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Period 18th century
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1
- John Locke
- ca. 1775
- Not on view
2
- John Locke
- ca. 1750
- Not on view
3
- Queen Charlotte
- ca. 1776
- Not on view
4
- King George III
- ca. 1776
- Not on view
5
- Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black
- 18th century
- Not on view
6
- Bust of the Reverend George Whitfield: with ruddy cheeks, prominent mole, black robes and clerical collar
- ca. 1770
- Not on view
7
- Sir Charles Linnaeus
- undated
- Not on view
8
- Bust of the Reverend John Wesley: in clerical collar and black robes
- ca. 1791
- Not on view
9
- A Setter: Standing
- ca. 1775
- Not on view
10
- Father Time
- ca. 1790
- Not on view
11
- Mr. Punch
- ca. 1760
- Not on view
12
- Samson Slaying a Philistine
- between 1740 and 1770
- Not on view
13
- Hudibras Vanquished by Trulla
14
- Pit Ticket
- 1759
15
- Simon, Lord Lovat
16
- Frontispiece and its Explanation (no.1)
- 1726
17
- Hudibras Sallying Forth (no.2)
18
- Hudibras Vanquish'd by Trulla (no.5)
19
- Hudibras Triumphant (no.4)
20
- Hudibras's First Adventure (no.3)
21
- Hudibras Catechiz'd (no.9)
22
- Hudibras in Tribulation (no.6)
23
- Burning ye Rumps at Temple-Barr (no.11)
24
- William Hogarth
- 1764
25
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
26
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
27
- Paul before Felix
28
- The Distressed Poet
- 1740
29
- Beer Street
- 1751
30
- Mr. Garrick in the Character of Richard III
- 1746
31
- Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)
32
- Hudibras Encounters the Skimmington (no.12)
33
- Fair Scene
- 1733
34
- Prospectus print "Crown & Mitre"
- 1754
35
- Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
- 1797
36
- Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
- 1797
37
- Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
- 1797
38
- Plate 6 (page 10): 'Disease invades the chastest temperence'
- 1797
39
- Plate 7 (page 12): 'Its favours here are trials, not rewards'
- 1797
40
- Plate 9 (page 15):' The longest night though longer far, would fail'
- 1797
41
- Plate 13 (page 23): 'We censure nature for a span too short'
- 1797
42
- Plate 15 (page 25): 'Behold him, when past by; what then is seen'
- 1797
43
- Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
- 1797
44
- Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
- 1797
45
- Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
- 1797
46
- Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
- 1797
47
- Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
- 1797
48
- Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
- 1797
49
- Plate 37 (page 86): 'His hand the good man fastens on the skies'
- 1797
50
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
51
- Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
- 1797
52
- Plate 41 (page 92): 'When faith is virtue, reason makes it so'
- 1797
53
- Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
- 1797
54
- Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
- 1797
55
- Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
- 1797
56
- Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
- 1797
57
- Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
- 1797
![William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'](https://media.collections.yale.edu/thumbnail/ycba/5a919703-759e-494b-a892-d66a8288096b)
58
- Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
- 1797
59
- Plate 3 (page 4): 'What, though my soul fantastick measures trod'
- 1797
60
- Plate 8 (page 13): 'The present moment terminates our sight'
- 1797
61
- Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
- 1797
62
- Plate 12 (page 19): 'Emblem of that which shall awake the dead'
- 1797
63
- Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
- 1797
64
- Plate 21 (page 37): 'Love, and love only, is the loan for love'
- 1797
65
- Plate 22 (page 40): ' Angels should paint it, angels ever there'
- 1797
66
- Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
- 1797
67
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
68
- Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
- 1797
69
- Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
- 1797
70
- Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
- 1797
71
- Plate 33 (page 72): 'And vapid; sense and reason shew the door'
- 1797
72
- Beggar's Opera, Act III
- 1790
73
- May-Day in London
- 1784
74
- "The Book of Thel William Blake Original Wrappers 1789"
- 1789
75
- "There is No Natural Religion", London, by William Blake
- ca. 1788
76
- "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
- 1797
77
- Songs of Innocence and of Experience
- 1789-1794
78
- The Representation of the Dealer of a Squardon of Spanish Ships
- 1782
79
- Cymbelline, Act II, Sc. 7
- 1799
80
- Goldsmith's "Deserted Village"
- 1800
81
- The Tempest, Act I Sc. 3
- 1783
82
- Goldsmith's "Deserted Village"
- 1800
83
- Views in England, Scotland and Wales: View on the Brathay near Clappensgate
- 1799
84
- Views in England, Scotland and Wales: Prebend's Bridge at Durham
- 1799
85
- Untitled
86
- Untitled
87
- Untitled
88
- The Silver Age
- 1782
89
- River Landscape with Cattle Wading and Watermill
- 1762
90
- The March to Finchley
91
- Untitled
92
- The Forest
- 1800
93
- Untitled
- 1775
94
- La Retour du Marche
95
- Mercury and Battus
96
- Untitled
- undated
97
- The Storm
- 1779
98
- Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation
- 1789
99
- Jacques discovered by the Duke
- 1795
100
- A View in the Island of Jamaica
- 1778