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Creator Gender male

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Creator Gillray, James, 1756–1815

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1. The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull

The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull
Creator:
Charles Williams, active 1796–1830
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Les Trois Magots

Les Trois Magots
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A Scotch Poney - commonly call'd a Galloway

A Scotch Poney - commonly call'd a Galloway
Creator:
James Gillray, 1756–1815
Date:
1803
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Britania's Assassination..or - The Republican Amuseument

Britania's Assassination..or - The Republican Amuseument
Creator:
James Gillray, 1756–1815
Date:
1782
Materials & Techniques:
Etching with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Scene le Vrog House

Scene le Vrog House
Creator:
James Gillray, 1756–1815
Date:
1782
Materials & Techniques:
Etching with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)

A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
Creator:
James Gillray, 1756–1815
Date:
1783
Materials & Techniques:
Etching with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Anticipation, or the approaching fate of the French commercial treaty

Anticipation, or the approaching fate of the French commercial treaty
Creator:
James Gillray, 1756–1815
Date:
1787
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Charming-well again

Charming-well again
Creator:
James Gillray, 1756–1815
Date:
1804
Materials & Techniques:
Etching with hand-coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Breathing a vein

Breathing a vein
Creator:
James Gillray, 1756–1815
Date:
1804
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Making Decent / Broad bottomites getting into the Grand Costume

Making Decent / Broad bottomites getting into the Grand Costume
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. A Great Stream from a Petty Fountain

A Great Stream from a Petty Fountain
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A kick at the Broad Bottoms

A kick at the Broad Bottoms
Creator:
James Gillray, 1756–1815
Date:
1807
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Playing in Parts

Playing in Parts
Creator:
James Gillray, 1756–1815
Date:
1801
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Every Man has his Hobby Horse

Every Man has his Hobby Horse
Creator:
Print made by James Gillray, 1756–1815
Date:
1784
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva

Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
Creator:
James Gillray, 1756–1815
Date:
1790
Materials & Techniques:
Etching, aquatint and stipple engraving, proof before letters
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection