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John Pott Lady Charles Spencer
John Pott, active ca. 1767
Lady Charles Spencer
ca. 1767
Valentine Green Miss C. Spencer
Valentine Green, 1739–1813
Miss C. Spencer
1771
John Smith Her Royal Highness Sophia Dorothea, Princess Royal of Prussia
John Smith, 1652–1743
Her Royal Highness Sophia Dorothea, Princess Royal of Prussia
1706
George Keating Henrietta Cavendishe, Countess of Stamford
George Keating, 1762–1842
Henrietta Cavendishe, Countess of Stamford
1793
James McArdell Mrs. Turner of Clints in Yorkshire
James McArdell, ca. 1729–1765
Mrs. Turner of Clints in Yorkshire
Alexander van Haecken Miss Van Haecken
Alexander van Haecken, 1701–1758
Miss Van Haecken
Richard Purcell A Venetian Lady at Masquerade
Richard Purcell, active 1746–1766
A Venetian Lady at Masquerade
Francis Xavier Vispré Mary Vispre
Francis Xavier Vispré, active 1730–1790
Mary Vispre
1761
Richard Earlom Marchioness of Wharton
Richard Earlom, 1743–1822
Marchioness of Wharton
1776
unknown artist Miss Charlotte Williams
unknown artist
Miss Charlotte Williams
1771
John Faber the Younger Mrs. Margaret Woffington
John Faber the Younger, ca. 1695–1756
Mrs. Margaret Woffington
John Faber the Younger Madam Wright
John Faber the Younger, ca. 1695–1756
Madam Wright
unknown artist Her Royal Highness the Duchess of York
unknown artist
Her Royal Highness the Duchess of York
1794
Edward Fisher Ladies Yorke; Lady Amabel-Grey and Lady Mary Jemima
Edward Fisher, 1722–1785
Ladies Yorke; Lady Amabel-Grey and Lady Mary Jemima
1762
Valentine Green Agneta Yorke
Valentine Green, 1739–1813
Agneta Yorke
1768
John Finlayson La Signora Zamperini in the Character of Cecchina La Buona Figliuola, Act 2, Scene 3
John Finlayson, 1730–1776
La Signora Zamperini in the Character of Cecchina La Buona Figliuola, Act 2, Scene 3
1769
T. Simpson Sir Gregory Pages Seat: page three (Volume Three)
T. Simpson, active 1763–1768
Sir Gregory Pages Seat: page three (Volume Three)
unknown artist The House in which Peter the Great resided at Saardam; page ten (Volume Three)
unknown artist
The House in which Peter the Great resided at Saardam; page ten (Volume Three)
unknown artist Raith House and Hill Fifeshire the Property of William Ferguson, Esq.; page twenty-four (Volume Three)
unknown artist
Raith House and Hill Fifeshire the Property of William Ferguson, Esq.; page twenty-four (Volume Three)
Archibald Robertson Raith House; page twenty-three (Volume Three)
Archibald Robertson, 1748–1788
Raith House; page twenty-three (Volume Three)
undated
unknown artist A Perspective View of Ranelagh House and Garden; page twenty-eight (Volume Three)
unknown artist
A Perspective View of Ranelagh House and Garden; page twenty-eight (Volume Three)
unknown artist Rye House, Oxfordshire (published by J. Sewell); page 40 (Volume Three)
unknown artist
Rye House, Oxfordshire (published by J. Sewell); page 40 (Volume Three)
1790
unknown artist Fortress of Schlusselbourg, I, The Chamber where Twan [Ivan?] was assassinated; page 47 (Volume Three)
unknown artist
Fortress of Schlusselbourg, I, The Chamber where Twan [Ivan?] was assassinated; page 47 (Volume Three)
unknown artist Southwick in the Country of Southampton, Long Island; page 57 (Volume Three)
unknown artist
Southwick in the Country of Southampton, Long Island; page 57 (Volume Three)
unknown artist Vergil y Poeta Sepulchurm, Ante Neapolim in aditn Cavernae Montis Pansilippi, Volume 1, page 55; page 84 (Volume Three)
unknown artist
Vergil y Poeta Sepulchurm, Ante Neapolim in aditn Cavernae Montis Pansilippi, Volume 1, page 55; page 84 (Volume Three)
undated
Benjamin Cole A Plan of Susanna Wells's House at Enfield-Wash and A Perspective View of Elizabeth Canning's Supposed Prison; page 89 (Volume Three)
Benjamin Cole, 1697–1783
A Plan of Susanna Wells's House at Enfield-Wash and A Perspective View of Elizabeth Canning's Supposed Prison; page 89 (Volume Three)
undated
unknown artist South Remains of Winchester-House, Southwark (published by John Manson); page 97 (Volume Three)
unknown artist
South Remains of Winchester-House, Southwark (published by John Manson); page 97 (Volume Three)
1800
unknown artist Windsor Castle from the left of Slough; page 99 (Volume Three)
unknown artist
Windsor Castle from the left of Slough; page 99 (Volume Three)
John Faber the Younger The Honorable Lady Midelton
John Faber the Younger, ca. 1695–1756
The Honorable Lady Midelton
Thomas Watson Elisabeth Countess of Northumberland
Thomas Watson, 1743–1781
Elisabeth Countess of Northumberland
Edward Fisher Elizabeth Countess of Northumberland
Edward Fisher, 1722–1785
Elizabeth Countess of Northumberland
John Faber the Younger Teresia Constantia Phillips
John Faber the Younger, ca. 1695–1756
Teresia Constantia Phillips
James McArdell Villiers Clara Hannam (née Pitt)
James McArdell, ca. 1729–1765
Villiers Clara Hannam (née Pitt)
Richard Purcell Miss Harriet Powell
Richard Purcell, active 1746–1766
Miss Harriet Powell
John Faber the Younger Mrs Anastasia Robinson
John Faber the Younger, ca. 1695–1756
Mrs Anastasia Robinson
James Watson Bell, Countess of Sefton
James Watson, 1740–1790
Bell, Countess of Sefton
1771
John Faber the Younger Miss Mary Lillias Scott
John Faber the Younger, ca. 1695–1756
Miss Mary Lillias Scott
1748
John Jones Signora Sestini
John Jones, ca. 1745–1797
Signora Sestini
1780
John Faber the Younger Hannah Snell
John Faber the Younger, ca. 1695–1756
Hannah Snell
1750
Josiah Boydell Jane, Daughter of Lord Wenman
Josiah Boydell, 1752–1817
Jane, Daughter of Lord Wenman
1779
John Raphael Smith Miss Sophia Weston
John Raphael Smith, 1752–1812
Miss Sophia Weston
1771
Archibald Robertson Springwood Park; page 62 (Volume Three)
Archibald Robertson, 1748–1788
Springwood Park; page 62 (Volume Three)
unknown artist Stonebyres the Seat of Daniel Vere, Esquire (drawn in 1796); page 63 (Volume Three)
unknown artist
Stonebyres the Seat of Daniel Vere, Esquire (drawn in 1796); page 63 (Volume Three)
1796
Thomas Prattent Trinity House, Tower Hill
Print made by Thomas Prattent, active 1780–1810
Trinity House, Tower Hill
1795
Richard Bernard Godfrey Titchfield House Hampshire (published by S. Hooper); page 72 (Volume Three)
Richard Bernard Godfrey, 1728–op.1794
Titchfield House Hampshire (published by S. Hooper); page 72 (Volume Three)
1784
Pierre Charles Canot Taymouth; page 68 (Volume Three)
Pierre Charles Canot, ca. 1710–1777
Taymouth; page 68 (Volume Three)
unknown artist Windsor Castle from the Black Road [page not numbered] (Volume Three)
unknown artist
Windsor Castle from the Black Road [page not numbered] (Volume Three)
1780
unknown artist South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)
unknown artist
South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)
1780
unknown artist Dalswinton on the Frith
unknown artist
Dalswinton on the Frith
Francesco Bartolozzi Visiting Card of Sir Joshua Reynolds
Print made by Francesco Bartolozzi, 1728–1815
Visiting Card of Sir Joshua Reynolds
1790
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
William Nelson Gardiner Falstaff at Justice Shallow's Mustering his Recruits - "Henry IV," Part II, Act III, Scene III
William Nelson Gardiner, 1766–1814
Falstaff at Justice Shallow's Mustering his Recruits - "Henry IV," Part II, Act III, Scene III
1792
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
Francesco Bartolozzi Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
Francesco Bartolozzi, 1728–1815
Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
1793
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
Jonathan Spilsbury Catharine Macaulay
Print made by Jonathan Spilsbury, active 1765–1780
Catharine Macaulay
ca. 1764