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Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 7 (page 12): 'Its favours here are trials, not rewards'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 8 (page 13): 'The present moment terminates our sight'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 9 (page 15):' The longest night though longer far, would fail'
Creator:
Engravings by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 22 (page 40): ' Angels should paint it, angels ever there'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The Book of Thel William Blake Original Wrappers 1789"
Creator:
William Blake, 1757–1827
Date:
1789
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
Creator:
William Blake, 1757–1827
Date:
1797
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"There is No Natural Religion", London, by William Blake
Creator:
William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching (several sheets in the set are touched with watercolor)
Dimensions:
Spine: 5 1/2in. (14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience
Creator:
William Blake, 1757–1827
Date:
1789-1794
Materials & Techniques:
Relief etching printed in dark-brown ink, with watercolor and pen and ink on wove paper
Dimensions:
Spine: 7 3/8 inches (18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
May-Day in London
Creator:
William Blake, 1757–1827
Date:
1784
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Beggar's Opera, Act III
Creator:
William Blake, 1757–1827
Date:
1790
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery
The Life, and Posthumous Writings, of William Cowper (volume 3)
Creator:
Prints made by William Blake, 1757–1827
Date:
1803-1804
Materials & Techniques:
Etchings and line engravings on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The Queen's Memorial". Thomas Brock 21 September 1905 (with biography). Vanity Fair.
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1905
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick
Mother Teaching Letters to Daughter
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection, Gift of Abel Cary Thomas, Yale BA 1905
View on the Itchen
Creator:
Angela Rudge, active 20th century
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905
Southampton
Creator:
Print made by Anne Rudge, 1761–1836
Date:
1799
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905
Berlin - Sir Frank Cavendish Lascelles. 27 March 1902
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1902
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick
Ill-used - Sir James Hudson. 26 Sept. 1874
Creator:
Carlo Pellegrini, 1839–1889
Date:
1874
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick
Tokio - Sir Claude Maxwell MacDonald. 10 Oct. 1901
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1901
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick
Justice! Justice! Justice! - Sir Edward Baldwin Malet. 12 Jan. 1884
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1884
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick
Diplomacy - Lord Lyons. 6 April 1878
Creator:
Carlo Pellegrini, 1839–1889
Date:
1878
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick
Diplomacy - The Rt. Hon. Sir Nicholas O'Conor. 1 May 1907
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1907
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick
Promotion by Merit - Col. the Hon. Frederick Arthur Wellesley
Creator:
Carlo Pellegrini, 1839–1889
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick
One of a set; VANITY FAIR, Ambassadors to England: Austria - Frederick Ferdinand, Count Beust - 28 Aug. 1875
Creator:
Carlo Pellegrini, 1839–1889
Date:
1875
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick
One of a set; VANITY FAIR, Ambassadors to England: Japan, The Viscount Tadasu Hayashi, 24 April 1902 (with biography)
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1902
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick
One of a set; VANITY FAIR, Ambassadors to England: Brazil, The Chevailier de Souza Correa; 18 August 1898 (with biography)
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1898
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick
One of a set; VANITY FAIR, Ambassadors to England: The German Ambassador, Count George Herbert Munster, 23 December 1876 (with biography)
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1876
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick
One of a set; VANITY FAIR, Ambassadors to England: A Manipulator of Phrases, General Ignatieff, 14 April 1877 (with biography)
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1877
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick
One of a set; VANITY FAIR, Ambassadors of England: Austro-Hungary Count Fraz Deym, 24 February 1898 (with biography)
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1898
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick
One of a set; VANITY FAIR, Ambassadors to England: The Belgian Minister, Count Charles De La Laing, 21 July 1904
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1904
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick
One of a set; VANITY FAIR, Ambassadors of England: The most interesting of all the Diplomatic Corps in London, Mr. Musurus, 4 February 1871
Creator:
Carlo Pellegrini, 1839–1889
Date:
1871
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick
Views in England, Scotland and Wales; Tour in Scotland: Vale of Newlands
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Colwith Force
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Conway Castle
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Conway Castle
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Between Llanrwst and Capel Cerrig, The Mountain is Moel Shiabod, The River is Lligwy
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Capel Cerrig and Snowdon
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: The Pass of Penmanmawr
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Snowdon, from Capel Cerrig
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Near Tan-y-bwlch
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wale: View near Bolton Abbey
Creator:
Amos Green, 1735–1807
Date:
1802
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Landscape with Stream
Creator:
Amos Green, 1735–1807
Date:
1802
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Park Cascade
Creator:
Amos Green, 1735–1807
Date:
1803
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Transient effect on Skodow and c., on returning from the fall of Lowdoor, July 30, 1805
Creator:
Amos Green, 1735–1807
Date:
1805
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Evening gleam at Lowdoor
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Upper part of the Fall of Lowdoor, A Study from Nature
Creator:
Amos Green, 1735–1807
Date:
1803
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Beyond Barden Tower
Creator:
Amos Green, 1735–1807
Date:
1803
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Watenlath, August 30, 1802
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802
Creator:
Amos Green, 1735–1807
Date:
1802
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: The Devil's Bridge near Aberystwith, Cardiganshire, September 1804
Creator:
Amos Green, 1735–1807
Date:
1804
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Netley Abbey near Southampton, July 24, 1804
Creator:
Amos Green, 1735–1807
Date:
1804
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Near Capel Cerrig
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Scene at the Devil's Bridge
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802
Creator:
Amos Green, 1735–1807
Date:
1802
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Caerphilly Castle, Glamorganshire
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Newport, Monmouthshire, May 31, 1806
Creator:
Amos Green, 1735–1807
Date:
1806
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Ventnor Cove, Isle of Wight, July 1804
Creator:
Amos Green, 1735–1807
Date:
1804
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Part of the Fall of the Mynach
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Inn at the Devil's Bridge, with the Fall of the Mynach
Creator:
Amos Green, 1735–1807
Date:
1804
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Part of Caerphilly Castle
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Brecknoch
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: View on the Brathay near Clappensgate
Creator:
Amos Green, 1735–1807
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: From a Picture in the Duke of Devonshire's House at Londesbro'
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Copied from a Picture in the Duke of Devonshire's House at Londesbro'
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: In Londesbro' Park
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Prebend's Bridge at Durham
Creator:
Amos Green, 1735–1807
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Nook edn, near Ambleside
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Le Grand Theatre des Alps and Glaciers
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: View about the lower Cascade, Rydal Westmorland
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Darley Pond, Buttercoomb Moor
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Head of Coniston Lake
Creator:
Amos Green, 1735–1807
Date:
1805-1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Loughrig with part of Windemere from the Terrace at Hill Top Cottage
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Ascent towards Levers Farm near Coniston
Creator:
Amos Green, 1735–1807
Date:
1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Ruins of Dunbar Castle, HG/Tour in Scotland
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland, and Wales: Tour in Scotland; From the Braid Hills
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland, and Wales: Tour in Scotland; Loch van-a-char, with the moutain called Benvenue
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland, and Wales: Tour in Scotland; The Trossacs
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

293. Trossacs

Trossacs
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Loch Katterine
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland, and Wales: Tour in Scotland; View at Sterling
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Tour in Scotland; Dunkeld
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Near Wyburn Lake
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in England, Scotland and Wales: Tour in Scotland; Wooded landscape with stream, near Syburn?
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection