Search Details

Creator Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Title The Blacksmith's Shop
Date 1771
Medium Oil on canvas
Dimensions 50 1/2 x 41 inches (128.3 x 104.1 cm) Frame: 55 1/2 × 45 1/4 inches (141 × 114.9 cm)
Inscription(s)/
Marks/
Lettering
Signed and dated, lower right: "Jo:[symbol] Wright | Pinx [symbol] 1771."
Credit Line Yale Center for British Art, Paul Mellon Collection
Accession Number B1981.25.712
Collection Paintings and Sculpture
Link to This Record http://collections.britishart.yale.edu/vufind/Record/1669279
Subject Terms angels | anvil (tool) | apprentices | blacksmiths | boys | children | church | clouds | contrast | genre subject | horseshoes (animal equipment) | labor | light | machines | metal | monastery | moon | moonlight | night | religious (people) | ruins | shop | tools | woman | workers
Publications

Julia Marciari-Alexander, This other Eden, paintings from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1998, p. 80, no. 27, ND1314.3 Y36 1998 (YCBA)


Paul Mellon's legacy, a passion for British art. [large print labels], Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 +P381 2007, Mellon Shelf (YCBA)


Ellis Waterhouse, Dictionary of British 18th century painters in oils and crayons, Antique Collectors' Club, Woodbridge, Suffolk, 1981, p. 427, ND466 W38 OVERSIZE (YCBA)


Yale Center for British Art, Selected paintings, drawings & books, Yale University Press, New Haven, CT, 1977, p. 33, N590.2 A82 (YCBA)


Malcolm Warner, Great British paintings from American collections, Holbein to Hockney, Yale Center for British Art, New Haven, CT, 2001, p. 115, no. 27, ND464 W27 2001 (YCBA)


Malcolm Cormack, A concise catalogue of paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 262-263, N590.2 A83 (YCBA)


Michael Rosenthal, The art of Thomas Gainsborough, "a little business for the eye", Yale Center for British Art, New Haven, 1999, pp. 82-83, 219, pl. 79, NJ18 G16 R67 1999 (YCBA)


Ronald Paulson, Emblem and expression, meaning in English art of the eighteenth century, Thames and Hudson, London, 1975, pp. 190-3, pl. 124, NX543 P38 (YCBA)


E. D. H. Johnson, Paintings of the British social scene, from Hogarth to Sickert, Weidenfeld and Nicolson, London, 1986, p. 128, no. 87, ND1452 G7 J64 (YCBA)


Stephen Daniels, Joseph Wright, Tate Publishing, London, 1999, pp. 49-50, NJ18 W95 D25 1999 (YCBA)


Ronald Paulson, Breaking and remaking, aesthetic practice in England, 1700-1820, Rutgers University Press, New Brunswick, 1989, pp. 203-4, fig. 21, BH221 G72 P38 1989 (YCBA)


David Alexander, Painters and engraving, the reproductive print from Hogarth to Wilkie, Yale Center for British Art, New Haven, 1980, p. 31, no. 51, NE631.2 A43 (YCBA)


Judy Egerton, Wright of Derby, Tate Publishing, London, 1990, pp. 99-100, no. 47, NJ18 W95 E54 1990 (YCBA) +


Joseph Wright of Derby, a selection of paintings from the Collection of Mr. and Mrs. Paul Mellon. [Exhibition] November 22, 1969 to May 1, 1970., National Gallery of Art, Washington, DC, 1969, no. 3, NJ18 W95 U5 (YCBA)


Benedict Nicolson, Joseph Wright of Derby, painter of light, Paul Mellon Foundation for British Art, London, New York, 1968, pp. 17, 50-1..., no. 199, fig. 33, 58-9, NJ18 W95 N53 + (YCBA)


Joseph Wright of Derby, 1734-1797, an exhibition of paintings and drawings, the Tate Gallery, 11 April to 18 May, the Walker Art Gallery, Liverpool, 31 May to 21 June, Arts Council of Great Britain, London, UK, 1958, no. 8, NJ18 W95 A77 (YCBA)


Denis E. Cosgrove, The Iconography of landscape, essays on the symbolic representation, design, and use of past environments, 9, Cambridge University Press, Cambridge [England] New York, 1988, pp. 129-34, fig. 7, NX650.L34 I26 1988 (YCBA)


Ronald Paulson, Hogarth's harlot, sacred parody in Enlightenment England, Johns Hopkins University Press, Baltimore, Md., 2003, pp. 146, 160-2, fig. 40, BR758 P38 2003 (YCBA)


Albert Boime, Art in an age of revolution, 1750-1800, v. 1, University of Chicago Press, Chicago, 1987, pp. 247-9, fig. 3.18, N6425 N4 B65 1987 (YCBA)


Judy Egerton, Joseph Wright of Derby, 1734-1797, Londres, Tate Gallery, 7 fâevrier-22 avril 1990 ; Paris, Galeries nationales du Grand Palais, 17 mai-23 juillet 1990 ; New York, Metropolitan Museum of Art, 6 septembre-2 dâecembre 1990, Réunion des Musées Nationaux, Paris, 1990, no. 35, NJ18 W95 E5414 1990 OVERSIZE (YCBA)


Gillian Perry, Unit 29, Joseph Wright of Derby, Open University Press, Milton Keynes (England), 1987, p. 32, NJ18 W95 P47 OVERSIZE (YCBA)


