Search Details

Creator unknown artist, seventeenth century
Title Llannerch, Denbighshire, Wales
Date ca. 1667
Medium Oil on canvas
Dimensions 45 x 59 3/4 inches (114.3 x 151.8 cm)
Credit Line Yale Center for British Art, Paul Mellon Collection
Accession Number B1976.7.115
Collection Paintings and Sculpture
Link to This Record http://collections.britishart.yale.edu/vufind/Record/1667696
People Represented or Subject • Neptune
Subject Terms architectural subject | bird's-eye view | bridge (built work) | buildings | bull | circles | country house | cows | deer | deer park | espalier trees | fences | fountains | French | gables (architectural elements) | gardens | gates | houses | Italian | lakes | landscape | livestock | mansion | path | pavilions (building divisions) | river | road | round | sculptures | servants | stream | summerhouses | sundial | terraces | trees | walking | walls
Place Represented Clwyd | Cymru | Denbighshire | Europe | Saint Asaph | United Kingdom | Wales
Publications

Country houses in Great Britain., Yale Center for British Art, New Haven, 1979, pp. 19-20, 101, no. 1, pl. . 1, N6764 Y34 1979 (YCBA)


John Harris, The artist and the country house, a history of country house and garden view painting in Britain, 1540-1870, Sotheby Parke Bernet, London Totowa, N.J., 1979, pp. 7. 41, 54, no. 41, fig. 41 and col. pl. III, N6764 H36 + (YCBA)


Mapping the landscape, essays on art and cartography, Nottingham Castle Museum and Art Gallery, Nottingham [England], 1990, p. 10, fig. 3, GA105 M27 1990 (YCBA) +


John Harris, Bird's-eye Views at Yale, Country Life, vol. 164, November 30, 1978, pp. 1820,1822, fig. 1, S3 C68 OVERSIZE (YCBA)


The Yale Center for British Art, An Anniversary Celebration of Paul Mellon's Great Legacy, Apollo, April 2007, pp. 52-54, fig. 2, N5220 M552 A7 OVERSIZE (YCBA) , Appeared as April 2007 issue of Apollo;; all of the articles may also be found in bound Apollo Volume [N1 A54 165:2 +]


Todd Longstaffe-Gowan, Mapping a National Style, topography & landscape at the Yale Center for British Art, Apollo, v. 165, no. 542, April, 2007, pp. 52-53, 54, fig 2 & colordetail, N1 A54 + (YCBA)


Stephen Bann, Interlacing words and things, bridging the nature-culture opposition in gardens and landscape, Dumbarton Oaks Research Library and Collection, Washington, D.C., 2012, p. 56, fig. 4.2, SB454.3.P45 I58 2012 (YCBA)


Kimberly Skelton, The paradox of body, building and motion in seventeenth-century England, Manchester University Press, 2015, front cover, pp. 140-42, fig. 55, NA7328 .S58 2015 (YCBA)

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