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Queen Charlotte
Creator:
Modeled by William Hackwood, died 1836
Date:
ca. 1776
Materials & Techniques:
Wedgwood and Bentley blue and white jasper, with contemporary ormolu frame with pierced ribbon finials
Dimensions:
Overall: 2 1/4in. (5.7cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black
Creator:
unknown artist
Date:
18th century
Materials & Techniques:
Enamel transfer-printed in black on ceramic
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Painting of Pharoah's Daughter and Moses in the Foundling Hospital
Creator:
William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fair Scene
Creator:
William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Simon, Lord Lovat
Creator:
Print made by William Hogarth, 1697–1764
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Isabelle Hollister Tuttle for the Emerson Tuttle Memoiral Collection
Hudibras Vanquished by Trulla
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Paul before Felix
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Distressed Poet
Creator:
William Hogarth, 1697–1764
Date:
1740
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery
Mr. Garrick in the Character of Richard III
Creator:
William Hogarth, 1697–1764
Date:
1746
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery
Pit Ticket
Creator:
William Hogarth, 1697–1764
Date:
1759
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mr. Arthur F. Tuttle
Beer Street
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale Univesrity Art Gallery
Frontispiece and its Explanation (no.1)
Creator:
William Hogarth, 1697–1764
Date:
1726
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Hudibras Sallying Forth (no.2)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Hudibras's First Adventure (no.3)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Hudibras Vanquish'd by Trulla (no.5)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Hudibras in Tribulation (no.6)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Hudibras Catechiz'd (no.9)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Hudibras Triumphant (no.4)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Burning ye Rumps at Temple-Barr (no.11)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Hudibras Encounters the Skimmington (no.12)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)
Creator:
William Hogarth, 1697–1764
Materials & Techniques:
Hand-colored engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Prospectus print "Crown & Mitre"
Creator:
William Hogarth, 1697–1764
Date:
1754
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
William Hogarth
Creator:
William Hogarth, 1697–1764
Date:
1764
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
May-Day in London
Creator:
William Blake, 1757–1827
Date:
1784
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 22 (page 40): ' Angels should paint it, angels ever there'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 37 (page 86): 'His hand the good man fastens on the skies'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 8 (page 13): 'The present moment terminates our sight'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 6 (page 10): 'Disease invades the chastest temperence'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 7 (page 12): 'Its favours here are trials, not rewards'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 9 (page 15):' The longest night though longer far, would fail'
Creator:
Engravings by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 13 (page 23): 'We censure nature for a span too short'
Creator:
Engravings by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 21 (page 37): 'Love, and love only, is the loan for love'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Beggar's Opera, Act III
Creator:
William Blake, 1757–1827
Date:
1790
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery
"The Book of Thel William Blake Original Wrappers 1789"
Creator:
William Blake, 1757–1827
Date:
1789
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
Creator:
William Blake, 1757–1827
Date:
1797
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figure Composition Study 20
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 7 inches (14 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lucan-House
Creator:
Thomas Milton, 1742/1743–1827
Date:
1783
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lincoln House, Enfield, Outer Suburb - North
Creator:
James Peller Malcolm, 1767–1815
Date:
1800
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
West-Combe in Kent, the Seat of the Marchioness of Lothian, Outer Suburb - South East
Creator:
William Watts, 1752–1851
Date:
1779
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lake House belonging to Sir James Tilney Long on the Ilford Road, Essex, Outer Suburb - East
Creator:
unknown artist
Date:
1792
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lord Mayor's Mansion House, Showing the Front and West Side
Creator:
Paul Fourdrinier, 1698–1758
Date:
1754
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Grosvenor House at Walthamstow, Essex, Outer Suburb - East
Creator:
unknown artist
Date:
1792
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Mansion House...
Creator:
Thomas Bowles, ca. 1712–died 1753
Date:
1753
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir Christopher Wren's Design for Rebuilding the City of London after the Great Fire in 1666
Creator:
William Alfred Delamotte, 1775–1863
Date:
1800
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clements Inn
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North East View of the Old Church of St. Mary, Islington
Creator:
unknown artist
Date:
1750
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Furnival's Inn
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sadlers Sharp Shooters
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A North View of London
Creator:
John Stevens, active 1745–1746
Date:
1794
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Devonshire Place and Wimpole Street ...
Creator:
George Barret Jr., 1767–1842
Date:
1799
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Delights of Islington
Creator:
Charles Bretherton, ca. 1760–1783
Date:
1772
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Front View of the Royal Palace of Kensington
Creator:
Nathaniel Parr, active 1742–1751
Date:
1751
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The East Front of Kensington Palace
Creator:
John Tinney, died 1761
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Perspective View of the South Front of Kensington Palace
Creator:
John Tinney, died 1761
Date:
1744
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Oblique Perspective View of the East Front of Kensington Palace
Creator:
John Tinney, died 1761
Date:
1744
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South View of Kensington
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South View of Kensington
Creator:
James Roberts the Elder, 1725–1799
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South East View of Kensington Church
Creator:
James Roberts the Elder, 1725–1799
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Distant View of Kensington Palace
Creator:
John Tinney, died 1761
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South East View of Kensington Church
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Zoological Gardens, Regent's Park
Creator:
William Le Petit, early 1800s
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Millbank on the River Thames near London
Creator:
Francis Jukes, 1747–1812
Date:
1795
Materials & Techniques:
Hand colored lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Millbank Looking Eastward
Creator:
Francis Jukes, 1747–1812
Date:
1796
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Millbank Looking Westward
Creator:
Francis Jukes, 1747–1812
Date:
1796
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South front of Kensington Palace, as seen from the Verges of the great Walk
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Monument
Creator:
Sutton Nicholls, active 1725
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North View of Holland House
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South View of Holland House
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North View of Holland House
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Holland House in Middlesex, the seat of Lord Holland
Creator:
William Angus, 1752–1821
Date:
1789
Materials & Techniques:
Engraving, letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection