBA)


Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 77 (v.1), no. 274, pl. 54, ND466 R68 1964 65 (YCBA) , Also available on Microfiche: Fiche B214 (YCBA)


Charles B. Wrightsman, The Wrightsman collection, Metropolitan Museum of Art, New York, 1966, p. 217, no. 2, N5220 W88 (YCBA) +


Constance-Anne Parker, Mr. Stubbs, the horse painter., J. A. Allen, London, 1971, pp. 109, 149, NJ18 St915 P37 (YCBA) +


Oliver Millar, The later Georgian pictures in the Collection of Her Majesty the Queen., Phaidon, London, 1969, p. 125 (v. 1), no. 1120, ND466 M55 (YCBA) +


The Ascott collection, Ascott, Buckinghamshire., The National Trust, London, 1963, p. 14, DA664 A83 N37 (YCBA)


Virginia Museum of Fine Arts, Sport and the horse, catalogue of the exhibition of paintings assembled at the museum in Richmond from April 1 through May 15, 1960., Richmond, 1960, p. 32, no. 20, N7668 H6 V57 (YCBA) +


Judy Egerton, George Stubbs, painter, catalogue raisonne, Yale University Press, New Haven, Conn., London, 2007, pp. 358-59, no. 159, NJ18 St915 A12 E44 2007 + (YCBA)


Stubbs, an exhibition in honor of Paul Mellon : National Gallery of Art, 4 May-2 June 1985., National Gallery of Art, Washington, D.C., 1985, p. 1, no. 1, V 0413 (YCBA)


In honor of Paul Mellon, collector and benefactor, Essays, National Gallery of Art, Washington, DC & Hanover, NH, 1986, pp. 24, 27,29-31, fig. 3 [b w], N7442.2 M455 1986 (YCBA)


Basil Taylor, Stubbs, Phaidon, London, 1975, p. 210, pl. 66, NJ18 St915 T39 1975 (YCBA) +


Basil Taylor, Stubbs, Phaidon, London, 1971, p 210, no. 66, pl. 66, NJ18 St915 T39 (YCBA) +


Malcolm Cormack, George Stubbs in the collection of Paul Mellon, a memorial exhibition, Yale Center for British Art, New Haven, Conn., 1999, pp. 10, 13, 30, no. 13, NJ18 St915 G54 1999 (YCBA) , Copy 2 is on Mellopn Shelf


Chet Hagan, The Paul Mellon collection of sporting art, 1972, p. 1223, V 0368 (YCBA)


Paul Mellon's legacy, a passion for British art : April 18-July 29, 2007, Yale Center for British Art, New Haven, Conn., 2007, pp. 8-9, V 1735 (YCBA)


Luke Herrmann, The Paul Mellon Collection at Burlington House, Connoisseur, v. 157, no. 634, December 1964, p. 216, fig 7, N1 C75 + OVERSIZE (YCBA) , Another copy available in YCBA Vertical File Collection: v 2334


Brian Allen, The Sport of Collecting: Paul Mellon and British Art, Apollo, v.165,no.542, April 2007, pp. 35,36, fig. 4, N1 A54 + (YCBA)


John Baskett, Painting in England: 1700-1850, the Collection of English paintings formed by Mr and Mrs Paul Mellon : on Exhibition at the Museum of Fine Arts, Richmind, untik August 18th, Connoisseur, Vol. 153, June 1963, p. 102, N1 C75 + (YCBA)


The Yale Center for British Art, An Anniversary Celebration of Paul Mellon's Great Legacy, Apollo, April 2007, p. 35, fig. 4, N5220 M552 A7 OVERSIZE (YCBA) , Appeared as April 2007 issue of Apollo;; all of the articles may also be found in bound Apollo Volume [N1 A54 165:2 +]


Paul Mellon, Reflections in a silver spoon, a memoir, W. Morrow, New York, 1992, btwn p 382-3, N5220 M552 1992 (YCBA)


Arthur Ackermann & Son Ltd., An exhibition of XVIIIth and XIXth century oil paintings of celebrated racehorses : 9th May to 1st June, 1962, presented by the British Racehorse at the galleries of Arthur Ackermann & Son, Ltd., London, 1962, p. 13, No. 5, DealerCat Arthur Ackermann (YCBA)


Castiglione, Scott, auctioneers, London, Heirlooms and objet d'art from Ruxley Lodge by order of Rt. Hnble Gerald Henry Baron Foley., October 14-20, 1919, Castiglione, Scott, [London, 1919, p. 40, lot. 564, X348 C191 1919 10 14-20 (LSF - MUDD)


Genius Defined, Time, vol. 82, no.. 1, July 5, 1963, p. 58, V 2333 (YCBA) , Hard Copy also available at SML - AP2 T55 +


Lindsay Duguid, The Recollected Works, TLS, the Times Literary Supplement, Issue no. 5458, November 8, 2007, p. 17, Available Online : TLS Archive , Also Available on microfilm : Film S748 (SML)


Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 62, ND466 G67 (YCBA)


Old Masters in Wide Variety, The racehorse in art, The Times (London), Issue no. 55393, 17 May 1962, p. 5, Avaialble Online : Times Digital Archive , Also available on Microfilm: Film An T482 (SML)


A Great Collection of British Pictures in Virginia, The Times (London), Issue No. 55689, May 1, 1963, p. 5, Available Online : Times Digital Archive , Also available on Microfilm: Film An T482 (SML)


Giles Waterfield, Mr Mellon, RA : the magazine for the Friends of the Royal Academy, No. 96, Autumn 2007, p. 71, V 1905 (YCBA) , Detached from RA, no.96 (2007:Autumn)


Duncan Robinson, At home to sporting art : the Brick House, Essays of Friends of British Sporting Art, no. 33, The British Sporting Art Trust, Summer 1997, pp. 2, 4, N8250 .B751 (YCBA)


Duncan Robinson, At home to sporting art : the Brick House, Essays of Friends of British Sporting Art, no. 33, Friends of British Sporting Art, Summer 1997, pp. 2, 4, N8250 .B751 (YCBA)

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