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101. St. Peters and the Vatican from the Gardens of the Villa Barberini, Rome

St. Peters and the Vatican from the Gardens of the Villa Barberini, Rome
Creator:
after Joseph Mallord William Turner, 1775–1851
Date:
c.1819
Materials & Techniques:
Photolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Modern Italy - The Pifferari

Modern Italy - The Pifferari
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Heidelberg With A Rainbow

Heidelberg With A Rainbow
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. Crowhurst, Sussex - Early Snow

Crowhurst, Sussex - Early Snow
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Figure Composition Study 20

Figure Composition Study 20
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 7 inches (14 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

107. Plate 33 (page 72): 'And vapid; sense and reason shew the door'

Plate 33 (page 72): 'And vapid; sense and reason shew the door'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Beggar's Opera, Act III

Beggar's Opera, Act III
Creator:
William Blake, 1757–1827
Date:
1790
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

109. "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young

"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
Creator:
William Blake, 1757–1827
Date:
1797
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Plate 6 (page 10): 'Disease invades the chastest temperence'

Plate 6 (page 10): 'Disease invades the chastest temperence'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Plate 7 (page 12): 'Its favours here are trials, not rewards'

Plate 7 (page 12): 'Its favours here are trials, not rewards'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Plate 8 (page 13): 'The present moment terminates our sight'

Plate 8 (page 13): 'The present moment terminates our sight'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Plate 9 (page 15):' The longest night though longer far, would fail'

Plate 9 (page 15):' The longest night though longer far, would fail'
Creator:
Engravings by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. Plate 12 (page 19): 'Emblem of that which shall awake the dead'

Plate 12 (page 19): 'Emblem of that which shall awake the dead'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Plate 22 (page 40): ' Angels should paint it, angels ever there'

Plate 22 (page 40): ' Angels should paint it, angels ever there'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Plate 13 (page 23): 'We censure nature for a span too short'

Plate 13 (page 23): 'We censure nature for a span too short'
Creator:
Engravings by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Plate 15 (page 25): 'Behold him, when past by; what then is seen'

Plate 15 (page 25): 'Behold him, when past by; what then is seen'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. Plate 21 (page 37): 'Love, and love only, is the loan for love'

Plate 21 (page 37): 'Love, and love only, is the loan for love'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'

Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'

Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Plate 26 (page 49): 'As if the sun could envy, check'd his beam'

Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Plate 37 (page 86): 'His hand the good man fastens on the skies'

Plate 37 (page 86): 'His hand the good man fastens on the skies'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Plate 41 (page 92): 'When faith is virtue, reason makes it so'

Plate 41 (page 92): 'When faith is virtue, reason makes it so'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Plate 3 (page 4): 'What, though my soul fantastick measures trod'

Plate 3 (page 4): 'What, though my soul fantastick measures trod'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. "The Book of Thel William Blake Original Wrappers 1789"

"The Book of Thel William Blake Original Wrappers 1789"
Creator:
William Blake, 1757–1827
Date:
1789
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. May-Day in London

May-Day in London
Creator:
William Blake, 1757–1827
Date:
1784
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. The Fight Interrupted

The Fight Interrupted
Creator:
William Mulready, 1786–1863
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Earlham House, Norfolk (Album of 22 designs and surveys of Edward Bacon's seat at Earlham)

Earlham House, Norfolk (Album of 22 designs and surveys of Edward Bacon's seat at Earlham)
Creator:
Isaac Johnson, 1754–1835
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Lucan-House

Lucan-House
Creator:
Thomas Milton, 1742/1743–1827
Date:
1783
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Album of Landscape and Figure Studies: Chinkford Church

Album of Landscape and Figure Studies: Chinkford Church
Creator:
Thomas Bradshaw, Born 1767
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Album of Landscape and Figure Studies: Rural Landscape with a Bridge

Album of Landscape and Figure Studies: Rural Landscape with a Bridge
Creator:
Thomas Bradshaw, Born 1767
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. Album of Landscape and Figure Studies: Rural Scene with Church

Album of Landscape and Figure Studies: Rural Scene with Church
Creator:
Thomas Bradshaw, Born 1767
Materials & Techniques:
Watercolor; verso: graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Album of Landscape and Figure Studies: Sketch of a Duck

