The Globe on Bank Side where Shakespeare Acted (published b J. Serrell); page 10 (Volume Two)
1789
23
John Chapman, active ca. 1792–1823
Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
1792
24
John Sartain, 1808–1897
Shakespeare brought before Sir Thomas Lucy for the Deer Shooting, from "The Eclectic"
undated
25
Print made by Wilhelm Krauskopf, Born 1847
The Merry Wives of Windsor, Act IV, Scene II
undated
26
Charles Rolls, 1800–active 1830
The Play Scene - "Hamlet", Act III, Scene II
27
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
28
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
29
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
30
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
31
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
32
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
33
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
34
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
35
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
36
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
37
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
38
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
39
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
40
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
41
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
42
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
43
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
44
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
45
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
46
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
47
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
48
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
49
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
50
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
51
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
52
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
53
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
54
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
55
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
56
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
57
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
58
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
59
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
60
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
61
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
62
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
63
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
64
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
65
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
66
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
67
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
68
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
69
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
70
Samuel Middiman, ca. 1750–1831
As You Like It: Act II, Scene I: Forest of Arden
1803
71
James Fahey, 1804–1885
Shakspeare's Desk
1824
72
Robert Bremmel Schnebbelie, active 1803–1849
End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the posssession of George Daniel, Esqr
73
Charles John Smith, 1803–1838
Front and Back View of Cassolette made from the Mulberry Tree planted by Shakespeare
1837
74
Charles John Smith, 1803–1838
Cassolette made from Shakspeare's Mulberry Tree
75
Charles John Smith, 1803–1838
Cassolette made from Shakspeare's Mulberry Tree
76
Charles John Smith, 1803–1838
Cassolette made from Shakspeare's Mulberry Tree
77
William Wise, Active 1823–1876
A South View of the Falcon Tavern, on the Bankside, Southwark; as it appeared in 1805: celebrated for the daily resort of Shakspeare, and his Dramatic Companions with a Plan of the site and its vicinity
1811
78
Robert Bremmel Schnebbelie, active 1803–1849
End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the possession of George Daniel, Esqr
79
Richard James Lane, 1800–1872
Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare
1830
80
Michael Hanhart, active 1841–1852
Plan of the property originally possessed by the Shakspeare Family
81
Robert Smirke, 1752–1845
Smirke [Shakespeare] Album
82
Francesco Bartolozzi, 1728–1815
Macbeth, Act I, Scene II
1784
83
Francesco Bartolozzi, 1728–1815
Coriolanus, Act 5, Scene III
1783
84
Francesco Bartolozzi, 1728–1815
The Birth of Shakespeare
1782
85
Francesco Bartolozzi, 1728–1815
Anthony and Cleopatra, Act 3, Scene II
1794
86
Francesco Bartolozzi, 1728–1815
Ophelia vide Hamlet, Act 4, Scene VII
1794
87
Francesco Bartolozzi, 1728–1815
Antony and Cleopatra, Act I, Scene II
1794
88
Francesco Bartolozzi, 1728–1815
King Lear, Act 4, Scene VII
1794
89
Francesco Bartolozzi, 1728–1815
Troilus and Cressida, Act 4, Scene II
1794
90
Francesco Bartolozzi, 1728–1815
As You Like It, Act IV, Orlando and Oliver
1788
91
Francesco Bartolozzi, 1728–1815
Cleopatra And Meleagar
1783
92
Francesco Bartolozzi, 1728–1815
Troilus and Crssida, Act 3, Scene II
1794
93
John Ogborne the Elder, 1755–1795
As You Like It: Act II, Scene VII: The Seven Ages Man (second age)
1801-1803
94
Peter Simon, 1750–1810
As You Like It: Act II, Scene VII: The Seven Ages Man (fifth age)
1801
95
Peltro W. Tomkins, 1760–1840
As You Like It: Act II, Scene VII: The Seven Ages of Man (First Age)
1801
96
John Ogborne the Elder, 1755–1795
As You Like It: Act II, Scene VII: The Seven Ages Man (fourth age)
1801
97
William S. Leney, 1769–1831
As You Like It: Act II, Scene VII: The Seven Ages Man (sixth age)
1801
98
Peter Simon, 1750–1810
As You Like It: Act II, Scene VII: The Seven Ages Man (seventh age)