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101. A View of Westminster taken from Tothill Fields

A View of Westminster taken from Tothill Fields
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

102. Westminster Abbey and St. Margaret's Church

Westminster Abbey and St. Margaret's Church
Creator:
William Wallis, 1794– active 1830
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

103. View from Deans Yard

View from Deans Yard
Creator:
J. C. Varrall, active 1815–1827
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

104. A View of Westminster, taken from Millbank

A View of Westminster, taken from Millbank
Creator:
John Hall, 1739–1797
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

105. The S.W. View of Little Dean's Yard

The S.W. View of Little Dean's Yard
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

106. Coronation of King William IV and Queen Adelaide

Coronation of King William IV and Queen Adelaide
Creator:
William Woolnoth, active 1806–1830
Date:
1831
Materials & Techniques:
Engraving, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

107. Coronation Procession of H. M. George IV, 19 July 1821

Coronation Procession of H. M. George IV, 19 July 1821
Creator:
William Heath, 1795–1840
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

108. Westminster

Westminster
Creator:
John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

109. Westminster Abbey, Hospital &c.

Westminster Abbey, Hospital &c.
Creator:
Thomas Shotter Boys, 1803–1874
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

110. Proposed War Memorial Westminster Abbey

Proposed War Memorial Westminster Abbey
Creator:
unknown artist
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

111. Westminster Abbey

Westminster Abbey
Creator:
Edmund Walker, active 1836–died 1882
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

112. The Procession from Westminster Hall to the Abbey

The Procession from Westminster Hall to the Abbey
Creator:
W. Read, active 1818
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

113. Abbey Church of Westminster

Abbey Church of Westminster
Creator:
John Coney, 1786–1833
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

114. Plan of Westminster Abbey and Environs for the Coronation of George IV

Plan of Westminster Abbey and Environs for the Coronation of George IV
Creator:
James Wyld, 1790–1836
Date:
1821
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

115. View of the Orchestra Organ &c. Erected in Westminster Abbey

View of the Orchestra Organ &c. Erected in Westminster Abbey
Creator:
John Walker, active 1792–1803
Date:
1784
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

116. Prospectus Interior Abbatiae Westminster

Prospectus Interior Abbatiae Westminster
Creator:
unknown artist
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

117. Interior of Henry the Seventh's Chapel

Interior of Henry the Seventh's Chapel
Creator:
Frederick Mackenzie, 1788–1854
Date:
1830
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

118. Tomb of Henry VII, Westminster Abbey

Tomb of Henry VII, Westminster Abbey
Creator:
Wenceslaus Hollar, 1607–1677
Date:
1665
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

119. View in the North Aisle: Showing Henry the third Monument

View in the North Aisle: Showing Henry the third Monument
Creator:
John Le Keux, 1783–1846
Date:
1817
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

120. Westminster Abbey from the West Entrance

Westminster Abbey from the West Entrance
Creator:
unknown artist
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

121. Vanity Fair - Businessmen and Empire Builders. 'Metal'. Mr. Philip Albert Muntz, M.P. - 23 July 1892

Vanity Fair - Businessmen and Empire Builders. 'Metal'. Mr. Philip Albert Muntz, M.P. - 23 July 1892
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1892
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

122. Vanity Fair - Businessmen and Empire Builders. 'Glasgow.' Mr. Charles Tennant, M.P. - 9 June 1883

Vanity Fair - Businessmen and Empire Builders. 'Glasgow.' Mr. Charles Tennant, M.P. - 9 June 1883
Creator:
unknown artist
Date:
1883
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

123. Vanity Fair - Clergy. Men of the Day, no.51 'The head of the Dissenters'. Binney. 12 October 1872

Vanity Fair - Clergy. Men of the Day, no.51 'The head of the Dissenters'. Binney. 12 October 1872
Creator:
unknown artist
Date:
1872
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

124. Vanity Fair - Chancellors of Exchequer. 'In the winning Crew'. Mr. R. McKenna, M.P.

Vanity Fair - Chancellors of Exchequer. 'In the winning Crew'. Mr. R. McKenna, M.P.
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1906
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

125. Vanity Fair - Clergy. 'St. Pauls.' Rev. Richards W. Church. 30 January 1886

Vanity Fair - Clergy. 'St. Pauls.' Rev. Richards W. Church. 30 January 1886
Creator:
Liborio Prosperi, 1854–1928
Date:
1886
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

126. Vanity Fair - Clergy. 'A wet Quaker' Lewis Llewwellyn Dillwyn M.P. - 13 May 1882

Vanity Fair - Clergy. 'A wet Quaker' Lewis Llewwellyn Dillwyn M.P. - 13 May 1882
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1882
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

127. Vanity Fair - Clergy. 'The Primate'. Rev. Edward W. Benson. 30 July 1887

Vanity Fair - Clergy. 'The Primate'. Rev. Edward W. Benson. 30 July 1887
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1887
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

128. Vanity Fair - Clergy. 'Lay Episcopacy'. Lord Crewe. 7 January 1882

Vanity Fair - Clergy. 'Lay Episcopacy'. Lord Crewe. 7 January 1882
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1882
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

129. Vanity Fair - Clergy. 'The Revised Edition of the Bible'. Benjamin Harrison. 6 June 1885

Vanity Fair - Clergy. 'The Revised Edition of the Bible'. Benjamin Harrison. 6 June 1885
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1885
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

130. Vanity Fair - Clergy. 'Greek'. Rev. Benjamin Jowett. 26 February 1876

Vanity Fair - Clergy. 'Greek'. Rev. Benjamin Jowett. 26 February 1876
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1876
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

131. Vanity Fair - Clergy. 'St. Margaret's'. The Rev. Hensley Henson. 1910-12

Vanity Fair - Clergy. 'St. Margaret's'. The Rev. Hensley Henson. 1910-12
Creator:
unknown artist
Date:
1910-1912
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

132. Vanity Fair - Clergy. 'No one has suceeded like him in sketching the comic side of repentance and regeneration'. Charles Spurgeon. 10 December 1870

Vanity Fair - Clergy. 'No one has suceeded like him in sketching the comic side of repentance and regeneration'. Charles Spurgeon. 10 December 1870
Creator:
Carlo Pellegrini, 1839–1889
Date:
1870
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

133. Vanity Fair - Clergy. 'Philosophic Belief'. A.P. Stanley. 21 September 1872

Vanity Fair - Clergy. 'Philosophic Belief'. A.P. Stanley. 21 September 1872
Creator:
unknown artist
Date:
1872
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

134. Vanity Fair - Clergy. 'Rochester' Edward Stuart Talbot. 21 April 1904

Vanity Fair - Clergy. 'Rochester' Edward Stuart Talbot. 21 April 1904
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1904
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

135. Vanity Fair - Clergy. 'He has displayed ability in the free handling of religious subjects, and nevertheless been made a Bishop.' Temple. 6 November 1869

Vanity Fair - Clergy. 'He has displayed ability in the free handling of religious subjects, and nevertheless been made a Bishop.' Temple. 6 November 1869
Creator:
unknown artist
Date:
1869
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

136. Vanity Fair - Clergy. 'Calcutta'. James Edward Cowell Welldon. 17 November 1898

Vanity Fair - Clergy. 'Calcutta'. James Edward Cowell Welldon. 17 November 1898
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1898
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

137. Vanity Fair - Clergy. 'Westminster'. Rev. William Gunion Rutherford. Head Master of Westminster School. 3 March 1898

Vanity Fair - Clergy. 'Westminster'. Rev. William Gunion Rutherford. Head Master of Westminster School. 3 March 1898
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1898
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

138. Opening the Sluices, Or, - Hollands Last Shift

Opening the Sluices, Or, - Hollands Last Shift
Creator:
Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 13/16 x 13 1/4in. (22.4 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

139. A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament

A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/16 x 12 9/16in. (20.8 x 31.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

140. The Political Locust

The Political Locust
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 14 1/16in. (24.8 x 35.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

141. The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated

The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/8 x 14 7/16in. (25.1 x 36.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

142. How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water

How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 15 3/4in. (22.9 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

143. Bless Thee Bottom, Bless Thee-Thou Art Translated

Bless Thee Bottom, Bless Thee-Thou Art Translated
Creator:
Attributed to Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/16 x 8 3/8in. (24 x 21.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

144. A Delitanti Performance of Midas at Turnbridge Wells, October 1792

A Delitanti Performance of Midas at Turnbridge Wells, October 1792
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 9/16 x 15 3/16in. (21.7 x 38.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

145. Sedition, Levelling and Plundering

Sedition, Levelling and Plundering
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13 1/16in. (22.2 x 33.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

146. The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes

The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/16 x 15 1/4in. (21.4 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

147. A Peace Offering to the Genius of Liberty and Equality

A Peace Offering to the Genius of Liberty and Equality
Creator:
Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 14 13/16in. (24.1 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

148. Vanity Fair - Businessmen and Empire Builders. 'Burton'. Lord Burton. 25 November 1908

Vanity Fair - Businessmen and Empire Builders. 'Burton'. Lord Burton. 25 November 1908
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1908
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

149. Prosperity

Prosperity
Creator:
James Tissot, 1836–1902
Date:
1876
Materials & Techniques:
chromolithograph
Dimensions:
Sheet: 15 1/8 x 10 3/8 inches (38.4 x 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

150. Vanity Fair - Businessmen and Empire Builders. 'Beggar-General to the Metal Trades. Kennard. 6 December 1890

Vanity Fair - Businessmen and Empire Builders. 'Beggar-General to the Metal Trades. Kennard. 6 December 1890
Creator:
Liborio Prosperi, 1854–1928
Date:
1890
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

151. Vanity Fair - Businessmen and Empire Builders. 'Bradford goods'. Sir Henry Mitchell, F.P.- 5 July 1890

Vanity Fair - Businessmen and Empire Builders. 'Bradford goods'. Sir Henry Mitchell, F.P.- 5 July 1890
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1890
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

152. Vanity Fair - Businessmen and Empire Builders. 'Peace' Sir Joseph Whitwell Peace, Bart. M.P. - 1 October 1887

Vanity Fair - Businessmen and Empire Builders. 'Peace' Sir Joseph Whitwell Peace, Bart. M.P. - 1 October 1887
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1887
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

153. Vanity Fair - Businessmen and Empire Builders. 'head of the greatest publishing home in Christendom'. Smith. 8 December 1904

Vanity Fair - Businessmen and Empire Builders. 'head of the greatest publishing home in Christendom'. Smith. 8 December 1904
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1904
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

154. Vanity Fair, Businessmen and Empire Builders. 'Bullion'. Mr. Stewart Pixley, J.P.D.L. - 25 January 1890

Vanity Fair, Businessmen and Empire Builders. 'Bullion'. Mr. Stewart Pixley, J.P.D.L. - 25 January 1890
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1890
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

155. Vanity Fair - Businessmen and Empire Builders. 'The Furnace Line'. Sir Christopher Furness. 21 October 1908

Vanity Fair - Businessmen and Empire Builders. 'The Furnace Line'. Sir Christopher Furness. 21 October 1908
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1908
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

156. Vanity Fair - Chancellors of Exchequer. 'A scagliola apollo' Beach. 22 August 1874

Vanity Fair - Chancellors of Exchequer. 'A scagliola apollo' Beach. 22 August 1874
Creator:
Carlo Pellegrini, 1839–1889
Date:
1874
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

157. Vanity Fair - Chancellors of Exchequer. Statesmen No.65 'He does his duty of his party, and is fortunate if it happens to be also his duty to his country'. Nothcote. 8 October 1870

Vanity Fair - Chancellors of Exchequer. Statesmen No.65 'He does his duty of his party, and is fortunate if it happens to be also his duty to his country'. Nothcote. 8 October 1870
Creator:
Carlo Pellegrini, 1839–1889
Date:
1870
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

158. Vanity Fair - Clergy. 'Chester Square'. Rev. James Fleming. 20 June 1899

Vanity Fair - Clergy. 'Chester Square'. Rev. James Fleming. 20 June 1899
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1899
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

159. Vanity Fair - Clergy. Men of the Day, no. 45 'Come to Jesus'. Hall. 23 November 1872

Vanity Fair - Clergy. Men of the Day, no. 45 'Come to Jesus'. Hall. 23 November 1872
Creator:
unknown artist
Date:
1872
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

160. Vanity Fair - Clergy. 'He makes religion a tragedy, and the movement of his muscles a solemn ceremony.' Mackonchie. 31 December 1870

Vanity Fair - Clergy. 'He makes religion a tragedy, and the movement of his muscles a solemn ceremony.' Mackonchie. 31 December 1870
Creator:
Carlo Pellegrini, 1839–1889
Date:
1870
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

161. Vanity Fair - Clergy. 'High Church'. Rev. Cary Liddon. 16 September 1876

Vanity Fair - Clergy. 'High Church'. Rev. Cary Liddon. 16 September 1876
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1876
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

162. Vanity Fair - Clergy. 'Tracts for the times'. Cardinal Newman. 20 January 1877

Vanity Fair - Clergy. 'Tracts for the times'. Cardinal Newman. 20 January 1877
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1877
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

163. Vnaity Fair - Clergy. 'Congregational Union'. Rev. Joseph Parker. 19 April 1884

Vnaity Fair - Clergy. 'Congregational Union'. Rev. Joseph Parker. 19 April 1884
Creator:
Carlo Pellegrini, 1839–1889
Date:
1884
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

164. Vanity Fair - Clergy. 'If eloquence could justify injustice he would have saved the Irish Church.' Bishop of Petersborough. 3 July 1869

Vanity Fair - Clergy. 'If eloquence could justify injustice he would have saved the Irish Church.' Bishop of Petersborough. 3 July 1869
Creator:
Carlo Pellegrini, 1839–1889
Date:
1869
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

165. Vanity Fair - Clergy. 'Not a brawler.' Bishop of Oxford. 24 July 1869

Vanity Fair - Clergy. 'Not a brawler.' Bishop of Oxford. 24 July 1869
Creator:
Carlo Pellegrini, 1839–1889
Date:
1869
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

166. Vanity Fair - Clergy. 'A man Right Reverend and Well-Beloved'. The Bishop of Ripon. William Boyd Carpenter.

Vanity Fair - Clergy. 'A man Right Reverend and Well-Beloved'. The Bishop of Ripon. William Boyd Carpenter.
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1906
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

167. Vanity Fair - Clergy. 'Liverpool'. Rev. John Charles Ryle, Bishop of Liverpool. 26 March 1881

Vanity Fair - Clergy. 'Liverpool'. Rev. John Charles Ryle, Bishop of Liverpool. 26 March 1881
Creator:
Carlo Pellegrini, 1839–1889
Date:
1881
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

168. Vanity Fair - Clergy. 'Tolerance'. Rev. Edgar Jacob, Bishop of St. Albans. 26 September 1906

Vanity Fair - Clergy. 'Tolerance'. Rev. Edgar Jacob, Bishop of St. Albans. 26 September 1906
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1906
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

169. Vanity Fair - Clergy. 'Prayers'. Rev. Henry White. 26 December 1874

Vanity Fair - Clergy. 'Prayers'. Rev. Henry White. 26 December 1874
Creator:
Carlo Pellegrini, 1839–1889
Date:
1874
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

170. Vanity Fair - Clergy. 'Prelate of the Garter'. Randall Thomas Davidson, Bishop of Winchester. 19 December 1901

Vanity Fair - Clergy. 'Prelate of the Garter'. Randall Thomas Davidson, Bishop of Winchester. 19 December 1901
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1901
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

171. Vanity Fair - Clergy. 'Truro' Howard Wilkinson, Bishop of Truro.

Vanity Fair - Clergy. 'Truro' Howard Wilkinson, Bishop of Truro.
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1885
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

172. Mr. Sparrow's House, Ipswich

Mr. Sparrow's House, Ipswich
Creator:
unknown artist
Date:
1829
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

173. Spetchley Worcestershire

Spetchley Worcestershire
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

174. Dom Carolus De columna A Cons. stat. Prim. A cubic Reg. Ma. tis. Cath. Magister. campi. Gnalis in Belg. etc.

Dom Carolus De columna A Cons. stat. Prim. A cubic Reg. Ma. tis. Cath. Magister. campi. Gnalis in Belg. etc.
Creator:
Paulus Pontius, 1603–1658
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

175. Lowther Arcade

Lowther Arcade
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

176. Meer Hall, Worcestershire

Meer Hall, Worcestershire
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

177. Set of four [Foxhunting]: 1. Going out

Set of four [Foxhunting]: 1. Going out
Creator:
unknown artist
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

178. [Hare hunting and coursing] Six subjects on one sheet

[Hare hunting and coursing] Six subjects on one sheet
Creator:
unknown artist
Date:
ca. 1830
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 10 1/8 x 13 7/8in. (25.7 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

179. Pheasants Shooting. La Chasse au Faisand

Pheasants Shooting. La Chasse au Faisand
Creator:
Thomas Burford, ca. 1710–after 1774
Date:
1787
Materials & Techniques:
Mezzotint, colored by hand
Dimensions:
Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

180. Set of four: 1. Duck Shooting

Set of four: 1. Duck Shooting
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

181. Death of the Fox

Death of the Fox
Creator:
John Scott, 1774–1828
Date:
1811
Materials & Techniques:
Engraving
Dimensions:
Sheet: 21 1/4 x 27in. (54 x 68.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

182. Set of four [Foxhunting]: 4. The Death

Set of four [Foxhunting]: 4. The Death
Creator:
unknown artist
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

183. A House (unidentified)

A House (unidentified)
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

184. Woodman's Lodge to Hadzor House (reproduction)

Woodman's Lodge to Hadzor House (reproduction)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

185. Interview and Consultation for Discharge of Debts, or, C-RL-T-N House in Want of Necessary Furniture

Interview and Consultation for Discharge of Debts, or, C-RL-T-N House in Want of Necessary Furniture
Creator:
Print made by William Dent, active 1784–1793
Date:
1792
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

186. Industry, The best way to Secure Liberty and preserve Order

Industry, The best way to Secure Liberty and preserve Order
Creator:
Print made by William Dent, active 1784–1793
Date:
1792
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 8 x 11 1/8in. (20.3 x 28.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

187. The Swallow Packet, Or, A Belly full of good News, piping hot from Bristol, in spite of contrary Winds

The Swallow Packet, Or, A Belly full of good News, piping hot from Bristol, in spite of contrary Winds
Creator:
Print made by William Dent, active 1784–1793
Date:
1792
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 7 7/8 x 10 3/4in. (20 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

188. Beauties of a Gracious Speech, Or, Nuptial Introduction to John Bull, Or coming York over us.

Beauties of a Gracious Speech, Or, Nuptial Introduction to John Bull, Or coming York over us.
Creator:
Print made by William Dent, active 1784–1793
Date:
1792
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 9 7/8 x 13 9/16in. (25.1 x 34.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

189. Spirit of Aristocracy enforcing Reform, Or, The Rights of Kings maintained

Spirit of Aristocracy enforcing Reform, Or, The Rights of Kings maintained
Creator:
Print made by William Dent, active 1784–1793
Date:
1792
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 10 1/8 x 16 1/2in. (25.7 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

190. Public Credit, Or, The State Idol...

Public Credit, Or, The State Idol...
Creator:
William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 13 7/8 x 9 11/16in. (35.2 x 24.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

191. The Union, - Whom --- Has Join'd, Let No Man put Asunder!

The Union, - Whom --- Has Join'd, Let No Man put Asunder!
Creator:
Edward Topham, 1751–1820
Date:
1783
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 5 1/2 x 9in. (14 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

192. Rare News from India, or, Things going on Swimmingly in the East

Rare News from India, or, Things going on Swimmingly in the East
Creator:
William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 9 3/4 x 13 5/8in. (24.8 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

193. Road to Riches and delightfull Parts, Or, The Recruiting Officers [?] Matrimonial Trip to the Continent.

Road to Riches and delightfull Parts, Or, The Recruiting Officers [?] Matrimonial Trip to the Continent.
Creator:
Print made by William Dent, active 1784–1793
Date:
1792
Materials & Techniques:
Line engraving with watercolor on laid paper
Dimensions:
Sheet: 10 x 13 7/8in. (25.4 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

194. Grand and Effectual Attack in the Baltic

Grand and Effectual Attack in the Baltic
Creator:
William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 9 9/16 x 13 5/8in. (24.3 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

195. Election Expenses paid under the Rose, or, The Faithful and Blessed Performance of a Promising Treasurer, and Moderate Secretary - Addressed to those who feel the weight of excessive taxes in general, and the independent electors of Westminster ....

Election Expenses paid under the Rose, or, The Faithful and Blessed Performance of a Promising Treasurer, and Moderate Secretary - Addressed to those who feel the weight of excessive taxes in general, and the independent electors of Westminster ....
Creator:
William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

196. An Alarming Anniversary!!! or, King's Champion and 'Squire, Alamode Don Quixote and Sancho, taking a peep at the [Crown] and [Anchor]

An Alarming Anniversary!!! or, King's Champion and 'Squire, Alamode Don Quixote and Sancho, taking a peep at the [Crown] and [Anchor]
Creator:
William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

197. A French Town

A French Town
Creator:
unknown artist
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 13 1/4 x 10 1/2in. (33.7 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

198. Westminster Abbey and St. Margarets

Westminster Abbey and St. Margarets
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

199. A Perspective of Westminster Abbey from the High Altar to the West End

A Perspective of Westminster Abbey from the High Altar to the West End
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

200. Part of the Sachristary Leading to the Chapel of Henry VII

Part of the Sachristary Leading to the Chapel of Henry VII
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art