Album of Landscape and Figure Studies: Sketch of a Duck
Creator:
Thomas Bradshaw, Born 1767
Materials & Techniques:
Graphite; verso: ink
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Album of Landscape and Figure Studies: Catterick Bridge

Album of Landscape and Figure Studies: Catterick Bridge
Creator:
Thomas Bradshaw, Born 1767
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Album of Landscape and Figure Studies: Man Riding a Horse on the Beach

Album of Landscape and Figure Studies: Man Riding a Horse on the Beach
Creator:
Thomas Bradshaw, Born 1767
Materials & Techniques:
Watercolor; verso: ink
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Album of Landscape and Figure Studies: Three Ships at Sea

Album of Landscape and Figure Studies: Three Ships at Sea
Creator:
Thomas Bradshaw, Born 1767
Materials & Techniques:
Graphite, pen and ink, watercolor; verso: graphite, pen and ink, watercolor, scratching out
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Album of Landscape and Figure Studies. A Waterfall

Album of Landscape and Figure Studies. A Waterfall
Creator:
Thomas Bradshaw, Born 1767
Materials & Techniques:
Watercolor, graphite, pen and ink, and scratching out
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Album of Landscape and Figures Studies: Slight Sketch of Rocks

Album of Landscape and Figures Studies: Slight Sketch of Rocks
Creator:
Thomas Bradshaw, Born 1767
Materials & Techniques:
Graphite; verso: pen, brush and ink, watercolor, scratching out
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Album of Landscape and Figure Studies: Sketch of Castle Ruins

Album of Landscape and Figure Studies: Sketch of Castle Ruins
Creator:
Thomas Bradshaw, Born 1767
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Album of Landscape and Figure Studies: Clouds

Album of Landscape and Figure Studies: Clouds
Creator:
Thomas Bradshaw, Born 1767
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Album of Landscape and Figure Studies: Sunlight on a Shoreline

Album of Landscape and Figure Studies: Sunlight on a Shoreline
Creator:
Thomas Bradshaw, Born 1767
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Sketchbook of Figure and Composition Studies

Sketchbook of Figure and Composition Studies
Creator:
Benjamin West, 1738–1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. No. 3 Minerva Polias and Neptune the King

No. 3 Minerva Polias and Neptune the King
Creator:
James Bruce, 1730–1794
Materials & Techniques:
Watercolor over graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Paesto 2nd period

Paesto 2nd period
Creator:
Luigi Balugani, 1737–1770
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. Paesto 2nd period

Paesto 2nd period
Creator:
Luigi Balugani, 1737–1770
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Paesto 3rd period

Paesto 3rd period
Creator:
Luigi Balugani, 1737–1770
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Paesto 3rd period

Paesto 3rd period
Creator:
Luigi Balugani, 1737–1770
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Posidonia: 1st period

Posidonia: 1st period
Creator:
Luigi Balugani, 1737–1770
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Posidonia 1st period

Posidonia 1st period
Creator:
Luigi Balugani, 1737–1770
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Coins of Juba I and II

Coins of Juba I and II
Creator:
Luigi Balugani, 1737–1770
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Graphite drawing of 6 coins

Graphite drawing of 6 coins
Creator:
Luigi Balugani, 1737–1770
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Coins of Juba II and Ptolemay [sic]

Coins of Juba II and Ptolemay [sic]
Creator:
Luigi Balugani, 1737–1770
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. No.1 and No. 2 in the 8 stages of growth of the Surinam Frog

No.1 and No. 2 in the 8 stages of growth of the Surinam Frog
Creator:
Archibald Robertson, 1748–1788
Date:
1796
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. No. 7 and No. 8 in the 8 stages of growth of the Surinam Frog

No. 7 and No. 8 in the 8 stages of growth of the Surinam Frog
Creator:
Archibald Robertson, 1748–1788
Date:
1796
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Pearls

Pearls
Creator:
unknown artist
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. No. 3 and 4 in the 8 stages of growth of the Surinam Frog

No. 3 and 4 in the 8 stages of growth of the Surinam Frog
Creator:
Archibald Robertson, 1748–1788
Date:
1796
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Nisser Werk

Nisser Werk
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. Nisser Tokoor

Nisser Tokoor
Creator:
James Heath, 1757–1834
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. Bucks of the First Head

Bucks of the First Head
Creator:
Print made by unknown artist
Materials & Techniques:
Photomechanical reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. "The Queen's Memorial". Thomas Brock 21 September 1905 (with biography). Vanity Fair.

"The Queen's Memorial". Thomas Brock 21 September 1905 (with biography). Vanity Fair.
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1905
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

183. Mother Teaching Letters to Daughter

Mother Teaching Letters to Daughter
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection, Gift of Abel Cary Thomas, Yale BA 1905

184. Diplomacy - Mr. Percy William Doyle. 27 Dec. 1873

Diplomacy - Mr. Percy William Doyle. 27 Dec. 1873
Creator:
unknown artist
Date:
1873
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

185. Washington Post - The Rt. Hon. Sir Henry Mortimer Durand. 12 May 1904

Washington Post - The Rt. Hon. Sir Henry Mortimer Durand. 12 May 1904
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1904
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

186. Berlin - Sir Frank Cavendish Lascelles. 27 March 1902

Berlin - Sir Frank Cavendish Lascelles. 27 March 1902
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1902
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

187. Ambassador to the Porte - The Rt. Hon. Sir Henry George Elliot. 17 March 1877

Ambassador to the Porte - The Rt. Hon. Sir Henry George Elliot. 17 March 1877
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1877
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

188. Ill-used - Sir James Hudson. 26 Sept. 1874

Ill-used - Sir James Hudson. 26 Sept. 1874
Creator:
Carlo Pellegrini, 1839–1889
Date:
1874
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

189. Washington - The Rt. Hon. Sir Michael Henry Herberg. 15 Jan. 1903

Washington - The Rt. Hon. Sir Michael Henry Herberg. 15 Jan. 1903
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1903
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

190. Tokio - Sir Claude Maxwell MacDonald. 10 Oct. 1901

Tokio - Sir Claude Maxwell MacDonald. 10 Oct. 1901
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1901
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

191. Diplomacy - Lord Lyons. 6 April 1878

Diplomacy - Lord Lyons. 6 April 1878
Creator:
Carlo Pellegrini, 1839–1889
Date:
1878
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

192. Diplomacy - The Rt. Hon. Sir Nicholas O'Conor. 1 May 1907

Diplomacy - The Rt. Hon. Sir Nicholas O'Conor. 1 May 1907
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1907
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

193. One of the Lambs of the Political Fold - Mr. Apponyi. 14 Jan. 1871

One of the Lambs of the Political Fold - Mr. Apponyi. 14 Jan. 1871
Creator:
Carlo Pellegrini, 1839–1889
Date:
1871
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

194. Odo - The Rt. Hon. Lord Odo William Leopold Russell. 28 July 1877

Odo - The Rt. Hon. Lord Odo William Leopold Russell. 28 July 1877
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1877
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

195. One of a set; VANITY FAIR, Ambassadors to England: Austria - Frederick Ferdinand, Count Beust - 28 Aug. 1875

One of a set; VANITY FAIR, Ambassadors to England: Austria - Frederick Ferdinand, Count Beust - 28 Aug. 1875
Creator:
Carlo Pellegrini, 1839–1889
Date:
1875
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

196. Promotion by Merit - Col. the Hon. Frederick Arthur Wellesley

Promotion by Merit - Col. the Hon. Frederick Arthur Wellesley
Creator:
Carlo Pellegrini, 1839–1889
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

197. The Baron - Sir Charles Lennox Wyke. 9 Feb. 1884

The Baron - Sir Charles Lennox Wyke. 9 Feb. 1884
Creator:
Carlo Pellegrini, 1839–1889
Date:
1884
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

198. Justice! Justice! Justice! - Sir Edward Baldwin Malet. 12 Jan. 1884

Justice! Justice! Justice! - Sir Edward Baldwin Malet. 12 Jan. 1884
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1884
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

199. One of a set; VANITY FAIR, Ambassadors to England: Brazil, The Chevailier de Souza Correa; 18 August 1898 (with biography)

One of a set; VANITY FAIR, Ambassadors to England: Brazil, The Chevailier de Souza Correa; 18 August 1898 (with biography)
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1898
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick

200. One of a set; VANITY FAIR, Ambassadors to England: A Manipulator of Phrases, General Ignatieff, 14 April 1877 (with biography)

One of a set; VANITY FAIR, Ambassadors to England: A Manipulator of Phrases, General Ignatieff, 14 April 1877 (with biography)
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1877
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael H. LeWitt, Peter A. LeWitt, and Erwin Strasmick