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Joseph Mallord William Turner The Roman Campagna, with Ponte Salario and the Confluence of the Tiber and Aniene Rivers
after Joseph Mallord William Turner, 1775–1851
The Roman Campagna, with Ponte Salario and the Confluence of the Tiber and Aniene Rivers
c.1819
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner Vesuvius in Repose
after Joseph Mallord William Turner, 1775–1851
Vesuvius in Repose
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
William Blake Plate 9 (page 15):' The longest night though longer far, would fail'
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'
William Blake, 1757–1827
Plate 22 (page 40): ' Angels should paint it, angels ever there'
1797
William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
William Blake, 1757–1827
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
William Blake, 1757–1827
Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
1797
William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'
William Blake, 1757–1827
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
William Blake, 1757–1827
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
William Blake May-Day in London
William Blake, 1757–1827
May-Day in London
1784
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
William Blake Plate 8 (page 13): 'The present moment terminates our sight'
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
William Blake Plate 13 (page 23): 'We censure nature for a span too short'
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
William Blake, 1757–1827
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
William Blake, 1757–1827
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'
William Blake, 1757–1827
Plate 21 (page 37): 'Love, and love only, is the loan for love'
1797
William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
William Blake The Life, and Posthumous Writings, of William Cowper (volume 3)
Prints made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
William Blake Beggar's Opera, Act III
William Blake, 1757–1827
Beggar's Opera, Act III
1790
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
William Blake "There is No Natural Religion", London, by William Blake
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
Frederick Christian Lewis the Elder View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
Thomas Milton Lucan-House
Thomas Milton, 1742/1743–1827
Lucan-House
1783
Thomas Bradshaw Album of Landscape and Figure Studies: Rural Road near Potten End
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Rural Road near Potten End
1811 to 1813
Thomas Bradshaw Album of Landscape and Figure Studies: Sketch of Castle Ruins
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketch of Castle Ruins
Daniel Lysons The Environs of London, Vol.II: Memorial to Anna Tilson from Hampton Church
Daniel Lysons, 1762–1834
The Environs of London, Vol.II: Memorial to Anna Tilson from Hampton Church
between 1796 and 1811
unknown artist Mother Teaching Letters to Daughter
unknown artist
Mother Teaching Letters to Daughter
Leslie Matthew 'Spy' Ward Washington Post - The Rt. Hon. Sir Henry Mortimer Durand. 12 May 1904
Leslie Matthew 'Spy' Ward, 1851–1922
Washington Post - The Rt. Hon. Sir Henry Mortimer Durand. 12 May 1904
1904
unknown artist Diplomacy - Mr. Percy William Doyle. 27 Dec. 1873
unknown artist
Diplomacy - Mr. Percy William Doyle. 27 Dec. 1873
1873
Leslie Matthew 'Spy' Ward Ambassador to the Porte - The Rt. Hon. Sir Henry George Elliot. 17 March 1877
Leslie Matthew 'Spy' Ward, 1851–1922
Ambassador to the Porte - The Rt. Hon. Sir Henry George Elliot. 17 March 1877
1877
Leslie Matthew 'Spy' Ward Diplomacy - The Rt. Hon. Sir Nicholas O'Conor. 1 May 1907
Leslie Matthew 'Spy' Ward, 1851–1922
Diplomacy - The Rt. Hon. Sir Nicholas O'Conor. 1 May 1907
1907
Leslie Matthew 'Spy' Ward Tokio - Sir Claude Maxwell MacDonald. 10 Oct. 1901
Leslie Matthew 'Spy' Ward, 1851–1922
Tokio - Sir Claude Maxwell MacDonald. 10 Oct. 1901
1901
Carlo Pellegrini The Baron - Sir Charles Lennox Wyke. 9 Feb. 1884
Carlo Pellegrini, 1839–1889
The Baron - Sir Charles Lennox Wyke. 9 Feb. 1884
1884
Leslie Matthew 'Spy' Ward One of a set; VANITY FAIR, Ambassadors to England: The Belgian Minister, Count Charles De La Laing, 21 July 1904
Leslie Matthew 'Spy' Ward, 1851–1922
One of a set; VANITY FAIR, Ambassadors to England: The Belgian Minister, Count Charles De La Laing, 21 July 1904
1904
Leslie Matthew 'Spy' Ward One of a set; VANITY FAIR, Ambassadors to England: A Manipulator of Phrases, General Ignatieff, 14 April 1877 (with biography)
Leslie Matthew 'Spy' Ward, 1851–1922
One of a set; VANITY FAIR, Ambassadors to England: A Manipulator of Phrases, General Ignatieff, 14 April 1877 (with biography)
1877
Leslie Matthew 'Spy' Ward Berlin - Sir Frank Cavendish Lascelles. 27 March 1902
Leslie Matthew 'Spy' Ward, 1851–1922
Berlin - Sir Frank Cavendish Lascelles. 27 March 1902
1902
Carlo Pellegrini Ill-used - Sir James Hudson. 26 Sept. 1874
Carlo Pellegrini, 1839–1889
Ill-used - Sir James Hudson. 26 Sept. 1874
1874
Leslie Matthew 'Spy' Ward Odo - The Rt. Hon. Lord Odo William Leopold Russell. 28 July 1877
Leslie Matthew 'Spy' Ward, 1851–1922
Odo - The Rt. Hon. Lord Odo William Leopold Russell. 28 July 1877
1877
Carlo Pellegrini One of the Lambs of the Political Fold - Mr. Apponyi. 14 Jan. 1871
Carlo Pellegrini, 1839–1889
One of the Lambs of the Political Fold - Mr. Apponyi. 14 Jan. 1871
1871
Carlo Pellegrini Diplomacy - Lord Lyons. 6 April 1878
Carlo Pellegrini, 1839–1889
Diplomacy - Lord Lyons. 6 April 1878
1878
Carlo Pellegrini One of a set; VANITY FAIR, Ambassadors to England: Austria - Frederick Ferdinand, Count Beust - 28 Aug. 1875
Carlo Pellegrini, 1839–1889
One of a set; VANITY FAIR, Ambassadors to England: Austria - Frederick Ferdinand, Count Beust - 28 Aug. 1875
1875
Carlo Pellegrini Promotion by Merit - Col. the Hon. Frederick Arthur Wellesley
Carlo Pellegrini, 1839–1889
Promotion by Merit - Col. the Hon. Frederick Arthur Wellesley
Leslie Matthew 'Spy' Ward One of a set; VANITY FAIR, Ambassadors to England: Brazil, The Chevailier de Souza Correa; 18 August 1898 (with biography)
Leslie Matthew 'Spy' Ward, 1851–1922
One of a set; VANITY FAIR, Ambassadors to England: Brazil, The Chevailier de Souza Correa; 18 August 1898 (with biography)
1898
Leslie Matthew 'Spy' Ward "The Queen's Memorial". Thomas Brock 21 September 1905 (with biography). Vanity Fair.
Leslie Matthew 'Spy' Ward, 1851–1922
"The Queen's Memorial". Thomas Brock 21 September 1905 (with biography). Vanity Fair
1905
Amos Green Views in England, Scotland, and Wales: Tour in Scotland; The Trossacs
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; The Trossacs
1803
Amos Green Views in England, Scotland, and Wales: Tour in Scotland; From the Braid Hills
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; From the Braid Hills
1803
Amos Green Views in England, Scotland and Wales: Ruins of Dunbar Castle, HG/Tour in Scotland
Amos Green, 1735–1807
Views in England, Scotland and Wales: Ruins of Dunbar Castle, HG/Tour in Scotland
1803
Amos Green Views in England, Scotland, and Wales: Tour in Scotland; Loch van-a-char, with the moutain called Benvenue
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; Loch van-a-char, with the moutain called Benvenue
1803
Amos Green Views in England, Scotland, and Wales: Tour in Scotland; View at Sterling
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; View at Sterling
1803
Leslie Matthew 'Spy' Ward Washington - The Rt. Hon. Sir Michael Henry Herberg. 15 Jan. 1903
Leslie Matthew 'Spy' Ward, 1851–1922
Washington - The Rt. Hon. Sir Michael Henry Herberg. 15 Jan. 1903
1903
Amos Green Views in England, Scotland, and Wales: Tour in Scotland; The Trossacs, with Benvenue
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; The Trossacs, with Benvenue
1803
Amos Green Trossacs
Amos Green, 1735–1807
Trossacs
1803
unknown artist This Typographic Specimen to the Memory of William Caxton
unknown artist
This Typographic Specimen to the Memory of William Caxton
Harriet Hunter The Port of Wisbech, Cambridgeshire
Harriet Hunter
The Port of Wisbech, Cambridgeshire
1840
unknown artist The Kingdom's Martyr - Sir Edmund Burie Godfrey
unknown artist
The Kingdom's Martyr - Sir Edmund Burie Godfrey
1678
Henry Kingsbury The Beggar and his Dog
Henry Kingsbury, active 1750–1780
The Beggar and his Dog
Joseph Constantine Stadler South View of the New Custom House
Joseph Constantine Stadler, active 1780–1812
South View of the New Custom House
1817
Pierre Charles Canot Near Plymouth with the Ordinance Wharfe...
Pierre Charles Canot, ca. 1710–1777
Near Plymouth with the Ordinance Wharfe..
1756
unknown artist Moll King (Broadside Engraved Portrait of the Notorious Mistress of King's Coffee-House in Covent Garden...)
unknown artist
Moll King (Broadside Engraved Portrait of the Notorious Mistress of King's Coffee-House in Covent Garden...)
undated
Isaac Basire Cherokee Delegation to England
Print made by Isaac Basire, 1704–1768
Cherokee Delegation to England
1730, printed ca. 1748
Francis Jukes Perspective view of the Crescent now erecting near the town of Birmingham
Francis Jukes, 1747–1812
Perspective view of the Crescent now erecting near the town of Birmingham
1804
Thomas Sutherland Improvements opposite Carlton House (Showing the view up Regent Street)
Thomas Sutherland, ca. 1785–1838
Improvements opposite Carlton House (Showing the view up Regent Street)
1817
Charles J. Hullmandel Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827
Charles J. Hullmandel, 1789–1850
Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827
1827
John Maurer The Mansion House
John Maurer, active 1713–1761
The Mansion House
1750
John Maurer The Mansion House
John Maurer, active 1713–1761
The Mansion House
James Heath Sheregrig
James Heath, 1757–1834
Sheregrig
1789
James Heath Bee Cuckoo
James Heath, 1757–1834
Bee Cuckoo
1790
James Heath Abou Hannes
James Heath, 1757–1834
Abou Hannes
1789
James Heath Rachamah
James Heath, 1757–1834
Rachamah
1790
James Heath Canja Undersail
James Heath, 1757–1834
Canja Undersail
1789
James Heath Arab Shekh, Tribe Beni Koreish
James Heath, 1757–1834
Arab Shekh, Tribe Beni Koreish
1789
unknown artist Plan of the First Battle of Serbraxos Fought 16 May 1772
unknown artist
Plan of the First Battle of Serbraxos Fought 16 May 1772