Roy Morris, Engravings After Joseph Wright, A.R.A., Print-Collector's Quarterly, vol. 19, April 1932, pp. 94-115, Je10 P933 (LSF)


E. P. Birk, English Painter of Light: Exhibition at the National Gallery in Washington, D.C., Magazine Antiques, vol. 97, February 1970, p. 164, NK1125 A3 OVERSIZE (HAAS)


Frederick J. Cummings, Joseph Wright at the National Gallery, Art Quarterly, vol. 34, Winter 1971, pp. 457-82, J10 Ar81 + (LSF)


Annalisa Bellerio, Joseph Wright of Derby 1734-1797, FMR, No. 87, September 1997, pp. 8-9., N1 F16 OVERSIZE (HAAS)


Benedict Nicolson, Joseph Wright's Early Subject Pictures, Burlington Magazine, vol. 96, no. 612, March 1954, pp. 72-80, fig. 5, N1 B87 OVERSIZE (YCBA) , Available online in JStor.


Malcolm Cormack, A Selective Promenade, Apollo, v.105, no. 182, April 1977, pp. 288, 291, fig. 7, N1 A54 + (YCBA) , Another copy of this article may be found in a separately bound and catalogued copy of this issue located on the Mellon Shelf [call number : N5220 M552 A7 1977 + (YCBA)]


Jane Kristof, Blacksmiths, Weavers, and Artists: Images of Labor in the 19th Century, Nineteenth Century Contexts, vol. 17, 1993, p. 183, fig. 6, Yale Internet Resource


Susan L. Siegfried, Engaging the Audience, Sexual Economies of Vision in Joseph Wright, Representations, No. 68, Autumn 1999, pp. 35-38, fig. 1, Available online


Susan L. Siegfried, Engaging the Audience, Sexual Economies of Vision in Joseph Wright, Representations, No. 68, Autumn 1999, pp. 35-38, fig. 1, NX1 R46 (YCBA) , also available online


David H. Solkin, Joseph Wright of Derby and the Sublime Art of Labor, Representations, vol. 83, Summer 2003, pp. 167-194 n.44, fig. 1, NX1 R46 (SML) , Available online in JStor. http://www.jstor.org/stable/10.1525/rep.2003.83.1.167


Bruce W. Chambers, The Pythagorean Puzzle of Patrick Lyon, Art Bulletin, v. 58, June 1976, pp. 231-32, fig. 13, N11 C4 + (YCBA)


Joseph Wright of Derby in Liverpool, May 22 - August 31, 2008., Yale Center for British Art, New Haven, CT, 2008, p. 10, V 2193 (YCBA)


Elizabeth E. Barker, Joseph Wright of Derby in Liverpool, Walker Art Gallery, Liverpool New Haven, 2007, pp. 49, 52, 67-9, cat.41, NJ18 W95 B36 2007 + (YCBA)


Exhibition at Washington, Apollo, March 1970, p. 244, fig. 5, N1 A54 + (YCBA)


Prof. David Bindman, The History of British Art, Yale Center for British Art, New Haven, Conn., 2008, pp. 182-83 (v.2), ffig. 116, N6761 H57 2008 + Oversize (YCBA)


Celina Fox, The arts of industry in the Age of Enlightenment, Yale University Press, New Haven, 2009, p. 428, fig. 214, N72.T4 F69 2009 OVERSIZE (YCBA)


British Art at Yale, Apollo, v.105, no. 182, April 1977, pp. 288, 291, fig. 7, N5220 M552 A7 1977 OVERSIZE (YCBA) , Published as April 1977 issue of Apollo; all of the articles may also be found in bound Apollo Volume [N1 A54 105:2 +]


Matthew Hargraves, Joseph Wright of Derby and the Society of Artists of Great Britain, British Art Journal, Vol. 11, no. 1, 2010 (Spring), pp. 56-57, Pl. 3, N6761 B74 OVERSIZE (YCBA) , Also available on line (ORBIS)


The Weir family, 1820-1920, expanding the traditions of American art, Brigham Young University Museum of Art, Provo, Utah and Hanover, N.H., 2011, p. 123, NJ18 W4268 A12 2012 (LC) Oversize (HAAS)


Timothy J. Barringer, The Englishness of Thomas Cole, University of New Hampshire Press, Durham, NH, 2011, p. 14, V2383 (YCBA


Eric Robinson, Shorter Notices, Joseph Wright of Derby : The Philosophers' Painter, Burlington Magazine, vol. 100, The Burlington Magazine Publications Ltd., June 1958, p. 214, N1 B87 100 OVERSIZE (YCBA)


Joseph Burke, The Iconography of the Enlightenment in English Art, Sydney University Press for the Australian Academy of the Humanities, 1970, pp. 15-16, pl. 6, N6766 B87


Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 78, ND466 G67 (YCBA)


The ruin and the sketch in the eighteenth century, vol. 2, Wissenschaftlicher Verlag Trier, Trier, 2008, pp. 185-87, fig 6, N6766 .R75 2008 (YCBA)


Loyd Grossman, Benjamin West and the struggle to be modern, Merrell, London: New York, 2015, pp. 108.111, 112, fig. 52, NJ18.W52 G76 2015 (YCBA)

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