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Credit Line Yale Center for British Art

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Period 18th century

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Image Use Under Certain Circumstances

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The Inside of St. Peters
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A Prospect of the Inside of the Collegiate Church of St. Peter in Westminster
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A Perspective of Westminster Abbey from the High Altar to the West End
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A Prospect of the Inside of Westminster Abbey
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abby
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A South View of Westminster Abbey and St. Margaret's Church
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Aldersgate Ward and St. Martins le Grand Liberty
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Billingsgate Ward and Bridge Ward Within
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Bishopsgate Ward Within and Without, According to a New Survey
Creator:
Print made by Benjamin Cole, 1697–1783
Date:
1756
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Bishopsgate, Street Ward
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A Plan of ye Great Fire in Bishopsgate Street, Leadenhall Street and Cornhill and Church
Creator:
Print made by unknown artist
Date:
1765
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A Plan of all the Houses Destroyed and Damaged by the Great fire which Began in Bishopsgate Street
Creator:
Print made by unknown artist
Date:
1765
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Aldgate Ward with its Division in to Parishes
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Breadstreet Ward and Cordwainer Ward
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Broad Street and Cornhill Wards
Creator:
Print made by unknown artist
Date:
1768
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Broad Street and Cornhill Wards
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Langborne Ward with its Division into Parishes
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Candlewick and Langborne Wards
Creator:
Print made by Thomas Bowen, active 1769–1786
Date:
1772
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Cheape Ward with its Division into Parishes
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown artist
Date:
1782
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown artist
Date:
1787
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown artist
Date:
1784
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown artist
Date:
1784
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown artist
Date:
1785
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown artist
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 52 1/2in. (24.1 x 133.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown artist
Date:
1751
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown artist
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 5/8 x 9 15/16in. (19.4 x 25.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Irish?, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 19th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' - NeoClassical variant frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, canvas, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Wood and compo, regilded over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, partially regilded over original abraded gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, original finish overpainted in ochre; regilded sight and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood and compo, regilded and restored over original gilding
Dimensions:
Frame: 37 1/4 × 35 1/2 × 4 inches (94.6 × 90.2 × 10.2 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown framemaker
Date:
2nd and 3rd quarters of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown framemaker
Date:
2nd and 3rd quarter of 18th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown framemaker
Date:
last third of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown framemaker
Date:
last third of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, regilded over original gilding
Dimensions:
Frame: 30 × 26 × 2 1/2 inches (76.2 × 66 × 6.4 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown framemaker
Date:
last third of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding
Dimensions:
Frame: 80 1/2 × 51 1/2 × 2 3/4 inches (204.5 × 130.8 × 7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown framemaker
Date:
last third of 18th century
Materials & Techniques:
Regilded over original gilding
Dimensions:
Frame: 42 1/4 × 34 × 2 1/2 inches (107.3 × 86.4 × 6.4 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Regilded over original gilding and sanded frieze
Dimensions:
Frame: 38 1/2 × 33 1/2 × 3 inches (97.8 × 85.1 × 7.6 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art