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![Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.](https://media.collections.yale.edu/thumbnail/ycba/e945846c-3cfb-4e72-b37b-03c19a4c3665)
101
- [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
![Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.](https://media.collections.yale.edu/thumbnail/ycba/92ebde13-7c40-4293-9aef-65cd2a9dc53d)
102
- [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
![Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.](https://media.collections.yale.edu/thumbnail/ycba/f29f4e23-9f91-41b9-bc31-092f50e03f46)
103
- [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
104
- Modern Italy - The Pifferari
105
- Heidelberg With A Rainbow
106
- Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
- 1797
107
- Plate 3 (page 4): 'What, though my soul fantastick measures trod'
- 1797
108
- Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
- 1797
109
- Plate 8 (page 13): 'The present moment terminates our sight'
- 1797
110
- Plate 9 (page 15):' The longest night though longer far, would fail'
- 1797
111
- Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
- 1797
112
- Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
- 1797
113
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
114
- Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
- 1797
115
- Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
- 1797
116
- Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
- 1797
117
- Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
- 1797
118
- Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
- 1797
119
- Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
- 1797
120
- Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
- 1797
121
- Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
- 1797
122
- Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
- 1797
123
- Plate 15 (page 25): 'Behold him, when past by; what then is seen'
- 1797
124
- Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
- 1797
125
- Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
- 1797
126
- Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
- 1797
127
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
128
- Plate 41 (page 92): 'When faith is virtue, reason makes it so'
- 1797
129
- Plate 7 (page 12): 'Its favours here are trials, not rewards'
- 1797
130
- Plate 12 (page 19): 'Emblem of that which shall awake the dead'
- 1797
131
- Plate 13 (page 23): 'We censure nature for a span too short'
- 1797
132
- Plate 21 (page 37): 'Love, and love only, is the loan for love'
- 1797
133
- Plate 22 (page 40): ' Angels should paint it, angels ever there'
- 1797
134
- Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
- 1797
135
- Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
- 1797
136
- Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
- 1797
137
- Plate 37 (page 86): 'His hand the good man fastens on the skies'
- 1797
138
- Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
- 1797
![William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'](https://media.collections.yale.edu/thumbnail/ycba/5a919703-759e-494b-a892-d66a8288096b)
139
- Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
- 1797
140
- Plate 6 (page 10): 'Disease invades the chastest temperence'
- 1797
141
- Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
- 1797
142
- Plate 33 (page 72): 'And vapid; sense and reason shew the door'
- 1797
143
- "The Book of Thel William Blake Original Wrappers 1789"
- 1789
144
- Beggar's Opera, Act III
- 1790
145
- May-Day in London
- 1784
146
- "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
- 1797
147
- Figure Composition Study 20
- undated
148
- View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
- 1802
149
- Lucan-House
- 1783
150
- Album of Landscape and Figure Studies: Landscape Scene near St. Albans
- 1811 to 1813
151
- Album of Landscape and Figure Studies: Chinkford Church
152
- Album of Landscape and Figure Studies: Sketch of a Duck
153
- Album of Landscape and Figure Studies. A Waterfall
154
- Album of Landscape and Figure Studies: A Desolate Harbor Surrounded by Moors
155
- Album of Landscape and Figure Studies: Two Stone Cottages
156
- Album of Landscape and Figure Studies: Two Houses Along a Roadside in the Mountains
157
- Album of Landscape and Figure Studies: Sketch of a Large Tree
158
- Album of Landscape and Figure Studies: Slight Sketch of Rocks and Leaves
159
- Album of Landscape and Figure Studies: Sketch of Mountains and Clouds
160
- Album of Landscape and Figure Studies: Sketch of Buildings
161
- Album of Landscape and Figure Studies: Facade of a House and Sketch of a Man With a Cane
162
- Album of Landscape and Figure Studies: Sketch of Two Men in Theatrical Costumes
163
- Album of Landscape and Figure Studies: Sketches of Waves, Buildings, Trees/Two Profiles
164
- Album of Landscape and Figure Studies: Sketches of a Man's face (illegible jottings in brown ink, crossed out)
165
- Album of Landscape and Figure Studies: Face of a Young Man
166
- Album of Landscape and Figure Studies: Hounds Chasing a Hare
167
- The Mansion House
168
- Herstmonceux Castle from the Southwest
- undated
169
- The Kingdom's Martyr - Sir Edmund Burie Godfrey
- 1678
170
- South View of the New Custom House
- 1817
171
- Near Plymouth with the Ordinance Wharfe..
- 1756
172
- The Port of Wisbech, Cambridgeshire
- 1840
173
- Heveningham Hall, in Suffolk, the Seat of Sir Gerard William Vanneck Bartholomew
- 1782
174
- The Beggar and his Dog
![unknown artist [Trade Card] W. Lowe, Foreign & English Toy Warehouse](https://media.collections.yale.edu/thumbnail/ycba/acd5b407-6879-4d3d-896b-9844b383707a)
175
- [Trade Card] W. Lowe, Foreign & English Toy Warehouse
- undated
176
- This Typographic Specimen to the Memory of William Caxton
177
- Mansion of Thomas Hope Esqr. Flemish Picture Gallery
- 1821
178
- The Quadrangle of the Royal Exchange
- undated
179
- Mansion of Thomas Hope Esqr. Flemish Picture Gallery
- 1821
180
- Mr. Thomas Hope's Picture Gallery, Duchess Street, London
- 1821
181
- Sketchbook of Figure, Landscape and Animal Studies
182
- Sketchbook of Figure and Composition Studies
183
- The Mansion House
- 1750
184
- Volume of 21 watercolors and two hand touched lithographs of continental scenes
185
- Self Portrait
- 1752
186
- Perspective view of the Crescent now erecting near the town of Birmingham
- 1804
187
- Moll King (Broadside Engraved Portrait of the Notorious Mistress of King's Coffee-House in Covent Garden...)
- undated
188
- Cherokee Delegation to England
- 1730, printed ca. 1748
![Charles J. Hullmandel Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827](https://media.collections.yale.edu/thumbnail/ycba/f3ed05bb-ba12-4cb2-8d43-46933b91e536)
189
- Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827
- 1827
190
- Improvements opposite Carlton House (Showing the view up Regent Street)
- 1817
191
- The Southwest view of Hertsmonceux Castle in the County of Sussex
192
- Earlham House, Norfolk (Album of 22 designs and surveys of Edward Bacon's seat at Earlham)
- undated
193
- Album of Landscape and Figure Studies: Sketch of Trees and Rocks
- 1811 to 1813
194
- Album of Landscape and Figure Studies: Landscape Scene with Horse and Cart near Tunbridge Wells
- 1811 to 1813
195
- Album of Landscape and Figure Studies: A Road near Berkhampstead, Hertfordshire. Sept. 8, 1811
- 1811
196
- Album of Landscape and Figure Studies: Trees Alongside a River with Buildings in the Distance
197
- Album of Landscape and Figure Studies: Rural Road near Potten End
- 1811 to 1813
198
- Album of Landscape and Figure Studies: Rural Landscape with a Bridge
199
- Album of Landscape and Figure Studies: Sketch of Two Cows
200
- Album of Landscape and Figure Studies: Study of Trees and Shrubs