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101. Modern Italy - The Pifferari

Modern Italy - The Pifferari
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Heidelberg With A Rainbow

Heidelberg With A Rainbow
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Approach to Venice

Approach to Venice
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Huntsmen in a Wood

Huntsmen in a Wood
Creator:
Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
photomechanical proces
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. Ship in a Storm

Ship in a Storm
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
ca. 1826
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Figure Composition Study 20

Figure Composition Study 20
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 7 inches (14 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

107. Plate 3 (page 4): 'What, though my soul fantastick measures trod'

Plate 3 (page 4): 'What, though my soul fantastick measures trod'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Plate 6 (page 10): 'Disease invades the chastest temperence'

Plate 6 (page 10): 'Disease invades the chastest temperence'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Plate 12 (page 19): 'Emblem of that which shall awake the dead'

Plate 12 (page 19): 'Emblem of that which shall awake the dead'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Plate 13 (page 23): 'We censure nature for a span too short'

Plate 13 (page 23): 'We censure nature for a span too short'
Creator:
Engravings by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Plate 15 (page 25): 'Behold him, when past by; what then is seen'

Plate 15 (page 25): 'Behold him, when past by; what then is seen'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Plate 21 (page 37): 'Love, and love only, is the loan for love'

Plate 21 (page 37): 'Love, and love only, is the loan for love'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'

Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'

Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Plate 37 (page 86): 'His hand the good man fastens on the skies'

Plate 37 (page 86): 'His hand the good man fastens on the skies'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Plate 41 (page 92): 'When faith is virtue, reason makes it so'

Plate 41 (page 92): 'When faith is virtue, reason makes it so'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Plate 7 (page 12): 'Its favours here are trials, not rewards'

Plate 7 (page 12): 'Its favours here are trials, not rewards'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Plate 8 (page 13): 'The present moment terminates our sight'

Plate 8 (page 13): 'The present moment terminates our sight'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Plate 9 (page 15):' The longest night though longer far, would fail'

Plate 9 (page 15):' The longest night though longer far, would fail'
Creator:
Engravings by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Plate 22 (page 40): ' Angels should paint it, angels ever there'

Plate 22 (page 40): ' Angels should paint it, angels ever there'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. Plate 26 (page 49): 'As if the sun could envy, check'd his beam'

Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Plate 33 (page 72): 'And vapid; sense and reason shew the door'

Plate 33 (page 72): 'And vapid; sense and reason shew the door'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. "The Book of Thel William Blake Original Wrappers 1789"

"The Book of Thel William Blake Original Wrappers 1789"
Creator:
William Blake, 1757–1827
Date:
1789
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young

"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
Creator:
William Blake, 1757–1827
Date:
1797
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. May-Day in London

May-Day in London
Creator:
William Blake, 1757–1827
Date:
1784
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Beggar's Opera, Act III

Beggar's Opera, Act III
Creator:
William Blake, 1757–1827
Date:
1790
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

148. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. "The Queen's Memorial". Thomas Brock 21 September 1905 (with biography). Vanity Fair.

"The Queen's Memorial". Thomas Brock 21 September 1905 (with biography). Vanity Fair.
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1905
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

150. Mother Teaching Letters to Daughter

Mother Teaching Letters to Daughter
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection, Gift of Abel Cary Thomas, Yale BA 1905

151. View on the Itchen

View on the Itchen
Creator:
Angela Rudge, active 20th century
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

152. Southampton

Southampton
Creator:
Print made by Anne Rudge, 1761–1836
Date:
1799
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

153. Berlin - Sir Frank Cavendish Lascelles. 27 March 1902

Berlin - Sir Frank Cavendish Lascelles. 27 March 1902
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1902
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

154. Ill-used - Sir James Hudson. 26 Sept. 1874

Ill-used - Sir James Hudson. 26 Sept. 1874
Creator:
Carlo Pellegrini, 1839–1889
Date:
1874
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

155. Tokio - Sir Claude Maxwell MacDonald. 10 Oct. 1901

Tokio - Sir Claude Maxwell MacDonald. 10 Oct. 1901
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1901
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

156. Justice! Justice! Justice! - Sir Edward Baldwin Malet. 12 Jan. 1884

Justice! Justice! Justice! - Sir Edward Baldwin Malet. 12 Jan. 1884
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1884
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

157. Diplomacy - Lord Lyons. 6 April 1878

Diplomacy - Lord Lyons. 6 April 1878
Creator:
Carlo Pellegrini, 1839–1889
Date:
1878
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

158. Diplomacy - The Rt. Hon. Sir Nicholas O'Conor. 1 May 1907

Diplomacy - The Rt. Hon. Sir Nicholas O'Conor. 1 May 1907
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1907
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

159. Promotion by Merit - Col. the Hon. Frederick Arthur Wellesley

Promotion by Merit - Col. the Hon. Frederick Arthur Wellesley
Creator:
Carlo Pellegrini, 1839–1889
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

160. One of a set; VANITY FAIR, Ambassadors to England: Austria - Frederick Ferdinand, Count Beust - 28 Aug. 1875

One of a set; VANITY FAIR, Ambassadors to England: Austria - Frederick Ferdinand, Count Beust - 28 Aug. 1875
Creator:
Carlo Pellegrini, 1839–1889
Date:
1875
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

161. One of a set; VANITY FAIR, Ambassadors to England: Japan, The Viscount Tadasu Hayashi, 24 April 1902 (with biography)

One of a set; VANITY FAIR, Ambassadors to England: Japan, The Viscount Tadasu Hayashi, 24 April 1902 (with biography)
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1902
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

162. One of a set; VANITY FAIR, Ambassadors to England: Brazil, The Chevailier de Souza Correa; 18 August 1898 (with biography)

One of a set; VANITY FAIR, Ambassadors to England: Brazil, The Chevailier de Souza Correa; 18 August 1898 (with biography)
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1898
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

163. One of a set; VANITY FAIR, Ambassadors to England: The German Ambassador, Count George Herbert Munster, 23 December 1876 (with biography)

One of a set; VANITY FAIR, Ambassadors to England: The German Ambassador, Count George Herbert Munster, 23 December 1876 (with biography)
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1876
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

164. One of a set; VANITY FAIR, Ambassadors to England: A Manipulator of Phrases, General Ignatieff, 14 April 1877 (with biography)

One of a set; VANITY FAIR, Ambassadors to England: A Manipulator of Phrases, General Ignatieff, 14 April 1877 (with biography)
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1877
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

165. One of a set; VANITY FAIR, Ambassadors of England: Austro-Hungary Count Fraz Deym, 24 February 1898 (with biography)

One of a set; VANITY FAIR, Ambassadors of England: Austro-Hungary Count Fraz Deym, 24 February 1898 (with biography)
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1898
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

166. One of a set; VANITY FAIR, Ambassadors to England: The Belgian Minister, Count Charles De La Laing, 21 July 1904

One of a set; VANITY FAIR, Ambassadors to England: The Belgian Minister, Count Charles De La Laing, 21 July 1904
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1904
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

167. One of a set; VANITY FAIR, Ambassadors of England: The most interesting of all the Diplomatic Corps in London, Mr. Musurus, 4 February 1871

One of a set; VANITY FAIR, Ambassadors of England: The most interesting of all the Diplomatic Corps in London, Mr. Musurus, 4 February 1871
Creator:
Carlo Pellegrini, 1839–1889
Date:
1871
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

168. Views in England, Scotland and Wales; Tour in Scotland: Vale of Newlands

Views in England, Scotland and Wales; Tour in Scotland: Vale of Newlands
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Views in England, Scotland and Wales: Colwith Force

Views in England, Scotland and Wales: Colwith Force
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Views in England, Scotland and Wales: Conway Castle

Views in England, Scotland and Wales: Conway Castle
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Views in England, Scotland and Wales: Conway Castle

Views in England, Scotland and Wales: Conway Castle
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Views in England, Scotland and Wales: Between Llanrwst and Capel Cerrig, The Mountain is Moel Shiabod, The River is Lligwy

Views in England, Scotland and Wales: Between Llanrwst and Capel Cerrig, The Mountain is Moel Shiabod, The River is Lligwy
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Views in England, Scotland and Wales: Capel Cerrig and Snowdon

Views in England, Scotland and Wales: Capel Cerrig and Snowdon
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Views in England, Scotland and Wales: The Pass of Penmanmawr

Views in England, Scotland and Wales: The Pass of Penmanmawr
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Views in England, Scotland and Wales: Snowdon, from Capel Cerrig

Views in England, Scotland and Wales: Snowdon, from Capel Cerrig
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Views in England, Scotland and Wales: Near Tan-y-bwlch

Views in England, Scotland and Wales: Near Tan-y-bwlch
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Views in England, Scotland and Wale: View near Bolton Abbey

Views in England, Scotland and Wale: View near Bolton Abbey
Creator:
Amos Green, 1735–1807
Date:
1802
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. Views in England, Scotland and Wales: Landscape with Stream

Views in England, Scotland and Wales: Landscape with Stream
Creator:
Amos Green, 1735–1807
Date:
1802
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Views in England, Scotland and Wales: Park Cascade

Views in England, Scotland and Wales: Park Cascade
Creator:
Amos Green, 1735–1807
Date:
1803
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. Views in England, Scotland and Wales: Transient effect on Skodow and c., on returning from the fall of Lowdoor, July 30, 1805

Views in England, Scotland and Wales: Transient effect on Skodow and c., on returning from the fall of Lowdoor, July 30, 1805
Creator:
Amos Green, 1735–1807
Date:
1805
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. Views in England, Scotland and Wales: Evening gleam at Lowdoor

Views in England, Scotland and Wales: Evening gleam at Lowdoor
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Views in England, Scotland and Wales: Upper part of the Fall of Lowdoor, A Study from Nature

Views in England, Scotland and Wales: Upper part of the Fall of Lowdoor, A Study from Nature
Creator:
Amos Green, 1735–1807
Date:
1803
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Views in England, Scotland and Wales: Beyond Barden Tower

Views in England, Scotland and Wales: Beyond Barden Tower
Creator:
Amos Green, 1735–1807
Date:
1803
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Views in England, Scotland and Wales: Watenlath, August 30, 1802

Views in England, Scotland and Wales: Watenlath, August 30, 1802
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802

Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802
Creator:
Amos Green, 1735–1807
Date:
1802
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. Views in England, Scotland and Wales: The Devil's Bridge near Aberystwith, Cardiganshire, September 1804

Views in England, Scotland and Wales: The Devil's Bridge near Aberystwith, Cardiganshire, September 1804
Creator:
Amos Green, 1735–1807
Date:
1804
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Views in England, Scotland and Wales: Netley Abbey near Southampton, July 24, 1804

Views in England, Scotland and Wales: Netley Abbey near Southampton, July 24, 1804
Creator:
Amos Green, 1735–1807
Date:
1804
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. Views in England, Scotland and Wales: Near Capel Cerrig

Views in England, Scotland and Wales: Near Capel Cerrig
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. Views in England, Scotland and Wales: Scene at the Devil's Bridge

Views in England, Scotland and Wales: Scene at the Devil's Bridge
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802

Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802
Creator:
Amos Green, 1735–1807
Date:
1802
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. Views in England, Scotland and Wales: Caerphilly Castle, Glamorganshire

Views in England, Scotland and Wales: Caerphilly Castle, Glamorganshire
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. Views in England, Scotland and Wales: Newport, Monmouthshire, May 31, 1806

Views in England, Scotland and Wales: Newport, Monmouthshire, May 31, 1806
Creator:
Amos Green, 1735–1807
Date:
1806
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. Views in England, Scotland and Wales: Ventnor Cove, Isle of Wight, July 1804

Views in England, Scotland and Wales: Ventnor Cove, Isle of Wight, July 1804
Creator:
Amos Green, 1735–1807
Date:
1804
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. Views in England, Scotland and Wales: Part of the Fall of the Mynach

Views in England, Scotland and Wales: Part of the Fall of the Mynach
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Views in England, Scotland and Wales: Inn at the Devil's Bridge, with the Fall of the Mynach

Views in England, Scotland and Wales: Inn at the Devil's Bridge, with the Fall of the Mynach
Creator:
Amos Green, 1735–1807
Date:
1804
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. Views in England, Scotland and Wales: Part of Caerphilly Castle

Views in England, Scotland and Wales: Part of Caerphilly Castle
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. Views in England, Scotland and Wales: Brecknoch

Views in England, Scotland and Wales: Brecknoch
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. Views in England, Scotland and Wales: View on the Brathay near Clappensgate

Views in England, Scotland and Wales: View on the Brathay near Clappensgate
Creator:
Amos Green, 1735–1807
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. Views in England, Scotland and Wales: From a Picture in the Duke of Devonshire's House at Londesbro'

Views in England, Scotland and Wales: From a Picture in the Duke of Devonshire's House at Londesbro'
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. Views in England, Scotland and Wales: Copied from a Picture in the Duke of Devonshire's House at Londesbro'

Views in England, Scotland and Wales: Copied from a Picture in the Duke of Devonshire's House at Londesbro'
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection