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Credit Line Yale Center for British Art, Paul Mellon Collection

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On-site Access Accessible by appointment in the Study Room

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Period 18th century

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William Hogarth Prospectus print "Crown & Mitre"
William Hogarth, 1697–1764
Prospectus print "Crown & Mitre"
1754
William Hogarth Painting of Pharoah's Daughter and Moses in the Foundling Hospital
William Hogarth, 1697–1764
Painting of Pharoah's Daughter and Moses in the Foundling Hospital
1752
William Hogarth Fair Scene
William Hogarth, 1697–1764
Fair Scene
1733
William Hogarth The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
William Hogarth, 1697–1764
The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
1751
William Hogarth William Hogarth
William Hogarth, 1697–1764
William Hogarth
1764
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'
William Blake, 1757–1827
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
William Blake, 1757–1827
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
William Blake Plate 8 (page 13): 'The present moment terminates our sight'
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
William Blake Plate 9 (page 15):' The longest night though longer far, would fail'
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
William Blake, 1757–1827
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
William Blake, 1757–1827
Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
1797
William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'
William Blake, 1757–1827
Plate 21 (page 37): 'Love, and love only, is the loan for love'
1797
William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'
William Blake, 1757–1827
Plate 22 (page 40): ' Angels should paint it, angels ever there'
1797
William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
William Blake, 1757–1827
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
William Blake, 1757–1827
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
William Blake Plate 13 (page 23): 'We censure nature for a span too short'
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
William Blake May-Day in London
William Blake, 1757–1827
May-Day in London
1784
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
William Blake "There is No Natural Religion", London, by William Blake
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
John Boydell A View taken near Limehouse Bridge, looking down the Thames
John Boydell, 1720–1804
A View taken near Limehouse Bridge, looking down the Thames
1751
unknown artist The South West Prospect of London
unknown artist
The South West Prospect of London
1760
unknown artist River and Shipping at Limehouse
unknown artist
River and Shipping at Limehouse
1793
John William Edy A View of London from Blackfriars Bridge
John William Edy, 1760–1820
A View of London from Blackfriars Bridge
1795
Nathaniel Buck The North West Prospect of Greenwich in the County of Kent
Nathaniel Buck, active 1727–1753
The North West Prospect of Greenwich in the County of Kent
1739
unknown artist This View of the River and Shipping at Limehouse
unknown artist
This View of the River and Shipping at Limehouse
1793
John William Edy A View of Westminster Bridge, the Abbey and Church
John William Edy, 1760–1820
A View of Westminster Bridge, the Abbey and Church
1791
Heinrich Joseph Schutz Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel
Heinrich Joseph Schutz, active 1798
Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel
1798
Samuel Buck General View of the City of Westminster from Lambeth
Samuel Buck, 1696–1779
General View of the City of Westminster from Lambeth
1749
unknown artist Bruce Castle, Tottenham, Middlesex
unknown artist
Bruce Castle, Tottenham, Middlesex
1794
Johannes Kip The Tower of London, Commanded in Chief by the Rt. Honorable Robert Ld. Lucas
Johannes Kip, 1653–1722
The Tower of London, Commanded in Chief by the Rt. Honorable Robert Ld. Lucas
1707
Johannes Kip The Tower of London, Commanded in Chief by the Rt. Hon. Robert Ld. Lucas
Johannes Kip, 1653–1722
The Tower of London, Commanded in Chief by the Rt. Hon. Robert Ld. Lucas
1707
unknown artist A True and Exact Draught of the Tower Liberties surveyed in the Year 1597
unknown artist
A True and Exact Draught of the Tower Liberties surveyed in the Year 1597
1742
John Boydell A View of the Tower, taken upon the Thames
John Boydell, 1720–1804
A View of the Tower, taken upon the Thames
1751
Nathaniel Buck The West View of the Tower of London
Nathaniel Buck, active 1727–1753
The West View of the Tower of London
1737
Matthew Darly The Tower Macaroni
Matthew Darly, active 1754–1778
The Tower Macaroni
1772
William Henry Toms The Tower of London
William Henry Toms, ca. 1700–ca. 1750
The Tower of London
ca. 1750
Nathaniel Buck The South View of the Tower of London
Nathaniel Buck, active 1727–1753
The South View of the Tower of London
1737
John G. Winckler La Tour de Londres
John G. Winckler, 1734–1791
La Tour de Londres
unknown artist The Great Court of the Tower
unknown artist
The Great Court of the Tower
1799
unknown artist White Tower, or Tower of London
unknown artist
White Tower, or Tower of London
1784
Philip Audinet View of the Tower
Philip Audinet, 1766–1837
View of the Tower
1797
unknown artist South View of the Bloody Tower
unknown artist
South View of the Bloody Tower
1798
unknown artist The Trinity House
unknown artist
The Trinity House
1798
William Watts Seat of the Rt. Hon. Welbore Ellis, at Twickenham in Middlesex
William Watts, 1752–1851
Seat of the Rt. Hon. Welbore Ellis, at Twickenham in Middlesex
1782
William Angus Twickenham Park House in Middlesex
William Angus, 1752–1821
Twickenham Park House in Middlesex
1795
James Hulett A View of the Celebrated Mr. Pope's House at Twickenham
James Hulett, fl.1740–m.1771
A View of the Celebrated Mr. Pope's House at Twickenham
undated
William Watts Chiswick House in Middlesex, the Seat of Duke of Devonshire
William Watts, 1752–1851
Chiswick House in Middlesex, the Seat of Duke of Devonshire
1783
John Boydell A View near Twickenham
John Boydell, 1720–1804
A View near Twickenham
1753
William Watts Chiswick House in Middlesex, the Seat of the Duke of Devonshire
William Watts, 1752–1851
Chiswick House in Middlesex, the Seat of the Duke of Devonshire
1781
unknown artist A Perspective View of Twickenham
unknown artist
A Perspective View of Twickenham
unknown artist View of Twickenham from the River
unknown artist
View of Twickenham from the River
John S. Muller A General Prospect of Vaux Hall Gardens
John S. Muller, ca. 1715–1792
A General Prospect of Vaux Hall Gardens
unknown artist A View of the Earl of Radner's House at Twickenham
unknown artist
A View of the Earl of Radner's House at Twickenham
Benjamin Cole Vauxhall Gardens shewing the Grand Walk
Benjamin Cole, 1697–1783
Vauxhall Gardens shewing the Grand Walk
undated
Thomas Bowles III A View of the Chinese Pavillions and Boxes in Vauxhall Gardens
Thomas Bowles III, ca. 1712–1767
A View of the Chinese Pavillions and Boxes in Vauxhall Gardens
John S. Muller The Triumphal Arches, Mr. Handels Statue & C. in the South Walk of Vauxhall Gardens
John S. Muller, ca. 1715–1792
The Triumphal Arches, Mr. Handels Statue & C. in the South Walk of Vauxhall Gardens
John S. Muller A View of the Grand South Walk in Vauxhall Gardens
John S. Muller, ca. 1715–1792
A View of the Grand South Walk in Vauxhall Gardens
unknown artist Vauxhall
unknown artist
Vauxhall
unknown artist The Ancient Palace of Whitehall
unknown artist
The Ancient Palace of Whitehall
undated
unknown artist The Grand South Walk in Vauxhall Gardens with the Triumphal Arches, Mr. Handels Statue & c.
unknown artist
The Grand South Walk in Vauxhall Gardens with the Triumphal Arches, Mr. Handels Statue & c
unknown artist Vauxhall
unknown artist
Vauxhall
unknown artist The Fortune Teller or Casting the Coffee Grounds
unknown artist
The Fortune Teller or Casting the Coffee Grounds
1743
Nathaniel Parr The Diversion of Battledore and Shuttlecock
Nathaniel Parr, active 1742–1751
The Diversion of Battledore and Shuttlecock
L. Truchy Sir John Falstaff in the Buck Basket
L. Truchy, 1721–1764
Sir John Falstaff in the Buck Basket
Benjamin Cole Breadstreet Ward and Cordwainer Ward
Benjamin Cole, 1697–1783
Breadstreet Ward and Cordwainer Ward
1755
unknown artist The Humorous Diversion of the Country Play at Blindmans Buff
unknown artist
The Humorous Diversion of the Country Play at Blindmans Buff
unknown artist The Stealing of a Kiss
unknown artist
The Stealing of a Kiss
Benjamin Cole The College of Arms or Heralds Office
Benjamin Cole, 1697–1783
The College of Arms or Heralds Office
undated
unknown artist Baynard's Castle
unknown artist
Baynard's Castle
unknown artist Castle Baynard Volunteer
unknown artist
Castle Baynard Volunteer
1798
unknown artist Guy, Earl of Warwick, From a Basso Relievio in Warwick Lane
unknown artist
Guy, Earl of Warwick, From a Basso Relievio in Warwick Lane
1791
Thomas White The College of Arms or Herald's Office
Thomas White, 1736–1811
The College of Arms or Herald's Office
1768