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401. Columbus Breaking the Egg

Columbus Breaking the Egg
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

402. Columbus Breaking the Egg

Columbus Breaking the Egg
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

403. Columbus Breaking the Egg

Columbus Breaking the Egg
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

404. Industry and Idleness, Plate VI, The Industrious 'Prentice out of His Time and Married to His Master's Daughter

Industry and Idleness, Plate VI, The Industrious 'Prentice out of His Time and Married to His Master's Daughter
Creator:
Print made by William Henry Worthington, ca. 1790–active 1839
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

405. A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester

A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester
Creator:
Print made by Michael van der Gucht, 1660–1725
Date:
between 1675 and 1725
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

406. Bracebridge Hall, The Lovers

Bracebridge Hall, The Lovers
Creator:
Print made by unknown artist
Date:
1858
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

407. Blenheim

Blenheim
Creator:
Print made by unknown artist
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

408. Part of Waterloo Bridge with the Shot Tower, &c.

Part of Waterloo Bridge with the Shot Tower, &c.
Creator:
Print made by George Cooke, 1781–1834
Date:
1832
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

409. Garden Front of Furnivals Inn

Garden Front of Furnivals Inn
Creator:
Print made by unknown artist
Date:
1800
Materials & Techniques:
Etching and aquatint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

410. France Pittoresque, Le Prix de Vertu

France Pittoresque, Le Prix de Vertu
Date:
1835
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

411. Remains of Winchester Palace, Southwark

Remains of Winchester Palace, Southwark
Creator:
Print made by George Cooke, 1781–1834
Date:
1828
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

412. Der Pic von Teneriffa

Der Pic von Teneriffa
Creator:
Print made by unknown artist
Date:
1850
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

413. Remains of Winchester Palace, Southwark

Remains of Winchester Palace, Southwark
Creator:
Print made by George Cooke, 1781–1834
Date:
1828
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

414. Part of Waterloo Bridge with the Shot Tower, &c.

Part of Waterloo Bridge with the Shot Tower, &c.
Creator:
Print made by George Cooke, 1781–1834
Date:
1832
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

415. Canonbury House, Islington

Canonbury House, Islington
Creator:
Print made by George Cooke, 1781–1834
Date:
1827
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

416. St. Dunstan's in the East, from the Customs House

St. Dunstan's in the East, from the Customs House
Creator:
Print made by George Cooke, 1781–1834
Date:
1828
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

417. Session's House, Clerkenwell Green

Session's House, Clerkenwell Green
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

418. Hanover Terrace, Regent's Park

Hanover Terrace, Regent's Park
Creator:
Print made by George Cooke, 1781–1834
Date:
1827
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

419. Mirkwood Mere

Mirkwood Mere
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

420. The Laughing Audience

The Laughing Audience
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

421. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

422. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

423. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

424. Analysis of Beauty, Plate II

Analysis of Beauty, Plate II
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

425. Analysis of Beauty, Plate II

Analysis of Beauty, Plate II
Creator:
Print made by J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

426. Analysis of Beauty, Plate II

Analysis of Beauty, Plate II
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

427. Head of Diana

Head of Diana
Creator:
Print made by Samuel Ireland, died 1800
Date:
1785
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

428. Head of a Female Moor

Head of a Female Moor
Creator:
Print made by Samuel Ireland, died 1800
Date:
1785
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

429. Head of Diana

Head of Diana
Creator:
Print made by Samuel Ireland, died 1800
Date:
1785
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

430. Head of a Female Moor

Head of a Female Moor
Creator:
Print made by Samuel Ireland, died 1800
Date:
1785
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

431. The Laughing Audience

The Laughing Audience
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

432. Boys Peeping at Nature

Boys Peeping at Nature
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

433. Cattle and Sheep Going to Water

Cattle and Sheep Going to Water
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

434. A Cow and Two Rams

A Cow and Two Rams
Date:
1835
Materials & Techniques:
Lithograph on thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

435. Woman Milking a Cow

Woman Milking a Cow
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Lithograph with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper mounted on board
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

436. A Herd of Cattle

A Herd of Cattle
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on board
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

437. Three Goats

Three Goats
Date:
1838
Materials & Techniques:
Lithograph on thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

438. Cattle

Cattle
Date:
1838
Materials & Techniques:
Lithograph on thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

439. A Herd of Cattle on a Riverbank

A Herd of Cattle on a Riverbank
Date:
undated
Materials & Techniques:
Lithograph on thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

440. Sheep and Cattle in a Barn

Sheep and Cattle in a Barn
Date:
1838
Materials & Techniques:
Lithograph on thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

441. No.8 Death of Glorious Black Bess

No.8 Death of Glorious Black Bess
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

442. The Last Drop

The Last Drop
Creator:
Print made by unknown artist
Date:
1773
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

443. Harbour of St. Malo

Harbour of St. Malo
Creator:
Print made by W. Floyd, active 1845
Date:
1833
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

444. Cape of Good Hope

Cape of Good Hope
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1800
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

445. Credulity, Superstition & Fanaticism

Credulity, Superstition & Fanaticism
Creator:
Print made by Charles Mottram, 1807–1876
Date:
1833
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

446. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

447. Approach to Thiers, France

Approach to Thiers, France
Creator:
Print made by John Cousen, 1804–1880
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

448. Château de Monas, Near Orange, France

Château de Monas, Near Orange, France
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1836
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

449. Scene at a Banking House in 1745

Scene at a Banking House in 1745
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

450. No.2 Leaping Hornsey Toll Gate

No.2 Leaping Hornsey Toll Gate
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

451. Approach to Royat, France

Approach to Royat, France
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1838
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

452. No.5 Poor Bess Revived

No.5 Poor Bess Revived
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

453. No.3 Edmonton, Hark Away Dick

No.3 Edmonton, Hark Away Dick
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

454. No.4 The Brothers' Gibbet at Gonerly

No.4 The Brothers' Gibbet at Gonerly
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

455. Maria Theresa Charlotte, Daughter of Louis the Sixteenth

Maria Theresa Charlotte, Daughter of Louis the Sixteenth
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1794
Materials & Techniques:
Stipple engraving, aquatint and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

456. No.7 Bess Swimming the Ouse

No.7 Bess Swimming the Ouse
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

457. The Gentlemen who Never Sleep

The Gentlemen who Never Sleep
Creator:
Print made by Hablot Knight Browne, 1815–1882
Date:
1841
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

458. The Antiquarian

The Antiquarian
Creator:
Published by Mary Darly, active 1762 –1772
Date:
1773
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

459. Mr. Winkle's Situation When the Door Blew To

Mr. Winkle's Situation When the Door Blew To
Creator:
Print made by Hablot Knight Browne, 1815–1882
Date:
1837
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

460. Chamberry from the Road to Aix

Chamberry from the Road to Aix
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

461. A Connoiseur Admiring a Dark Nigh Piece

A Connoiseur Admiring a Dark Nigh Piece
Creator:
Published by Mary Darly, active 1762 –1772
Date:
1771
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

462. Distant View of St. Michel

Distant View of St. Michel
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

463. The Marquis de Guiscard Attempting to Assassinate Harley

The Marquis de Guiscard Attempting to Assassinate Harley
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1844
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

464. Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent

Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent
Creator:
Print made by William Bromley, 1769–1842
Date:
1796
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

465. The Unfortunate Death of Major André

The Unfortunate Death of Major André
Creator:
Print made by John Goldar, 1729–1795
Date:
1783
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

466. Dutch School, Plate 2

Dutch School, Plate 2
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1825
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

467. Pirna and the Castle of Sonnenstein

Pirna and the Castle of Sonnenstein
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1828
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

468. The Virgin Mother

The Virgin Mother
Creator:
after William Dyce, 1806–1864
Date:
1854
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

469. The King of Brobdingnag and Gulliver

The King of Brobdingnag and Gulliver
Creator:
Print made by James Gillray, 1756–1815
Date:
1803
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

470. Pass of Sant Alessio between Taormina and Messina, Sicily

Pass of Sant Alessio between Taormina and Messina, Sicily
Creator:
after Peter DeWint, 1784–1849
Date:
1821
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

471. Peaks Hole, Derbyshire

Peaks Hole, Derbyshire
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1805
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 18 1/2 inches (33 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

472. Mill on Wimbledon Common

Mill on Wimbledon Common
Creator:
Print made by George Cooke, 1781–1834
Date:
1828
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

473. A View of the Grand Fete on Parker's Piece, Cambridge

A View of the Grand Fete on Parker's Piece, Cambridge
Creator:
Print made by George Johann Scharf, 1788–1860
Date:
1838
Materials & Techniques:
Lithography on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

474. Dublin Fireworks

Dublin Fireworks
Creator:
Print made by unknown artist
Date:
1749
Materials & Techniques:
Line engraving and etching on thin, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

475. Ex Libris of George Lambert

Ex Libris of George Lambert
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1791
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

476. Arms of the Dutchess of Kendal

Arms of the Dutchess of Kendal
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

477. Tail Piece to the Artist's Catalogue, 1761

Tail Piece to the Artist's Catalogue, 1761
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

478. Frontispiece to the Artist's Catalogue

Frontispiece to the Artist's Catalogue
Creator:
Print made by unknown artist
Date:
1850
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

479. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

480. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

481. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

482. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

483. Frontispiece to the Artist's Catalogue, 1761

Frontispiece to the Artist's Catalogue, 1761
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

484. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

485. St. George's Church, Dublin

St. George's Church, Dublin
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

486. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

487. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

488. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

489. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

490. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

491. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

492. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

493. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

494. Plate I, Pikemen

Plate I, Pikemen
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

495. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

496. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

497. Specimens of Beaver's Military Punishments, 1725

Specimens of Beaver's Military Punishments, 1725
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

498. Specimens of Beaver's Military Punishments, 1725

Specimens of Beaver's Military Punishments, 1725
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

499. Specimens of Beaver's Military Punishments, 1725

Specimens of Beaver's Military Punishments, 1725
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

500. A Country Inn Yard

A Country Inn Yard
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection