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Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner Approach to Venice
after Joseph Mallord William Turner, 1775–1851
Approach to Venice
Joseph Mallord William Turner St. Mary's Redcliffe, Bristol
after Joseph Mallord William Turner, 1775–1851
St. Mary's Redcliffe, Bristol
1814
Joseph Mallord William Turner Heidelberg With A Rainbow
after Joseph Mallord William Turner, 1775–1851
Heidelberg With A Rainbow
Joseph Mallord William Turner Modern Italy - The Pifferari
after Joseph Mallord William Turner, 1775–1851
Modern Italy - The Pifferari
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
William Blake Plate 8 (page 13): 'The present moment terminates our sight'
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
William Blake, 1757–1827
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'
William Blake, 1757–1827
Plate 21 (page 37): 'Love, and love only, is the loan for love'
1797
William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
William Blake, 1757–1827
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'
William Blake, 1757–1827
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
William Blake Plate 9 (page 15):' The longest night though longer far, would fail'
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
William Blake, 1757–1827
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'
William Blake, 1757–1827
Plate 22 (page 40): ' Angels should paint it, angels ever there'
1797
William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
William Blake, 1757–1827
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
William Blake, 1757–1827
Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
1797
William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
William Blake Plate 13 (page 23): 'We censure nature for a span too short'
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
William Blake May-Day in London
William Blake, 1757–1827
May-Day in London
1784
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
William Blake Beggar's Opera, Act III
William Blake, 1757–1827
Beggar's Opera, Act III
1790
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
George Romney Figure Composition Study 20
George Romney, 1734–1802
Figure Composition Study 20
undated
Frederick Christian Lewis the Elder View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
unknown artist Fancy subject; Miss G.
unknown artist
Fancy subject; Miss G
undated
unknown artist Mrs. J. Gomeldon
unknown artist
Mrs. J. Gomeldon
undated
Pieter Schenck I The Duchess of Grafton
Pieter Schenck I, 1660–1719
The Duchess of Grafton
undated
John Faber the Younger Her Grace the Duchess of Grafton
John Faber the Younger, ca. 1695–1756
Her Grace the Duchess of Grafton
John Faber the Younger Mrs Mary Ann Granville
John Faber the Younger, ca. 1695–1756
Mrs Mary Ann Granville
James McArdell Lady Grammont
James McArdell, ca. 1729–1765
Lady Grammont
William Dickinson Jane Duchess of Gordon
William Dickinson, 1746–1823
Jane Duchess of Gordon
1775
Richard Purcell Miss Greenway
Richard Purcell, active 1746–1766
Miss Greenway
John Smith Portraits of Ladies
John Smith, 1652–1743
Portraits of Ladies
unknown artist Miss Harriote
Print made by unknown artist
Miss Harriote
1750s
John Smith The Honorable Madame Constantia Hare
John Smith, 1652–1743
The Honorable Madame Constantia Hare
unknown artist Mrs Hamilton
unknown artist
Mrs Hamilton
undated
William Faithorne the Younger The Honorable Mrs. Mariamne Herbert
Print made by William Faithorne the Younger, ca. 1669–1703
The Honorable Mrs. Mariamne Herbert
between 1690 and 1703
Robert Williams Madam Hewse (Margaret Hughes)
Robert Williams, active 1680–1704
Madam Hewse (Margaret Hughes)
John Dean Miss Hill
John Dean, 1754–1798
Miss Hill
1777
John Faber the Younger Mrs. Howard
John Faber the Younger, ca. 1695–1756
Mrs. Howard
undated
James McArdell Miss Horneck
James McArdell, ca. 1729–1765
Miss Horneck
Richard Purcell The Right Honorable Lady Charlotte Johnston
Richard Purcell, active 1746–1766
The Right Honorable Lady Charlotte Johnston
James Watson Miss Jones
Print made by James Watson, 1740–1790
Miss Jones
Francis Stephen Cary Belvedere, Hampshire, The Seat of Sir William Fordyce; page 31 (Volume One)
Francis Stephen Cary, 1808–1880
Belvedere, Hampshire, The Seat of Sir William Fordyce; page 31 (Volume One)
A. Birrell Baynard's Castle (published by Harding); page 28 (Volume One)
A. Birrell, ca.1770–ca. 1820
Baynard's Castle (published by Harding); page 28 (Volume One)
1790
unknown artist A Cloyster, Formerly Part of the Monastry of St. Bartholomew the Great (from European Magazine); page 26 (Volume One)
unknown artist
A Cloyster, Formerly Part of the Monastry of St. Bartholomew the Great (from European Magazine); page 26 (Volume One)
Alfred William Warren Bermondsey Priory, for Dr. Hughsons description of London; page 32 (Volume One)
Alfred William Warren, active 1791–1809
Bermondsey Priory, for Dr. Hughsons description of London; page 32 (Volume One)
unknown artist Barry's House; page 25 (Volume One)
unknown artist
Barry's House; page 25 (Volume One)
John Rogers Entrance to the Archiepiscopal Palace, at Bishopthorpe (published by I. T. Hinton); page 34 (Volume One)
John Rogers, 1808–ca.1888
Entrance to the Archiepiscopal Palace, at Bishopthorpe (published by I. T. Hinton); page 34 (Volume One)
Matthew Urlwin Sears Boscobel House; page 35 (Volume One)
Matthew Urlwin Sears, active 1826–1859
Boscobel House; page 35 (Volume One)
unknown artist Biebrich; page 33 (Volume One)
unknown artist
Biebrich; page 33 (Volume One)
Robert Scott Bonington House, the Seat of Lady Ross-Baillie; page 36 (Volume One)
Robert Scott, 1771–1841
Bonington House, the Seat of Lady Ross-Baillie; page 36 (Volume One)
Samuel Rawle The New Stables at Brighton, built for his Royal Highness the Prince of Wales; page 39 (Volume One)
Samuel Rawle, 1771–1860
The New Stables at Brighton, built for his Royal Highness the Prince of Wales; page 39 (Volume One)
unknown artist Breaching Castle, Angus Shire; page 37 (Volume One)
unknown artist
Breaching Castle, Angus Shire; page 37 (Volume One)
unknown artist The North Prospect of the Lord Burghley's Hospital in Stanford Baron; page 49 (Volume One)
unknown artist
The North Prospect of the Lord Burghley's Hospital in Stanford Baron; page 49 (Volume One)
unknown artist Burn House; page 51 (Volume One)
unknown artist
Burn House; page 51 (Volume One)
Matthew Urlwin Sears Newstead Abbey, the Family Seat of the Byrons [the same engraving appears in "The Tourist, aliterary and anti-slavery journal", London, October 29, 1832, page 53]; page 54 (Volume One)
Matthew Urlwin Sears, active 1826–1859
Newstead Abbey, the Family Seat of the Byrons [the same engraving appears in "The Tourist, aliterary and anti-slavery journal", London, October 29, 1832, page 53]; page 54 (Volume One)
unknown artist The Ichonography of ye Lord Burghleys Hospital; as it stood Anno 1597, from an old manuscript; page 50 (Volume One)
unknown artist
The Ichonography of ye Lord Burghleys Hospital; as it stood Anno 1597, from an old manuscript; page 50 (Volume One)
unknown artist Lord Byron's Palace, at Venice (from the Mirror); page 55 (Volume One)
unknown artist
Lord Byron's Palace, at Venice (from the Mirror); page 55 (Volume One)
Thomas Barber Cawdor Castle, Narnshire (published by G. Virtue); page 59 (Volume One)
Thomas Barber, ca. 1768–1843
Cawdor Castle, Narnshire (published by G. Virtue); page 59 (Volume One)
1836
John J. Hinchliff Carstairs (Central View) Lanarkshire; page 57 (Volume One)
John J. Hinchliff, 1805–1875
Carstairs (Central View) Lanarkshire; page 57 (Volume One)
S. C. Merzgot Chantilly; page 60 (Volume One)
S. C. Merzgot
Chantilly; page 60 (Volume One)
William Angus Chester Castle; page 63 (Volume One)
William Angus, 1752–1821
Chester Castle; page 63 (Volume One)
1777
Peter Mazell Rows in Bridge Street, Chester; page 64 (Volume One)
Peter Mazell, active 1761–1797
Rows in Bridge Street, Chester; page 64 (Volume One)
W. Taylor The Court Yard, Chillingham Castle; page 65 (Volume One)
W. Taylor, active 1790–1810
The Court Yard, Chillingham Castle; page 65 (Volume One)
Henry S. Storer Residence of the late Mrs. Clive, Twickenham; page 69 (Volume One)
Henry S. Storer, 1795–1837
Residence of the late Mrs. Clive, Twickenham; page 69 (Volume One)
William Angus Chillingham Castle in Northumberland, The Seat of the Earl of Tankerville (published by W. Angus): Plate 62; page 62 (Volume One)
William Angus, 1752–1821
Chillingham Castle in Northumberland, The Seat of the Earl of Tankerville (published by W. Angus): Plate 62; page 62 (Volume One)
undated
George Barret Christ Church-College, Oxford; page 68 (Volume One)
George Barret, ca. 1728/32–1784
Christ Church-College, Oxford; page 68 (Volume One)
H. Winkles Coltman's Castle, Co. Cork; page 70 (Volume One)
H. Winkles, Active 1834–1840
Coltman's Castle, Co. Cork; page 70 (Volume One)
Samuel Rawle The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)
Samuel Rawle, 1771–1860
The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)
1820
Henry Wallis The Coliseum, Regent's Park; page 72 (Volume One)
Print made by Henry Wallis, 1805–1890
The Coliseum, Regent's Park; page 72 (Volume One)
1827
J. Steed Conservatory at Weisbaden; [not numbered] (Volume One)
J. Steed, active 1830–1832
Conservatory at Weisbaden; [not numbered] (Volume One)
John Greig View in the Quadrangle Cowdray House (for the Excursions through Essex); page 74 (Volume One)
John Greig, active 1803–1853
View in the Quadrangle Cowdray House (for the Excursions through Essex); page 74 (Volume One)
unknown artist Cowper's House at Olney (with text)(from the Mirror)[a similar engraving appears in "The Tourist; a literary and anti-slavery journal", January 28, 1833, page 189]; page 76 (Volume One)
unknown artist
Cowper's House at Olney (with text)(from the Mirror)[a similar engraving appears in "The Tourist; a literary and anti-slavery journal", January 28, 1833, page 189]; page 76 (Volume One)
Matthew Urlwin Sears Crosbie Hall, Bishopsgate Street - The Residence of Richard the Third; page 79 (Volume One)
Matthew Urlwin Sears, active 1826–1859
Crosbie Hall, Bishopsgate Street - The Residence of Richard the Third; page 79 (Volume One)
S. Lacey Craigstone, Aberdeenshire; page 77 (Volume One)
S. Lacey, active 1830s
Craigstone, Aberdeenshire; page 77 (Volume One)