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101
- St. Peters and the Vatican from the Gardens of the Villa Barberini, Rome
- c.1819
102
- Heidelberg With A Rainbow
![Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.](https://media.collections.yale.edu/thumbnail/ycba/f29f4e23-9f91-41b9-bc31-092f50e03f46)
103
- [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
104
- Crossing the Brook
105
- Approach to Venice
106
- Norham Castle, on the River Tweed, 1816
107
- Little Devil's Bridge over the Russ above Altdorft, Switzerland
- 1812
108
- Windsor Castle from Salt Hill
- 1812
109
- Crowhurst
- 1812
110
- Scene in the Campagna
- 1812
111
- Hedging and Ditching
- 1812
112
- Italinate Landscape, with Travellers Resting
- 1899
113
- Figure Composition Study 20
- undated
114
- "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
- 1797
115
- Beggar's Opera, Act III
- 1790
116
- "The Book of Thel William Blake Original Wrappers 1789"
- 1789
117
- Plate 33 (page 72): 'And vapid; sense and reason shew the door'
- 1797
118
- Plate 7 (page 12): 'Its favours here are trials, not rewards'
- 1797
119
- Plate 12 (page 19): 'Emblem of that which shall awake the dead'
- 1797
120
- Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
- 1797
121
- Plate 37 (page 86): 'His hand the good man fastens on the skies'
- 1797
122
- Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
- 1797
123
- Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
- 1797
124
- Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
- 1797
125
- Plate 8 (page 13): 'The present moment terminates our sight'
- 1797
126
- Plate 13 (page 23): 'We censure nature for a span too short'
- 1797
127
- Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
- 1797
128
- Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
- 1797
129
- Plate 21 (page 37): 'Love, and love only, is the loan for love'
- 1797
130
- Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
- 1797
131
- Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
- 1797
132
- Plate 3 (page 4): 'What, though my soul fantastick measures trod'
- 1797
133
- Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
- 1797
134
- Plate 6 (page 10): 'Disease invades the chastest temperence'
- 1797
135
- Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
- 1797
136
- Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
- 1797
137
- Plate 22 (page 40): ' Angels should paint it, angels ever there'
- 1797
138
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
139
- Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
- 1797
140
- Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
- 1797
![William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'](https://media.collections.yale.edu/thumbnail/ycba/5a919703-759e-494b-a892-d66a8288096b)
141
- Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
- 1797
142
- Plate 9 (page 15):' The longest night though longer far, would fail'
- 1797
143
- Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
- 1797
144
- Plate 15 (page 25): 'Behold him, when past by; what then is seen'
- 1797
145
- Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
- 1797
146
- Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
- 1797
147
- Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
- 1797
148
- Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
- 1797
149
- Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
- 1797
150
- Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
- 1797
151
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
152
- Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
- 1797
153
- Plate 41 (page 92): 'When faith is virtue, reason makes it so'
- 1797
154
- May-Day in London
- 1784
155
- View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
- 1802
156
- The Fight Interrupted
157
- Album of Landscape and Figure Studies: Man Riding a Horse on the Beach
158
- Album of Landscape and Figure Studies: Sketch of Castle Ruins
159
- Album of Landscape and Figure Studies: Sketch of Mountains and Clouds
160
- Album of Landscape and Figure Studies: Sketches of Waves, Buildings, Trees/Two Profiles
161
- Album of Landscape and Figure Studies: Sketch of Buildings
162
- Album of Landscape and Figure Studies: Slight Sketch of Rocks and Leaves
163
- Album of Landscape and Figure Studies: Sunlight on a Shoreline
164
- Album of Landscape and Figure Studies: Facade of a House and Sketch of a Man With a Cane
165
- Album of Landscape and Figure Studies: Sketch of a Large Tree
166
- Album of Landscape and Figure Studies: Slight Sketch of Mountains and Trees
167
- Album of Landscape and Figure Studies: Sketch of Two Men in Theatrical Costumes
168
- Album of Landscape and Figure Studies: Castle Ruins on a Hilltop
169
- Album of Landscape and Figure Studies: Sketch of a Young Man (short list, mathematical calculations scribbled on right side of sheet)
170
- Album of Landscape and Figure Studies: Hounds Chasing a Hare
171
- Album of Landscape and Figure Studies: Sketches of a Man's face (illegible jottings in brown ink, crossed out)
172
- The Mansion House
- 1750
173
- The Mansion House
174
- Album of Landscape and Figure Drawings: Houses on a Rocky shoreline
175
- Album of Landscape and Figure Studies: A Desolate Harbor Surrounded by Moors
176
- Album of Landscape and Figure Studies. A Waterfall
177
- Album of Landscape and Figure Studies: Storm at Sea
178
- Album of Landscape and Figure Studies: Rocky Coastal Scene
179
- Album of Landscape and Figure Studies: Ruins of a Castle on a Rocky Coastline
180
- Album of Landscape and Figure Studies: Two Stone Cottages
181
- Album of Landscape and Figure Studies: Rural Landscape Scene with Farm and Grazing Sheep
182
- Album of Landscape and Figure Studies: Sketch of Rural Landscape with Horse-Drawn Carriage
183
- Album of Landscape and Figures Studies: Slight Sketch of Rocks
184
- Album of Landscape and Figure Studies: Three Ships at Sea
185
- Album of Landscape and Figure Studies: Villa in the Mountains
186
- Album of Landscape and Figure Studies: Sketch of Shrubbery
187
- Album of Landscape and Figure Studies: Two Houses Along a Roadside in the Mountains
188
- Album of Landscape and Figure Studies: The Coast at Point de Cruz, Madeira
189
- Album of Landscape and Figure Studies: Sketch of Castle Ruins with Cows Grazing in the foreground
190
- Album of Landscape and Figure Studies: Mountainous Landscape Scene
191
- Album of Landscape and Figure Studies
192
- Album of Landscape and Figure Studies: Clouds
193
- Album of Landscape and Figure Drawings: Sketch of Clouds
194
- Album of Landscape and Figure Studies: Rough Sketch of Mountains
195
- Album of Landscape and Figure Studies: Sketch of Rocks and Shrubs
196
- Album of Landscape and Figure Studies: Face of a Young Man
197
- Drawings of Classical Ornament (A Volume)
- 1771-1772
198
- Album of Landscape and Figure Studies: Chinkford Church
199
- Album of Landscape and Figure Studies: Rural Landscape with a Bridge
200
- Album of Landscape and Figure Studies: Landscape Scene near St. Albans
- 1811 to 1813