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unknown artist Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black
unknown artist
Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black
18th century
Not on view
William Hackwood Queen Charlotte
Modeled by William Hackwood, died 1836
Queen Charlotte
ca. 1776
Not on view
William Hogarth Painting of Pharoah's Daughter and Moses in the Foundling Hospital
William Hogarth, 1697–1764
Painting of Pharoah's Daughter and Moses in the Foundling Hospital
1752
William Hogarth Prospectus print "Crown & Mitre"
William Hogarth, 1697–1764
Prospectus print "Crown & Mitre"
1754
William Hogarth Hudibras Vanquished by Trulla
William Hogarth, 1697–1764
Hudibras Vanquished by Trulla
William Hogarth Simon, Lord Lovat
Print made by William Hogarth, 1697–1764
Simon, Lord Lovat
William Hogarth Pit Ticket
William Hogarth, 1697–1764
Pit Ticket
1759
William Hogarth Paul before Felix
William Hogarth, 1697–1764
Paul before Felix
William Hogarth Beer Street
William Hogarth, 1697–1764
Beer Street
1751
William Hogarth The Distressed Poet
William Hogarth, 1697–1764
The Distressed Poet
1740
William Hogarth Mr. Garrick in the Character of Richard III
William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard III
1746
William Hogarth Hudibras Triumphant (no.4)
William Hogarth, 1697–1764
Hudibras Triumphant (no.4)
William Hogarth Hudibras's First Adventure (no.3)
William Hogarth, 1697–1764
Hudibras's First Adventure (no.3)
William Hogarth Hudibras Vanquish'd by Trulla (no.5)
William Hogarth, 1697–1764
Hudibras Vanquish'd by Trulla (no.5)
William Hogarth Hudibras Catechiz'd (no.9)
William Hogarth, 1697–1764
Hudibras Catechiz'd (no.9)
William Hogarth Hudibras Sallying Forth (no.2)
William Hogarth, 1697–1764
Hudibras Sallying Forth (no.2)
William Hogarth Hudibras in Tribulation (no.6)
William Hogarth, 1697–1764
Hudibras in Tribulation (no.6)
William Hogarth Burning ye Rumps at Temple-Barr (no.11)
William Hogarth, 1697–1764
Burning ye Rumps at Temple-Barr (no.11)
William Hogarth Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)
William Hogarth, 1697–1764
Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)
William Hogarth Hudibras Encounters the Skimmington (no.12)
William Hogarth, 1697–1764
Hudibras Encounters the Skimmington (no.12)
William Hogarth Frontispiece and its Explanation (no.1)
William Hogarth, 1697–1764
Frontispiece and its Explanation (no.1)
1726
William Hogarth Fair Scene
William Hogarth, 1697–1764
Fair Scene
1733
William Hogarth The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
William Hogarth, 1697–1764
The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
1751
William Hogarth William Hogarth
William Hogarth, 1697–1764
William Hogarth
1764
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
William Blake Plate 9 (page 15):' The longest night though longer far, would fail'
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
William Blake, 1757–1827
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
William Blake Plate 8 (page 13): 'The present moment terminates our sight'
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
William Blake Plate 13 (page 23): 'We censure nature for a span too short'
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'
William Blake, 1757–1827
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
William Blake, 1757–1827
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
William Blake Beggar's Opera, Act III
William Blake, 1757–1827
Beggar's Opera, Act III
1790
William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
William Blake, 1757–1827
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'
William Blake, 1757–1827
Plate 21 (page 37): 'Love, and love only, is the loan for love'
1797
William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'
William Blake, 1757–1827
Plate 22 (page 40): ' Angels should paint it, angels ever there'
1797
William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
William Blake, 1757–1827
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
William Blake, 1757–1827
Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
1797
William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
William Blake May-Day in London
William Blake, 1757–1827
May-Day in London
1784
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
George Romney Figure Composition Study 20
George Romney, 1734–1802
Figure Composition Study 20
undated
Thomas Worlidge Self Portrait
Thomas Worlidge, 1700–1766
Self Portrait
1752
Amos Green Views in England, Scotland and Wales: Prebend's Bridge at Durham
Amos Green, 1735–1807
Views in England, Scotland and Wales: Prebend's Bridge at Durham
1799
Amos Green Views in England, Scotland and Wales: View on the Brathay near Clappensgate
Amos Green, 1735–1807
Views in England, Scotland and Wales: View on the Brathay near Clappensgate
1799
James Basire Two Views of the Monument of John Tradescant in the Church of St. Mary
James Basire, 1730–1802
Two Views of the Monument of John Tradescant in the Church of St. Mary
1773
unknown artist Memorial in St. Mary's, Lambeth
unknown artist
Memorial in St. Mary's, Lambeth
1791
unknown artist Pedlar and his Dog, St. Mary's, Lambeth
unknown artist
Pedlar and his Dog, St. Mary's, Lambeth
1791
unknown artist A Perspective View of Vauxhall Gardens
unknown artist
A Perspective View of Vauxhall Gardens
undated
Thomas Allen Extract from the Domesday Book concerning the Manor of Stockwell
Thomas Allen, active 1767–1772
Extract from the Domesday Book concerning the Manor of Stockwell
undated
Remi Parr The Representations of the Most Considerable Actions in the Siege of a Place...
Remi Parr, active 1723–1750
The Representations of the Most Considerable Actions in the Siege of a Place..
unknown artist A View of London taken near the Five Mile Sone Brixton Causeway
unknown artist
A View of London taken near the Five Mile Sone Brixton Causeway
John Thomas Smith Houses on the South Side of Leadenhall Street
John Thomas Smith, 1766–1833
Houses on the South Side of Leadenhall Street
1796
unknown artist Dirty Dick in Leadenhall Street
unknown artist
Dirty Dick in Leadenhall Street
undated
unknown artist The Right Hon. Charles James Fox
unknown artist
The Right Hon. Charles James Fox
1785
Samuel Ireland Design for a New Order of Architecture
Samuel Ireland, active 1760–died 1800
Design for a New Order of Architecture
1799
John Maurer Bishops of Rochester's Ancient Palace, Lambeth
John Maurer, active 1713–1761
Bishops of Rochester's Ancient Palace, Lambeth
unknown artist The Town & Harbour of Portsmouth, with a View of His Majesty's Fleet Spitthead, (a)Portsmouth, (b)Gosport, (c)Portchester Castle, (d)Isle of Wight
unknown artist
The Town & Harbour of Portsmouth, with a View of His Majesty's Fleet Spitthead, (a)Portsmouth, (b)Gosport, (c)Portchester Castle, (d)Isle of Wight
unknown artist The City of Leipzig
Print made by unknown artist
The City of Leipzig
J. Carwitham A South-West View of the City of New York in North America
Print made by J. Carwitham, active 1720–1740
A South-West View of the City of New York in North America
1739
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
William Le Petit View from Maidenhead Bridge
William Le Petit, early 1800s
View from Maidenhead Bridge
Daniel Lerpiniere Dudley Priory, Worcestershire. Plate II for Grose's Antiquities of England and Wales.
Daniel Lerpiniere, c.1745–1785
Dudley Priory, Worcestershire. Plate II for Grose's Antiquities of England and Wales
1775
Francesco Bartolozzi Fonrose
Francesco Bartolozzi, 1728–1815
Fonrose
1798
Francesco Bartolozzi For the Benefit of Mr. Savoia
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Savoia
1789
Francesco Bartolozzi Orpheus and Eurydice
Francesco Bartolozzi, 1728–1815
Orpheus and Eurydice
Francesco Bartolozzi Ticket for the Benefit of Mr. Tenducci
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Tenducci
Francesco Bartolozzi Professional Concert 1789, First Night Hanover Square
Print made by Francesco Bartolozzi, 1728–1815
Professional Concert 1789, First Night Hanover Square
1789
Francesco Bartolozzi Wynnstay Theatre Ticket
Francesco Bartolozzi, 1728–1815
Wynnstay Theatre Ticket
1785