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Creator Sir Thomas Lawrence, 1769–1830, British
Title Lord Granville Leveson-Gower, later first Earl Granville
Alternate Title(s) Lord Granville Leveson-Gower, later 1st Earl Granville
Granville, First Earl
Date between 1804 and 1809
Medium Oil on canvas
Dimensions 92 1/2 x 51 1/2 inches (235 x 130.8 cm) Frame: 106 1/2 × 71 inches (270.5 × 180.3 cm)
Credit Line Yale Center for British Art, Paul Mellon Collection
Accession Number B1981.25.736
Collection Paintings and Sculpture
Link to This Record http://collections.britishart.yale.edu/vufind/Record/1669281
People Represented or Subject • Gower, Granville Leveson-, first Earl Granville (1773–1846), diplomatist
Subject Terms ambassador | clouds | coat of arms | column (architectural element) | costume | drape | figure | fur | insignia | light | man | portrait | sky | standing
Publications

Julia Marciari-Alexander, This other Eden, paintings from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1998, p. 108, no. 40, ND1314.3 Y36 1998 (YCBA)


Paul Mellon's legacy, a passion for British art. [large print labels], Yale Center for British Art, New Haven, CT, 2007, v.3, N5220 M552 +P381 2007, Mellon Shelf (YCBA)


Acquisitions : The First Decade 1977-1986, Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1986, pp. 9, 15, no. 32, fig. 7, N590.2 A7 OVERSIZE (YCBA)


Malcolm Cormack, A concise catalogue of paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 142-43, N590.2 A83 (YCBA)


David Cannadine, Aspects of aristocracy, grandeur and decline in modern Britain, Yale University Press, New Haven, 1994, p. 34, fig. 4, HT653 G7 C357 1994 {YCBA)


Michael Levey, Sir Thomas Lawrence, 1769-1830, National Portrait Gallery, London, 1979, pp. 44-45, no. 20, NJ18 L42 L48 (YCBA)


Dr. Kenneth Garlick, Sir Thomas Lawrence, Routledge & Kegan Paul, London, 1954, p. 46, pl. 40, NJ18 L42 G37 (YCBA)


Ronald Sutherland Gower, Sir Thomas Lawrence, Goupil, J. Boussod, Manzi, Joyant, successors, London New York, 1900, p. 133, NJ18 L42 G7 + (YCBA)


Walter Armstrong, Lawrence, Methuen & co., ltd., London, 1913, p. 135, NJ18 L42 A75 (YCBA) , Also Available Online (ORBIS)


Dr. Kenneth Garlick, Sir Thomas Lawrence, a complete catalogue of the oil paintings, Phaidon, Oxford, 1989, p. 224, no. 488, fig. 488, NJ18 L42 G376 (YCBA)


Dr. Kenneth Garlick, A Catalogue of the Paintings, Drawings and Pastels of Sir Thomas Lawrence, Volume of the Walpole Society, v. 39, Walpole Society, 1962-1964, p. 125, N12 W35 A1 39 + (YCBA)


British portraits : Winter exhibition, 1956-57., , , Royal Academy of Arts, London, 1956, v.1, p. 125, no. 399, N5054 A545 1956 57 v. 1 and 2 (YCBA) , Alao available on Microfiche; Fiche B196, fiche #'s 1 - 4


South Kensington Museum, Catalogue of the third and concluding exhibition of national portraits commencing with the fortieth year of the reign of George the Third and ending with the year MDCCCLXVII. On loan to the South Kensington museum. April 13, 1868., London, 1868, p. 93, No. 460, N7598 S6 1868 (YCBA)


Duncan Robinson, Acquisitions : The First Decade 1977 - 1986, , Burlington Magazine, vol. 128, October 1986, pp. 9, 15, cat. 32, fig. 7, N1 B87 128:3 OVERSIZE (YCBA)


The critique of reason : Romantic art, 1760-1860 : March 6-July 26, 2015, Yale University Art Gallery, Yale University Art Gallery, New Haven, 2015, [pp. 10, 11], fig. 16, V 2574 (YCBA)


The critique of reason : Romantic art, 1760-1860 : March 6-July 26, 2015, Yale University Art Gallery, Yale Center for British Art, New Haven, 2015, [pp. 10, 11], fig. 16, V 2574 (YCBA)

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