My Lady Mayoress, from Draughts of Character, by A. Corkscrew
1835
1602
Print made by John Harris, 1811–1865
The Arrival at Waterford, Commin's Hotel
1856
1603
Print made by William Evans, active 1797–1856
The Right Honourable Sir John Eardley Wilmot, Knt
1811
1604
Print made by William Dickinson, 1746–1823
Joseph Banks Esquire
1774
1605
Print made by Henry Roberts, ca. 1710–1790
Portrait and Uniform of an American General, and A Real Representation of the Dress of an American Rifle Man
ca. 1783
1606
Trees by a Lake
undated
1607
Print made by Edward Francis Finden, 1791–1857
Winter View of Fort Franklin
1828
1608
Print made by unknown artist
View of Westminster Abbey, Shewing the Manner in which it was Fitted up at the Coronation
undated
1609
Print made by unknown artist
Calendarium Londinense or the London Almanack for the Year 1929
1929
1610
Print made by unknown artist
King & Constitution, No Slavery, Peace & Reform
undated
1611
Print made by unknown artist
The Chamberlain, from Draughts of Character, by A. Corkscrew
1835
1612
Print made by unknown artist
My Lord Mayor, from Draughts of Character, by A. Corkscrew
1835
1613
Print made by unknown artist
The Arms of the Colleges and the Costumes of the Members of the University of Oxford
undated
1614
Print made by John Walker, active 1792–1803
Sunderland Bridge, Durham
1802
1615
Print made by William Walker, active 1782–1808
A Perspective View of the Royal Academy in the Strand, where Somerset House Formerly Stood
1779
1616
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
undated
1617
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
undated
1618
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
1619
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
1620
Print (with several drawings) collection of approximately 1,200 sheets in accordance with letters exchanged between Helen Cooper (1/2/98) and Patrick McCaughey (2/6/98). Seventy-five (75) page list was supplied by the Yale Art Gallery