View in the Quadrangle Cowdray House (for the Excursions through Essex); page 74 (Volume One)
33
unknown artist
Entrance to Crosby Hall and it's Crypts, from the Great St. Helens; page 80 (Volume One)
34
unknown artist
Cowper's House at Olney (with text)(from the Mirror)[a similar engraving appears in "The Tourist; a literary and anti-slavery journal", January 28, 1833, page 189]; page 76 (Volume One)
35
unknown artist
Vault under the North-Wing in the Hall of Crosby Place; page 81 (Volume One)
36
Matthew Urlwin Sears, active 1826–1859
Cowley's House at Chertsey; page 75 (Volume One)
37
unknown artist
The Hall of Croydon Palace; page 82 (Volume One)
38
Samuel Rawle, 1771–1860
Cullands Grove Southgate, The Seat of William Curtis, Esquire; page 83 (Volume One)
39
unknown artist
Dalkeith Palace, Midlothian; page 86 (Volume One)
40
James S. Storer, 1771–1853
Dolauhamin House, Ayrshire; page 87 (Volume One)
41
unknown artist
Downing; page 88 (Volume One)
42
Matthew Urlwin Sears, active 1826–1859
Cumner-Place, Berkshire (with text)(from the Mirror?); page 85 (Volume One)
Chillingham Castle in Northumberland, The Seat of the Earl of Tankerville (published by W. Angus): Plate 62; page 62 (Volume One)
undated
48
unknown artist
Chirk Castle, Denbighshire; page 67 (Volume One)
49
H. Winkles, Active 1834–1840
Coltman's Castle, Co. Cork; page 70 (Volume One)
50
unknown artist
A View of ye Inside of ye Kitchen of Christ Church College, Oxon formerly Cardinal College; [not numbered] (Volume One)
51
William Angus, 1752–1821
Chester Castle; page 63 (Volume One)
1777
52
Samuel Rawle, 1771–1860
The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)
1820
53
Print made by Henry Wallis, 1805–1890
The Coliseum, Regent's Park; page 72 (Volume One)
1827
54
J. Steed, active 1830–1832
Conservatory at Weisbaden; [not numbered] (Volume One)
55
S. Lacey, active 1830s
Craigstone, Aberdeenshire; page 77 (Volume One)
56
Matthew Urlwin Sears, active 1826–1859
Crosbie Hall, Bishopsgate Street - The Residence of Richard the Third; page 79 (Volume One)
57
William Radclyffe, 1780–1855
Culzean Castle, South East View, Ayrshire; page 84 (Volume One)
1830
58
Peter Mazell, active 1761–1797
Dupplin House; page 94 (Volume One)
59
George Cooke, 1781–1834
Drechorn House Mid Lothian; page 90 (Volume One)
1806
60
S. Lacey, active 1830s
The Palace of the Bishop of Durham, at Bishop Auckland; page 96 (Volume One)
61
Print made by C. J. Williams, active ca. 1820
Copenhagen House; page 73 (Volume One)
1809
62
unknown artist
The Statue of Erasmus; page 107 (Volume One)
63
unknown artist
The Princess Elizabeth's Cottage, Windsor, Volume XVII, H, page 475 (from The Mirror)(with text); page 105 (Volume One)
64
Elizabeth Byrne, active 1812–1850
The Foundling Hospital for the Beauties of England and Wales; page 3 (Volume Two)
65
William Deeble, active 1814–1849
Castle Fraser, Aberdeenshire; page 4 (Volume Two)
66
Walter Richard Sickert, 1860–1942
Max, Max Beerbohm (Vanity Fair series)
67
Matthew Urlwin Sears, active 1826–1859
Chesterton, The Birth-Place of Dryden; page 95 (Volume One)
68
Sir Max Beerbohm, 1872–1956
"Magnetic, has the power to infect almost everyone with the delight that he takes in himself," George Bernard Shaw
1905
69
Walter Richard Sickert, 1860–1942
A Child of the Ghetto, Israel Zangwill
70
Walter Richard Sickert, 1860–1942
Esther Waters, George Moore (Vanity Fair series)
71
W. Taylor, active 1790–1810
The Court Yard, Chillingham Castle; page 65 (Volume One)
72
unknown artist
Craig Hall, Perthshire; page 78 (Volume One)
73
unknown artist
The Old East India House in Leadenhall Street 1648 to 1726; page 99 (Volume 0ne)
74
J. Dudley
Town of Banff, with Duff House and the Bridge over the Doveron (published by J. Johnson); page 97 (Volume One)
The Interior Quadrangle of the Castle, Edinburgh; page 102 (Volume One)
78
unknown artist
Queen Elizabeth's Palace at Enfield from the Mirror, February 20, 1830, Volume XVX, K, Number 416); page 104 (Volume One)
79
Heath Parker
Remains of the Royal Palace at Eltham; page 106 (Volume One)
80
unknown artist
The Residence of Jeschi in the Boulevard du Temple, from a drawing made on the spot. The window covered wit a blind is the one from whence the deadly engine was [Dissil?]; page 2 (Volume Two)
81
unknown artist
The House in which he was born at Rotterdam; page 107 (Volume One)
82
Matthew Urlwin Sears, active 1826–1859
Residence of Edward the Black Prince (from The Mirror)(Volume IV, D, page 33)(with text); page 103 (Volume One)
83
unknown artist
Volume of 21 watercolors and two hand touched lithographs of continental scenes
84
Sydney Lee, 1866–1949
The Venetian Merchant
85
J. M. Kronheim, 1810–1896
Escape Over the Ice
86
J. M. Kronheim, 1810–1896
The Sleigh Ride
87
J. M. Kronheim, 1810–1896
Title-page and the Six Colored Plates to ' Household Stories' by the Brothers Grimm. Routledge
88
J. M. Kronheim, 1810–1896
Women
89
Joseph Mansell, 1803–1874
Four large figure subjects
90
Joseph Mansell, 1803–1874
[One of] Six figures, undivided on one sheet: Six figure subjects, same subjects as above, but divided, and mounted on cards
91
Joseph Mansell, 1803–1874
[One of] Six figures subjects, undivided on one sheet: Six figure subjects, same subjects as above, but divided, and mounted on cards
92
Joseph Mansell, 1803–1874
[One of] Six figures subjects, unidentified on one sheet: Six figure subjects, same subjects as above, but divided, and mounted on cards
93
Joseph Mansell, 1803–1874
[One of] Six figures subjects, undivided on one sheet: Six figure subjects, same subjects as above, but divided, and mounted on cards
94
Joseph Mansell, 1803–1874
[One of] Six figures subjects, undivided on one sheet: Six figure subjects, same subjects as above, but divided, and mounted on cards
95
Joseph Mansell, 1803–1874
Six figure subjects of courtship and marriage
96
Ethelbert White, 1891–1972
Mosque of the Fishermen, Algiers
97
Ethelbert White, 1891–1972
The Gravel Pit
98
Ethelbert White, 1891–1972
November
99
unknown artist
Volume of 21 watercolors and two hand touched lithographs of continental scenes