Materials & Techniques: etching (printing process) and touched proof / Creator: Turner, J. M. W. (Joseph Mallord William), 1775–1851 - YCBA Collections Search Search Results

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Materials & Techniques etching (printing process)

Materials & Techniques touched proof

Creator Turner, J. M. W. (Joseph Mallord William), 1775–1851

1. Walton Bridge on Thames, Surrey

Walton Bridge on Thames, Surrey

Creator:: J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: engraver's proof (touched) on medium, slightly textured, cream wove paper with cream chine-collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Richmond Hill and Bridge, Surrey

Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Crossing the Brook

Crossing the Brook

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1842
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 19 × 15 1/2 inches (48.3 × 39.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore

No cover image available

Creator:: Print made by Samuel Fisher, 1806–1851
Date:: between 1821 and 1851
Materials & Techniques:: Etching and line engraving, with graphite and white chalk; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 1/8 inches (29.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)

No cover image available

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1822
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 16 7/8 inches (30.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. Dover

No cover image available

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint, etching, graphite, and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 15 1/2 inches (29.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

7. Rocks at Colgong on the Ganges

No cover image available

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1836
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 1/8 inches (29.2 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. Oxford from North Hinksey

No cover image available

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1841
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 21 1/4 inches (39.1 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund