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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Period 18th century

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1. Fair Scene

Fair Scene
Creator:
William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Painting of Pharoah's Daughter and Moses in the Foundling Hospital

Painting of Pharoah's Daughter and Moses in the Foundling Hospital
Creator:
William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. William Hogarth

William Hogarth
Creator:
William Hogarth, 1697–1764
Date:
1764
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)

The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Prospectus print "Crown & Mitre"

Prospectus print "Crown & Mitre"
Creator:
William Hogarth, 1697–1764
Date:
1754
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Plate 12 (page 19): 'Emblem of that which shall awake the dead'

Plate 12 (page 19): 'Emblem of that which shall awake the dead'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Plate 15 (page 25): 'Behold him, when past by; what then is seen'

Plate 15 (page 25): 'Behold him, when past by; what then is seen'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Plate 21 (page 37): 'Love, and love only, is the loan for love'

Plate 21 (page 37): 'Love, and love only, is the loan for love'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'

Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Plate 26 (page 49): 'As if the sun could envy, check'd his beam'

Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Plate 37 (page 86): 'His hand the good man fastens on the skies'

Plate 37 (page 86): 'His hand the good man fastens on the skies'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Plate 41 (page 92): 'When faith is virtue, reason makes it so'

Plate 41 (page 92): 'When faith is virtue, reason makes it so'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Plate 3 (page 4): 'What, though my soul fantastick measures trod'

Plate 3 (page 4): 'What, though my soul fantastick measures trod'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Plate 7 (page 12): 'Its favours here are trials, not rewards'

Plate 7 (page 12): 'Its favours here are trials, not rewards'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Plate 13 (page 23): 'We censure nature for a span too short'

Plate 13 (page 23): 'We censure nature for a span too short'
Creator:
Engravings by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Plate 22 (page 40): ' Angels should paint it, angels ever there'

Plate 22 (page 40): ' Angels should paint it, angels ever there'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Plate 6 (page 10): 'Disease invades the chastest temperence'

Plate 6 (page 10): 'Disease invades the chastest temperence'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Plate 8 (page 13): 'The present moment terminates our sight'

Plate 8 (page 13): 'The present moment terminates our sight'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Plate 9 (page 15):' The longest night though longer far, would fail'

Plate 9 (page 15):' The longest night though longer far, would fail'
Creator:
Engravings by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'

Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. May-Day in London

May-Day in London
Creator:
William Blake, 1757–1827
Date:
1784
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Plate 33 (page 72): 'And vapid; sense and reason shew the door'

Plate 33 (page 72): 'And vapid; sense and reason shew the door'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. "There is No Natural Religion", London, by William Blake

"There is No Natural Religion", London, by William Blake
Creator:
William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching (several sheets in the set are touched with watercolor)
Dimensions:
Spine: 5 1/2in. (14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Songs of Innocence and of Experience

Songs of Innocence and of Experience
Creator:
William Blake, 1757–1827
Date:
1789-1794
Materials & Techniques:
Relief etching printed in dark-brown ink, with watercolor and pen and ink on wove paper
Dimensions:
Spine: 7 3/8 inches (18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. "The Book of Thel William Blake Original Wrappers 1789"

"The Book of Thel William Blake Original Wrappers 1789"
Creator:
William Blake, 1757–1827
Date:
1789
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young

"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
Creator:
William Blake, 1757–1827
Date:
1797
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Lucan-House

Lucan-House
Creator:
Thomas Milton, 1742/1743–1827
Date:
1783
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Earlham House, Norfolk (Album of 22 designs and surveys of Edward Bacon's seat at Earlham)

Earlham House, Norfolk (Album of 22 designs and surveys of Edward Bacon's seat at Earlham)
Creator:
Isaac Johnson, 1754–1835
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Drawings of Classical Ornament (A Volume)

Drawings of Classical Ornament (A Volume)
Creator:
James Lewis, 1751–1820
Date:
1771-1772
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. The Mansion House

The Mansion House
Creator:
John Maurer, active 1713–1761
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Heveningham Hall, in Suffolk, the Seat of Sir Gerard William Vanneck Bartholomew

Heveningham Hall, in Suffolk, the Seat of Sir Gerard William Vanneck Bartholomew
Creator:
William Watts, 1752–1851
Date:
1782
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Mansion House

The Mansion House
Creator:
John Maurer, active 1713–1761
Date:
1750
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. King Lear

King Lear
Creator:
James Barry, 1741–1806
Date:
1776
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Mrs. Frederick

Mrs. Frederick
Creator:
Robert Laurie, 1755?–1836
Date:
1777
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Lady Fortescue

Lady Fortescue
Creator:
James McArdell, ca. 1729–1765
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Lady Helena Forman

Lady Helena Forman
Creator:
James McArdell, ca. 1729–1765
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Helena Forman

Helena Forman
Creator:
William Pether, ca. 1738–1821
Date:
1775
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Contentment (Miss Gibbons)

Contentment (Miss Gibbons)
Creator:
John Jones, ca. 1745–1797
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Jane Duchess of Gordon

Jane Duchess of Gordon
Creator:
William Dickinson, 1746–1823
Date:
1775
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Mrs. J. Gomeldon

Mrs. J. Gomeldon
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Mrs. Hale

Mrs. Hale
Creator:
Richard Purcell, active 1746–1766
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Elizabeth Duchess of Hamilton Brandon

Elizabeth Duchess of Hamilton Brandon
Creator:
Richard Houston, ca. 1721–1775
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Miss Hoare

Miss Hoare
Creator:
John Faber the Younger, ca. 1695–1756
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Miss Harriote

Miss Harriote
Creator:
Print made by unknown artist
Date:
1750s
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Miss Horneck

Miss Horneck
Creator:
James McArdell, ca. 1729–1765
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. The Lady Howard Abbess of the English Nuns at Antwerp

The Lady Howard Abbess of the English Nuns at Antwerp
Creator:
John Faber the Younger, ca. 1695–1756
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Jewess

Jewess
Creator:
Richard Purcell, active 1746–1766
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Frances Countess of Jersey

Frances Countess of Jersey
Creator:
Thomas Watson, 1743–1781
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Miss Jones

Miss Jones
Creator:
James Watson, 1740–1790
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Miss Jones

Miss Jones
Creator:
Print made by James Watson, 1740–1790
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Miss Polly Jones

Miss Polly Jones
Creator:
Print made by James Watson, 1740–1790
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. The Right Honorable Lady Charlotte Johnston

The Right Honorable Lady Charlotte Johnston
Creator:
Richard Purcell, active 1746–1766
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Mrs Lemaistre

Mrs Lemaistre
Creator:
Valentine Green, 1739–1813
Date:
1771
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Lady taking tea

Lady taking tea
Creator:
Print made by James McArdell, ca. 1729–1765
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Katharine Countess of Lincoln

Katharine Countess of Lincoln
Creator:
James McArdell, ca. 1729–1765
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Lady George Lenox

Lady George Lenox
Creator:
Richard Purcell, active 1746–1766
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Chester Castle; page 63 (Volume One)

Chester Castle; page 63 (Volume One)
Creator:
William Angus, 1752–1821
Date:
1777
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Rows in Bridge Street, Chester; page 64 (Volume One)

Rows in Bridge Street, Chester; page 64 (Volume One)
Creator:
Peter Mazell, active 1761–1797
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Christ Church-College, Oxford; page 68 (Volume One)

Christ Church-College, Oxford; page 68 (Volume One)
Creator:
George Barret, ca. 1728/32–1784
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Craig Hall, Perthshire; page 78 (Volume One)

Craig Hall, Perthshire; page 78 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Downing; page 88 (Volume One)

Downing; page 88 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. The Globe on Bank Side where Shakespeare Acted (published b J. Serrell); page 10 (Volume Two)

The Globe on Bank Side where Shakespeare Acted (published b J. Serrell); page 10 (Volume Two)
Creator:
unknown artist
Date:
1789
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Residence of Dr. Goldsmith, Green Arbour Court, Old Bailey (with text); page 11 (Volume Two)

Residence of Dr. Goldsmith, Green Arbour Court, Old Bailey (with text); page 11 (Volume Two)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. The Duke of Gordon's Hunting Seat in Glen-Eiodich Banff-Shire (published by Peter Mazell); page 12 (Volume Two)

The Duke of Gordon's Hunting Seat in Glen-Eiodich Banff-Shire (published by Peter Mazell); page 12 (Volume Two)
Creator:
Peter Mazell, active 1761–1797
Date:
1789
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Hackwood Park, the Seat of his Grace the Duke of Bolton near Basingstoke, Hampshire (published by G. Kearsly); page 19 (Volume Two)

Hackwood Park, the Seat of his Grace the Duke of Bolton near Basingstoke, Hampshire (published by G. Kearsly); page 19 (Volume Two)
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1775
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Halston; page 22 (Volume Two)

Halston; page 22 (Volume Two)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Roman Tower in Hound's Ditch, 28 April 1763

Roman Tower in Hound's Ditch, 28 April 1763
Creator:
Richard Gough, 1735–1809
Date:
1763
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Eloisa

Eloisa
Creator:
Thomas Watson, 1743–1781
Date:
1775
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Fancy subject; Miss G.

Fancy subject; Miss G.
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Her Grace the Duchess of Grafton

Her Grace the Duchess of Grafton
Creator:
John Faber the Younger, ca. 1695–1756
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Mrs Mary Ann Granville

Mrs Mary Ann Granville
Creator:
John Faber the Younger, ca. 1695–1756
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Lady Grammont

Lady Grammont
Creator:
James McArdell, ca. 1729–1765
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Lady Harriot Grosvenor

Lady Harriot Grosvenor
Creator:
Print made by William Dickinson, 1746–1823
Date:
1774
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Miss Gravile (Frances Anne Greville and her brother as "Hebe and Cupid"

Miss Gravile (Frances Anne Greville and her brother as "Hebe and Cupid"
Creator:
James McArdell, ca. 1729–1765
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Miss Greenway

Miss Greenway
Creator:
Richard Purcell, active 1746–1766
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Mrs Grosvenor Laundry Woman to the Queen

Mrs Grosvenor Laundry Woman to the Queen
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Miss Gravile

Miss Gravile
Creator:
Richard Purcell, active 1746–1766
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Miss Catharine Gunning

Miss Catharine Gunning
Creator:
Charles Spooner, c.1720–1767
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Eleanor Gwynn

Eleanor Gwynn
Creator:
Valentine Green, 1739–1813
Date:
1777
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection