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![Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.](https://media.collections.yale.edu/thumbnail/ycba/b1520316-5a5c-4bca-9b44-9b8f9c4226c5)
101
- [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
![Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.](https://media.collections.yale.edu/thumbnail/ycba/e837c346-c84b-4a29-959b-42f664c82ea5)
102
- [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
![Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.](https://media.collections.yale.edu/thumbnail/ycba/5852d38d-454c-40d2-b9a5-13cc3846167e)
103
- [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
104
- St. Mary's Redcliffe, Bristol
- 1814
105
- Crossing the Brook
106
- Heidelberg With A Rainbow
107
- Modern Italy - The Pifferari
108
- Venice, The Dogana, San Georgio, &c, From the Steps of the Europa
109
- Turner's "Van Tromp" Pictures
110
- Marford Mill
111
- Carisbrooke Castle
112
- Cockermouth Castle
113
- The Ponte Rotto, Looking Upstream, with the Tower of the Capitol on the Right
![Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.](https://media.collections.yale.edu/thumbnail/ycba/4797ee5d-24b5-478e-9461-2b2da5223cd3)
114
- [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
115
- Ship in a Storm
- ca. 1826
116
- Bridge and Monument
- 1820 to 1825
117
- The Evening Gun
- ca. 1825
118
- Ship in a Storm
- 1820 to 1826
119
- Ship and Cutter
- 1820 to 1826
120
- Ship and Cutter
- 1820 to 1826
121
- Study of Sea and Sky
- 1820 to 1826
122
- Huntsmen in a Wood
123
- Figure Composition Study 20
- undated
124
- Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
- 1797
![William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'](https://media.collections.yale.edu/thumbnail/ycba/5a919703-759e-494b-a892-d66a8288096b)
125
- Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
- 1797
126
- Plate 9 (page 15):' The longest night though longer far, would fail'
- 1797
127
- Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
- 1797
128
- Plate 12 (page 19): 'Emblem of that which shall awake the dead'
- 1797
129
- Plate 15 (page 25): 'Behold him, when past by; what then is seen'
- 1797
130
- Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
- 1797
131
- Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
- 1797
132
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
133
- Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
- 1797
134
- Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
- 1797
135
- Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
- 1797
136
- Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
- 1797
137
- Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
- 1797
138
- Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
- 1797
139
- Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
- 1797
140
- Plate 13 (page 23): 'We censure nature for a span too short'
- 1797
141
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
142
- Plate 37 (page 86): 'His hand the good man fastens on the skies'
- 1797
143
- Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
- 1797
144
- Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
- 1797
145
- Plate 22 (page 40): ' Angels should paint it, angels ever there'
- 1797
146
- Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
- 1797
147
- Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
- 1797
148
- Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
- 1797
149
- Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
- 1797
150
- Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
- 1797
151
- Plate 6 (page 10): 'Disease invades the chastest temperence'
- 1797
152
- Plate 8 (page 13): 'The present moment terminates our sight'
- 1797
153
- Plate 33 (page 72): 'And vapid; sense and reason shew the door'
- 1797
154
- Plate 3 (page 4): 'What, though my soul fantastick measures trod'
- 1797
155
- Plate 7 (page 12): 'Its favours here are trials, not rewards'
- 1797
156
- Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
- 1797
157
- Plate 21 (page 37): 'Love, and love only, is the loan for love'
- 1797
158
- Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
- 1797
159
- Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
- 1797
160
- Plate 41 (page 92): 'When faith is virtue, reason makes it so'
- 1797
161
- Beggar's Opera, Act III
- 1790
162
- "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
- 1797
163
- May-Day in London
- 1784
164
- "The Book of Thel William Blake Original Wrappers 1789"
- 1789
165
- View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
- 1802
166
- Album of Landscape and Figure Studies: Rural Scene with Houses and a Hunter and His Dog
167
- Album of Landscape and Figure Studies: Hatfield House
168
- Album of Landscape and Figure Studies: Profile of a Man with an Umbrella
169
- Album of Landscape and Figure Studies: Trees Alongside a River with Buildings in the Distance
170
- Album of Landscape and Figure Studies: Sketch of a Duck
171
- Album of Landscape and Figure Studies: Catterick Bridge
172
- Paesto 3rd period
173
- Paesto 2nd period
174
- Paesto 3rd period
175
- Posidonia 1st period
176
- Posidonia: 1st period
177
- Folia Prima
178
- Coins of Juba I and II
179
- Graphite drawing of 6 coins
![Luigi Balugani Coins of Juba II and Ptolemay [sic]](https://media.collections.yale.edu/thumbnail/ycba/8edadcd3-d01d-4cca-81e3-9399f650f131)
180
- Coins of Juba II and Ptolemay [sic]
181
- No. 7 and No. 8 in the 8 stages of growth of the Surinam Frog
- 1796
182
- Rhinoceros of Africa
- 1789
183
- Hyoena
- 1790
184
- Lynx
- 1789
185
- Jerboa
- 1789
186
- Fennec
- 1789
187
- Tsaltsalya / El Adda
- 1789
188
- Cerastes
- 1789
189
- Ashkoko
- 1789
190
- Tortoise
- 1789
191
- Binny
- 1790
192
- Nisser Werk
- 1789
193
- Nisser Tokoor
- 1789
194
- Tynemouth, Northumberland
- 1827-1838
195
- Salisbury, Wiltshire
- 1830
196
- St. Catherine's Hill, near Guildford, Surrey
- 1832
197
- St. Catherine's Hill, near Guildford, Surrey
- 1832
198
- St. Caterine's Hill, near Guildford, Surrey
- 1832
199
- Flint Castle, North Wales
- 1836
200
- Durham Cathedral
- 1836