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Abbotsford, The Seat of Sir Walter Scott Bart; page - (Volume One)
Creator:
Thomas Barber, ca. 1768–1843
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Airth Castle, Stirlingshire; page 4 (Volume One)
Creator:
Print made by Henry Wallis, 1805–1890
Date:
1831
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Arbuthnott House, The Seat of Lord Viscount Arbuthnott; page 10 (Volume One)
Creator:
Robert Scott, 1771–1841
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Birthplace of Akenside (with text); page 5 from Mirror (Volume One)
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Alnwick Castle the Seat of the Right Honorable Hugh Percy; page 8 (Volume One)
Creator:
William Le Petit, early 1800s
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Albyns, Essex, The Seat of John R. Abdy, Esquire (published by L. Asperne); page 7 (Volume One)
Creator:
Samuel Rawle, 1771–1860
Date:
1806
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Ainwick Castle, Northumberland; page 9 (Volume One)
Creator:
William Le Petit, early 1800s
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Athol House, Dunkeld; page 15 (Volume One)
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Arundel; page 12 (Volume One)
Creator:
Henry Moses, ca. 1782–1870
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Albion Mill Blackfriers Bridge; page 6 (Volume One)
Creator:
Thomas Prattent, active 1780–1810
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vue de L'Arsenal rise du haut de la Riviere; page 10 (Volume One)
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Avishays; page 16 (Volume One)
Creator:
John Wright, ca. 1745–1820
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One)
Creator:
Samuel Rawle, 1771–1860
Date:
1802
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Auchtertyre House, Perthshire; page 17 [page 18 is blank] (Volume One)
Creator:
James S. Storer, 1771–1853
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bampton Castle ruines, 1664; page 19 (Volume One)
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North View of the New Buildings at the Bank of England (page 20, volume 1)
Creator:
Print made by Thomas Prattent, active 1780–1810
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bank of Scotland; page 21 (Volume One)
Creator:
Edward Mitchell, active 1805–1816
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
House of Elias Ashmole, at Lambeth; page 14 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Cloyster, Formerly Part of the Monastry of St. Bartholomew the Great (from European Magazine); page 26 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bank of Ireland, Dublin (South Portico); page 22 (Volume One)
Creator:
B. Winkles, active 1830–1840
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Barry's House; page 25 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Banqueting House, White Hall; page 24 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Beaumanor Old Hall; page 29 [page 30 blank] (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bayarg Tower, Dumfriesshire; page 27 (Volume One)
Creator:
J. Goode, active 1810–1865
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Biebrich; page 33 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Baynard's Castle (published by Harding); page 28 (Volume One)
Creator:
A. Birrell, ca.1770–ca. 1820
Date:
1790
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Belvedere, Hampshire, The Seat of Sir William Fordyce; page 31 (Volume One)
Creator:
Francis Stephen Cary, 1808–1880
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bermondsey Priory, for Dr. Hughsons description of London; page 32 (Volume One)
Creator:
Alfred William Warren, active 1791–1809
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to the Archiepiscopal Palace, at Bishopthorpe (published by I. T. Hinton); page 34 (Volume One)
Creator:
John Rogers, 1808–ca.1888
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Breaching Castle, Angus Shire; page 37 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Boscobel House; page 35 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brewer's Alms House, Mile End; page 40 (Volume One)
Creator:
Robert Tingle, 19th century
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brain Hermitage; page 38 (Volume One)
Creator:
Edward Mitchell, active 1805–1816
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bonington House, the Seat of Lady Ross-Baillie; page 36 (Volume One)
Creator:
Robert Scott, 1771–1841
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brownholme Hall; page 41 (Volume One)
Creator:
F. Mansell, 19th century
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Broadlands in Hampshire, the Seat of Lord Palmerston (published by W. Angus), plate 1; page 42 (Volume One)
Creator:
William Angus, 1752–1821
Date:
1787
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North West View of Brenckburn Priory, Northunberland; page 44 (Volume One)
Creator:
M. J. Starling, active 1830
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The New Stables at Brighton, built for his Royal Highness the Prince of Wales; page 39 (Volume One)
Creator:
Samuel Rawle, 1771–1860
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Broken-hurst in Hampshire, The Seat of Edward Morant, Esquire, Member for Lymington (published by G. Kearsly); page 43 (Volume One)
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1777
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bunyan's Native House at Elstow; page 46 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bunyan's Vestry Chair (with text) from the mirror; page 47 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The North Prospect of the Lord Burghley's Hospital in Stanford Baron; page 49 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Burnshead Hall, Westmorland; page 45 (Volume One)
Creator:
Print made by Henry Wallis, 1805–1890
Date:
1835
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Burn House; page 51 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Burghley House from the Gardens; page 48 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ichonography of ye Lord Burghleys Hospital; as it stood Anno 1597, from an old manuscript; page 50 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)
Creator:
William Watts, 1752–1851
Date:
1780
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carstairs (Central View) Lanarkshire; page 57 (Volume One)
Creator:
John J. Hinchliff, 1805–1875
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chantilly; page 60 (Volume One)
Creator:
S. C. Merzgot
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Burton Constable; page 53 (Volume One)
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Cathcart's House, Whitehall; page 58 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cawdor Castle, Narnshire (published by G. Virtue); page 59 (Volume One)
Creator:
Thomas Barber, ca. 1768–1843
Date:
1836
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chirk Castle, Denbighshire; page 67 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)
Creator:
Samuel Rawle, 1771–1860
Date:
1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cowley's House at Chertsey; page 75 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copenhagen House; page 73 (Volume One)
Creator:
Print made by C. J. Williams, active ca. 1820
Date:
1809
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cowper's House at Olney (with text)(from the Mirror)[a similar engraving appears in "The Tourist; a literary and anti-slavery journal", January 28, 1833, page 189]; page 76 (Volume One)
Creator:
unknown artist
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crosbie Hall, Bishopsgate Street - The Residence of Richard the Third; page 79 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View in the Quadrangle Cowdray House (for the Excursions through Essex); page 74 (Volume One)
Creator:
John Greig, active 1803–1853
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Hall of Croydon Palace; page 82 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vault under the North-Wing in the Hall of Crosby Place; page 81 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Crosby Hall and it's Crypts, from the Great St. Helens; page 80 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dolauhamin House, Ayrshire; page 87 (Volume One)
Creator:
James S. Storer, 1771–1853
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dupplin House; page 94 (Volume One)
Creator:
Peter Mazell, active 1761–1797
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Academy for Young Gentlemen near Dresden; page 91 (Volume One)
Creator:
unknown artist
Materials & Techniques:
Aquatint with hand-coloring
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Guildhall for Lambert's History of London; page 18 (Volume Two)
Creator:
W. Shirt, active 1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hall l'th'Wood, near Bolton, Lancashire; page 21 (Volume Two)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ad Metellae Echo
Creator:
Print made by unknown artist
Date:
1549
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ad Metellae Echo
Creator:
Print made by unknown artist
Date:
1549
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Colosseum, Exterior
Creator:
Print made by unknown artist
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
D. M. S. P. Vibi P. F. Mariani
Creator:
Print made by unknown artist
Date:
1551
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Luci Septimii Severi Caesaris In Via Appia
Creator:
Print made by unknown artist
Date:
1546
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Circi Maximi Accuratissima Descriptio
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir Robert Harland
Creator:
Richard Earlom, 1743–1822
Date:
1798
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
Turnips and Carrots Ho
Creator:
Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The English War Series: W. 448 Fitting Guns in Turrets
Creator:
Print made by Joseph Pennell, 1860–1926
Date:
1916
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell
Drumlanris House, Dumfrieshire; page 92 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chesterton, The Birth-Place of Dryden; page 95 (Volume One)
Creator:
Matthew Urlwin Sears, active 1826–1859
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Palace of the Bishop of Durham, at Bishop Auckland; page 96 (Volume One)
Creator:
S. Lacey, active 1830s
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Grosvenor's Gallery, Park Lane (Volume Two)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

596. Morning

Morning
Creator:
Ethelbert White, 1891–1972
Materials & Techniques:
Wood engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell
Horatius Gentilescius
Creator:
Print made by Lucas Vorsterman I, 1595–1675
Date:
ca. 1635
Materials & Techniques:
Line engraving, stipple engraving and etching on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cathedral at Arezzo, Tuscany
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Palace in Berlin
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Volume of 21 watercolors and two hand touched lithographs of continental scenes
Creator:
unknown artist
Materials & Techniques:
Watercolor and lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection