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Materials & Techniques aquatint

Remove constraint Materials & Techniques: aquatint

Creator Bartolozzi, Francesco, 1727–1815

Remove constraint Creator: Bartolozzi, Francesco, 1727–1815

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To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1792
Materials & Techniques:
Color-printed stipple engraving with aquatint and drypoint
Dimensions:
Sheet: 21 x 26 1/4in. (53.3 x 66.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Antony and Cleopatra, Act I, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, aquatint, and hand-colored brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Troilus and Crssida, Act 3, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Troilus and Cressida, Act 4, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, stipple engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
King Lear, Act 4, Scene VII
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, stipple engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ophelia vide Hamlet, Act 4, Scene VII
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, stipple engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection