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201. An Astonishing Paragraph

An Astonishing Paragraph
Creator:
Richard Newton, 1777–1798
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 5/8 x 13 1/8in. (21.9 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

202. The Quarrel between the Political Builders, Or, Opinions Diametrically Opposite

The Quarrel between the Political Builders, Or, Opinions Diametrically Opposite
Creator:
Attributed to George Townshend, 1724–1807
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 1/4 x 14 1/2in. (26 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

203. French Discernment; or, a Bumling Discovery!

French Discernment; or, a Bumling Discovery!
Creator:
Richard Newton, 1777–1798
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 1/8 x 12 5/8in. (25.7 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

204. The Duke of Brunswick Attacking the Rear of the Sans Culottes

The Duke of Brunswick Attacking the Rear of the Sans Culottes
Creator:
Richard Newton, 1777–1798
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 1/2 x 17in. (26.7 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

205. Louis Dethron'd; or Hell Broke Loose in Paris

Louis Dethron'd; or Hell Broke Loose in Paris
Creator:
Richard Newton, 1777–1798
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 13 3/4in. (24.1 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

206. Arming in the Defence of the French Princes or the Parting of Hector and Andromache

Arming in the Defence of the French Princes or the Parting of Hector and Andromache
Creator:
Richard Newton, 1777–1798
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 x 14 1/2in. (33 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

207. Vanity Fair - Businessmen and Empire Builders. 'The Furnace Line'. Sir Christopher Furness. 21 October 1908

Vanity Fair - Businessmen and Empire Builders. 'The Furnace Line'. Sir Christopher Furness. 21 October 1908
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1908
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

208. Vanity Fair - Businessmen and Empire Builders. 'Beggar-General to the Metal Trades. Kennard. 6 December 1890

Vanity Fair - Businessmen and Empire Builders. 'Beggar-General to the Metal Trades. Kennard. 6 December 1890
Creator:
Liborio Prosperi, 1854–1928
Date:
1890
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

209. Vanity Fair - Businessmen and Empire Builders. Statesmne no.146 'The King of Wales, Sir Watkins Williams-Wynn'. 14 June 1873

Vanity Fair - Businessmen and Empire Builders. Statesmne no.146 'The King of Wales, Sir Watkins Williams-Wynn'. 14 June 1873
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1873
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

210. Vanity Fair - Chancellors of Exchequer. 'A scagliola apollo' Beach. 22 August 1874

Vanity Fair - Chancellors of Exchequer. 'A scagliola apollo' Beach. 22 August 1874
Creator:
Carlo Pellegrini, 1839–1889
Date:
1874
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

211. Vanity Fair - Chancellors of Exchequer. Statesmen No.65 'He does his duty of his party, and is fortunate if it happens to be also his duty to his country'. Nothcote. 8 October 1870

Vanity Fair - Chancellors of Exchequer. Statesmen No.65 'He does his duty of his party, and is fortunate if it happens to be also his duty to his country'. Nothcote. 8 October 1870
Creator:
Carlo Pellegrini, 1839–1889
Date:
1870
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

212. Vanity Fair - Clergy. 'St. Pauls.' Rev. Richards W. Church. 30 January 1886

Vanity Fair - Clergy. 'St. Pauls.' Rev. Richards W. Church. 30 January 1886
Creator:
Liborio Prosperi, 1854–1928
Date:
1886
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

213. New College to be built at Lampeter in Cardiganshire

New College to be built at Lampeter in Cardiganshire
Creator:
Charles J. Hullmandel, 1789–1850
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 21 1/2 x 15in. (54.6 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

214. Industry, The best way to Secure Liberty and preserve Order

Industry, The best way to Secure Liberty and preserve Order
Creator:
Print made by William Dent, active 1784–1793
Date:
1792
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 8 x 11 1/8in. (20.3 x 28.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

215. Public Credit, Or, The State Idol...

Public Credit, Or, The State Idol...
Creator:
William Dent, active 1784–1793
Date:
1791
Materials & Techniques:
Etching with watercolor on laid paper
Dimensions:
Sheet: 13 7/8 x 9 11/16in. (35.2 x 24.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

216. The Union, - Whom --- Has Join'd, Let No Man put Asunder!

The Union, - Whom --- Has Join'd, Let No Man put Asunder!
Creator:
Edward Topham, 1751–1820
Date:
1783
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 5 1/2 x 9in. (14 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

217. An Epilogue - to the Way to get Married

An Epilogue - to the Way to get Married
Creator:
Print made by unknown artist
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 12 3/8in. (21 x 31.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

218. The Terrifying Comet Or Modern Planetary System

The Terrifying Comet Or Modern Planetary System
Creator:
William Dent, active 1784–1793
Date:
1792
Materials & Techniques:
Aquatint with colored impression
Dimensions:
Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

219. No Swallow without an Opening

No Swallow without an Opening
Creator:
Richard Newton, 1777–1798
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 1/4 x 19 1/2in. (31.1 x 49.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

220. Meditations on a Jordan

Meditations on a Jordan
Creator:
Richard Newton, 1777–1798
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 15 7/8in. (24.8 x 40.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

221. The Thieves detected at Last, or - a Wonderful Discovery at Windsor Farm

The Thieves detected at Last, or - a Wonderful Discovery at Windsor Farm
Creator:
Richard Newton, 1777–1798
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 12 7/8in. (22.2 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

222. A Visit to the R---l Cole Pit

A Visit to the R---l Cole Pit
Creator:
Richard Newton, 1777–1798
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 13in. (21 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

223. The Grand Review on Sydenham Common

The Grand Review on Sydenham Common
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 3/8 x 17 3/4in. (28.9 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

224. Saint Catharine and St. George

Saint Catharine and St. George
Creator:
Attributed to Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/8 x 15 7/8in. (25.1 x 40.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

225. Symptoms of Affection, Or - A Specimen of Martial Prowess

Symptoms of Affection, Or - A Specimen of Martial Prowess
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 14 11/16in. (22.2 x 37.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

226. The Rape of Helen

The Rape of Helen
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/8 x 14 1/8in. (24.4 x 35.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

227. One of the Family!

One of the Family!
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 15/16 x 9 1/4in. (30.3 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

228. The Rival Pigs

The Rival Pigs
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 11/16 x 14 3/16in. (22.1 x 36cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

229. The Present State of Europe, Or - John Bull on his Last Legs

The Present State of Europe, Or - John Bull on his Last Legs
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 5/8 x 13 1/4in. (21.9 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

230. Vanity Fair - Businessmen and Empire Builders. 'West Marylebone'. Sir Frederick Seager Hunt, Bart. 18 May 1893

Vanity Fair - Businessmen and Empire Builders. 'West Marylebone'. Sir Frederick Seager Hunt, Bart. 18 May 1893
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1893
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

231. Vanity Fair - Clergy. 'A wet Quaker' Lewis Llewwellyn Dillwyn M.P. - 13 May 1882

Vanity Fair - Clergy. 'A wet Quaker' Lewis Llewwellyn Dillwyn M.P. - 13 May 1882
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1882
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

232. Vanity Fair - Clergy. Men of the Day, no.51 'The head of the Dissenters'. Binney. 12 October 1872

Vanity Fair - Clergy. Men of the Day, no.51 'The head of the Dissenters'. Binney. 12 October 1872
Creator:
unknown artist
Date:
1872
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

233. Vanity Fair - Clergy. 'Chester Square'. Rev. James Fleming. 20 June 1899

Vanity Fair - Clergy. 'Chester Square'. Rev. James Fleming. 20 June 1899
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1899
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

234. Vanity Fair - Clergy. Men of the Day, no. 45 'Come to Jesus'. Hall. 23 November 1872

Vanity Fair - Clergy. Men of the Day, no. 45 'Come to Jesus'. Hall. 23 November 1872
Creator:
unknown artist
Date:
1872
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

235. Vanity Fair - Clergy. 'St. Margaret's'. The Rev. Hensley Henson. 1910-12

Vanity Fair - Clergy. 'St. Margaret's'. The Rev. Hensley Henson. 1910-12
Creator:
unknown artist
Date:
1910-1912
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

236. Vanity Fair - Clergy. 'The Revised Edition of the Bible'. Benjamin Harrison. 6 June 1885

Vanity Fair - Clergy. 'The Revised Edition of the Bible'. Benjamin Harrison. 6 June 1885
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1885
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

237. Vanity Fair - Clergy. 'Greek'. Rev. Benjamin Jowett. 26 February 1876

Vanity Fair - Clergy. 'Greek'. Rev. Benjamin Jowett. 26 February 1876
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1876
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

238. Vanity Fair - Clergy. 'High Church'. Rev. Cary Liddon. 16 September 1876

Vanity Fair - Clergy. 'High Church'. Rev. Cary Liddon. 16 September 1876
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1876
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

239. Vanity Fair - Clergy. 'The noblest of English names.' Earn Nelson. 16 April 1881

Vanity Fair - Clergy. 'The noblest of English names.' Earn Nelson. 16 April 1881
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1881
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

240. Vnaity Fair - Clergy. 'Congregational Union'. Rev. Joseph Parker. 19 April 1884

Vnaity Fair - Clergy. 'Congregational Union'. Rev. Joseph Parker. 19 April 1884
Creator:
Carlo Pellegrini, 1839–1889
Date:
1884
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

241. Vanity Fair - Clergy. 'High Church' Pusey. 2 January 1875

Vanity Fair - Clergy. 'High Church' Pusey. 2 January 1875
Creator:
Carlo Pellegrini, 1839–1889
Date:
1875
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

242. Vanity Fair - Clergy. 'If eloquence could justify injustice he would have saved the Irish Church.' Bishop of Petersborough. 3 July 1869

Vanity Fair - Clergy. 'If eloquence could justify injustice he would have saved the Irish Church.' Bishop of Petersborough. 3 July 1869
Creator:
Carlo Pellegrini, 1839–1889
Date:
1869
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

243. Vanity Fair - Clergy. 'Southwell'. Rev. George Ridding, Bishop of Southwell. 15 August 1901

Vanity Fair - Clergy. 'Southwell'. Rev. George Ridding, Bishop of Southwell. 15 August 1901
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1901
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

244. Vanity Fair - Clergy. 'Philosophic Belief'. A.P. Stanley. 21 September 1872

Vanity Fair - Clergy. 'Philosophic Belief'. A.P. Stanley. 21 September 1872
Creator:
unknown artist
Date:
1872
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

245. Vanity Fair - Clergy. 'A Bishop of Decision'. Rev. Cosmo Gordon Lang. 19 April 1906

Vanity Fair - Clergy. 'A Bishop of Decision'. Rev. Cosmo Gordon Lang. 19 April 1906
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1906
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

246. Vanity Fair - Clergy. 'No one has suceeded like him in sketching the comic side of repentance and regeneration'. Charles Spurgeon. 10 December 1870

Vanity Fair - Clergy. 'No one has suceeded like him in sketching the comic side of repentance and regeneration'. Charles Spurgeon. 10 December 1870
Creator:
Carlo Pellegrini, 1839–1889
Date:
1870
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

247. Vanity Fair - Clergy. 'Rochester' Edward Stuart Talbot. 21 April 1904

Vanity Fair - Clergy. 'Rochester' Edward Stuart Talbot. 21 April 1904
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1904
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

248. Vanity Fair - Clergy. 'The Christian martyr'. Rev. Arthur Tooth. 10 February 1877

Vanity Fair - Clergy. 'The Christian martyr'. Rev. Arthur Tooth. 10 February 1877
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1877
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

249. Vanity Fair - Clergy. 'He has displayed ability in the free handling of religious subjects, and nevertheless been made a Bishop.' Temple. 6 November 1869

Vanity Fair - Clergy. 'He has displayed ability in the free handling of religious subjects, and nevertheless been made a Bishop.' Temple. 6 November 1869
Creator:
unknown artist
Date:
1869
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

250. Vanity Fair - Clergy. 'Westminster'. Rev. William Gunion Rutherford. Head Master of Westminster School. 3 March 1898

Vanity Fair - Clergy. 'Westminster'. Rev. William Gunion Rutherford. Head Master of Westminster School. 3 March 1898
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1898
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

251. Vanity Fair - Clergy. 'Prayers'. Rev. Henry White. 26 December 1874

Vanity Fair - Clergy. 'Prayers'. Rev. Henry White. 26 December 1874
Creator:
Carlo Pellegrini, 1839–1889
Date:
1874
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

252. Vanity Fair - Clergy. 'Calcutta'. James Edward Cowell Welldon. 17 November 1898

Vanity Fair - Clergy. 'Calcutta'. James Edward Cowell Welldon. 17 November 1898
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1898
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

253. Vanity Fair - Clergy. 'The Chaplain'. Archdeacon Wilberforce. One of a set.

Vanity Fair - Clergy. 'The Chaplain'. Archdeacon Wilberforce. One of a set.
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1909
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

254. Vanity Fair - Clergy. 'Truro' Howard Wilkinson, Bishop of Truro.

Vanity Fair - Clergy. 'Truro' Howard Wilkinson, Bishop of Truro.
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1885
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

255. Vanity Fair - Clergy. 'Prelate of the Garter'. Randall Thomas Davidson, Bishop of Winchester. 19 December 1901

Vanity Fair - Clergy. 'Prelate of the Garter'. Randall Thomas Davidson, Bishop of Winchester. 19 December 1901
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1901
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

256. Vanity Fair - Clergy. 'Tolerance'. Rev. Edgar Jacob, Bishop of St. Albans. 26 September 1906

Vanity Fair - Clergy. 'Tolerance'. Rev. Edgar Jacob, Bishop of St. Albans. 26 September 1906
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1906
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

257. Vanity Fair - Clergy. 'Not a brawler.' Bishop of Oxford. 24 July 1869

Vanity Fair - Clergy. 'Not a brawler.' Bishop of Oxford. 24 July 1869
Creator:
Carlo Pellegrini, 1839–1889
Date:
1869
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

258. Vanity Fair - Clergy. 'A man Right Reverend and Well-Beloved'. The Bishop of Ripon. William Boyd Carpenter.

Vanity Fair - Clergy. 'A man Right Reverend and Well-Beloved'. The Bishop of Ripon. William Boyd Carpenter.
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1906
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

259. Vanity Fair - Clergy. 'Liverpool'. Rev. John Charles Ryle, Bishop of Liverpool. 26 March 1881

Vanity Fair - Clergy. 'Liverpool'. Rev. John Charles Ryle, Bishop of Liverpool. 26 March 1881
Creator:
Carlo Pellegrini, 1839–1889
Date:
1881
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

260. A View of Westminster, taken from Millbank

A View of Westminster, taken from Millbank
Creator:
John Hall, 1739–1797
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

261. A View of Westminster taken from Tothill Fields

A View of Westminster taken from Tothill Fields
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

262. The S.W. View of Little Dean's Yard

The S.W. View of Little Dean's Yard
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

263. Westminster

Westminster
Creator:
John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

264. Coronation of King William IV and Queen Adelaide

Coronation of King William IV and Queen Adelaide
Creator:
William Woolnoth, active 1806–1830
Date:
1831
Materials & Techniques:
Engraving, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

265. Plan of Westminster Abbey and Environs for the Coronation of George IV

Plan of Westminster Abbey and Environs for the Coronation of George IV
Creator:
James Wyld, 1790–1836
Date:
1821
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

266. Westminster Abbey

Westminster Abbey
Creator:
Edmund Walker, active 1836–died 1882
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

267. Westminster Abbey, Hospital &c.

Westminster Abbey, Hospital &c.
Creator:
Thomas Shotter Boys, 1803–1874
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

268. Westminster Abbey and St. Margarets

Westminster Abbey and St. Margarets
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

269. The Procession from Westminster Hall to the Abbey

The Procession from Westminster Hall to the Abbey
Creator:
W. Read, active 1818
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

270. Proposed War Memorial Westminster Abbey

Proposed War Memorial Westminster Abbey
Creator:
unknown artist
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

271. Abbey Church of Westminster

Abbey Church of Westminster
Creator:
John Coney, 1786–1833
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

272. Westmonost ecclefiae conv: Facies Aquitonalis

Westmonost ecclefiae conv: Facies Aquitonalis
Creator:
Wenceslaus Hollar, 1607–1677
Date:
1654
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

273. Abbajia di Westminster, Cappella e Sepolioro di Enrico VII

Abbajia di Westminster, Cappella e Sepolioro di Enrico VII
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

274. Westminster Abbey

Westminster Abbey
Creator:
Richard Bernard Godfrey, 1728–op.1794
Date:
1775
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

275. Westminster Abby

Westminster Abby
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

276. Westminster Abbey

Westminster Abbey
Creator:
Thomas Medland, 1755–1823
Date:
1796
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

277. Westminster Abbey

Westminster Abbey
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

278. Scaffolding around pinnacle of St. Paul's Cathedral

Scaffolding around pinnacle of St. Paul's Cathedral
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

279. Set of four: 1. Duck Shooting

Set of four: 1. Duck Shooting
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

280. Pheasants Shooting. La Chasse au Faisand

Pheasants Shooting. La Chasse au Faisand
Creator:
Thomas Burford, ca. 1710–after 1774
Date:
1787
Materials & Techniques:
Mezzotint, colored by hand
Dimensions:
Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

281. Death of the Fox

Death of the Fox
Creator:
John Scott, 1774–1828
Date:
1811
Materials & Techniques:
Engraving
Dimensions:
Sheet: 21 1/4 x 27in. (54 x 68.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

282. Spetchley Worcestershire

Spetchley Worcestershire
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

283. Apsley House

Apsley House
Creator:
unknown artist
Date:
1842
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

284. Set of four [Foxhunting]: 1. Going out

Set of four [Foxhunting]: 1. Going out
Creator:
unknown artist
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

285. [Hare hunting and coursing] Six subjects on one sheet

[Hare hunting and coursing] Six subjects on one sheet
Creator:
unknown artist
Date:
ca. 1830
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 10 1/8 x 13 7/8in. (25.7 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

286. St. Savior's Church, Haverstock Hill. View from the South West.

St. Savior's Church, Haverstock Hill. View from the South West.
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

287. Mr. Sparrow's House, Ipswich

Mr. Sparrow's House, Ipswich
Creator:
unknown artist
Date:
1829
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

288. Parsonage House at Great Brington

Parsonage House at Great Brington
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

289. Meer Hall, Worcestershire

Meer Hall, Worcestershire
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

290. Lowther Arcade

Lowther Arcade
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

291. Her Majesty Queen Victoria at the Banquet given by the Corporation of London, the 9th of Novermber 1837

Her Majesty Queen Victoria at the Banquet given by the Corporation of London, the 9th of Novermber 1837
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

292. The Village of Charing

The Village of Charing
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

293. Parts of the Strand and Covent Garden

Parts of the Strand and Covent Garden
Creator:
unknown artist
Date:
1809
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

294. Foundation Plan of the Ancient Palace of Westminster

Foundation Plan of the Ancient Palace of Westminster
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

295. A French Town

A French Town
Creator:
unknown artist
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 13 1/4 x 10 1/2in. (33.7 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

296. Gray's Letters, Volume First (a vignette)

Gray's Letters, Volume First (a vignette)
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

297. Millbank on the Thames

Millbank on the Thames
Creator:
unknown artist
Materials & Techniques:
Soft ground etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

298. Set of four [Foxhunting]: 4. The Death

Set of four [Foxhunting]: 4. The Death
Creator:
unknown artist
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

299. S. E. Angle of the Cloisters

S. E. Angle of the Cloisters
Creator:
J. R. Hamble, active 1775–1825
Date:
1812
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

300. John Glover

John Glover
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art