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Credit Line Yale Center for British Art

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Period 18th century

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Search Results

View of the Orchestra Organ &c. Erected in Westminster Abbey
Creator:
John Walker, active 1792–1803
Date:
1784
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Transcept of Westminster Abbey
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Henry VII Chapel
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The Inside of St. Peters
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A Prospect of the Inside of Westminster Abbey
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The East Prospect of the Abby of St. Peter and of the Parish Church of St. Margaret, Westminster
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A Perspective View of Westminster Abbey and St. Margaret's Church
Creator:
John Maurer, active 1713–1761
Date:
1753
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
An East Prospect of Westminster Abby
Creator:
John June, active 1740–1770
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
An East Prospect of Westminster Abby
Creator:
John June, active 1740–1770
Date:
1752
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
North Front of Westminster Abbey
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Aldersgate Ward and St. Martins le Grand Liberty
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Billingsgate Ward and Bridge Ward Within
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Billingsgate Ward and Bridge Ward Within
Creator:
Benjamin Cole, 1697–1783
Date:
1756
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A Plan of ye Great Fire in Bishopsgate Street, Leadenhall Street and Cornhill and Church
Creator:
Print made by unknown artist
Date:
1765
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Bishopsgate, Street Ward
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Bishopsgate Ward Within and Without, According to a New Survey
Creator:
Print made by Benjamin Cole, 1697–1783
Date:
1756
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A Plan of all the Houses Destroyed and Damaged by the Great fire which Began in Bishopsgate Street
Creator:
Print made by unknown artist
Date:
1765
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Breadstreet Ward and Cordwainer Ward
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Broad Street and Cornhill Wards
Creator:
Print made by unknown artist
Date:
1768
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Langborne Ward with its Division into Parishes
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The Wards of Coleman Street and Bassishaw
Creator:
Benjamin Cole, 1697–1783
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Map of the Parishes of St. Andrews, Holborn, St. Georges, St. James, St. Luke, St. Mary and The Charterhouse Liberty
Creator:
Benjamin Cole, 1697–1783
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Eton College
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Broad Street and Cornhill Wards
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Cheape Ward with its Division into Parishes
Creator:
Print made by Richard Blome, 1635–1705
Date:
1720
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Candlewick and Langborne Wards
Creator:
Print made by Thomas Bowen, active 1769–1786
Date:
1772
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Walbrook Ward and Dowgate Ward
Creator:
Benjamin Cole, 1697–1783
Date:
1756
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey
Creator:
Richard Bernard Godfrey, 1728–op.1794
Date:
1775
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abby
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey
Creator:
Thomas Medland, 1755–1823
Date:
1796
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The South View of the Abbey and Dormitory in Westminster
Creator:
unknown artist
Date:
1758
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A South View of Westminster Abbey and St. Margaret's Church
Creator:
Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A South View of Westminster Abbey and St. Margaret's Church
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
North West View of Westminster Abbey
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Deans Yard
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A Prospect of the Inside of the Collegiate Church of St. Peter in Westminster
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A Perspective of Westminster Abbey from the High Altar to the West End
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Part of the Sachristary Leading to the Chapel of Henry VII
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The Inside of Westminster Abbey
Creator:
Thomas Bowles, ca. 1712–died 1753
Date:
1753
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
View of the Gallery Prepared for the Reception of their Majesties...at the Commemoration of Handel
Creator:
John Spilsbury, 1730–1795
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Aldgate Ward with its Division in to Parishes
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
An Airing in Hyde Park
Creator:
Thomas Gaugain, 1748–1812
Date:
1796
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
workshop of Robert Adam, 1728–1792
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, original matt and burnished water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Baroque Cabinetmaker's frame
Creator:
unknown framemaker
Date:
1st half of 18th century
Materials & Techniques:
Carved pine and fruitwood, parcel gilt and ebonized
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV- Régence style frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, partial later regilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Wood and compo, later gilding over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, canvas, later oil and water gilding and punchwork over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' - Neoclassical variant frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood and compo, later patinated oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Palladian, 'William Kent' frame
Creator:
unknown framemaker
Date:
1st half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
last third of 18th century
Materials & Techniques:
Carved wood and compo, successive later oil gildings over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Rococo frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British or Irish (?), Louis XV style frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, later patinated oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
French, Louis XVI frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo; canvas, partially regilded over original water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
Irish?, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 19th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, original oil and water gilding and sanded rail
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, later gilding over original gilding and punched ground
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Palladian, 'William Kent' frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British Louis XV style frame
Creator:
unknown framemaker
Date:
2nd and 3rd quarters of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Baroque moulding frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, oil and water gilt
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
last third of 18th century
Materials & Techniques:
Wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
workshop of Robert Adam, 1728–1792
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, original matt and burnished water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British provincial Louis XIV style frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, later oil gilding over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
Continental Europe (?), 'Salvator Rosa' style frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
2nd and 3rd quarters of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original oil and water gilding and sanded rail
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
Perhaps Richard Fisher of York, ca. 1705–ca. 1770
Date:
2nd and 3rd quarters of 18th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Louis XIV style frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, regilded over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, original water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, later oil gilding and lacquer over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, later oil gilding and lacquer over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Provincial Rococo frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, Later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Wood, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV- Régence style frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding; water gilt slip
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Provincial Rococo frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding and sanded ground at corners
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
French Louis XV frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, later patinated water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical, 'Romney' style frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Louis XIV style frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Palladian, 'William Kent' frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
last third of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded rail
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Carved wood, later patinated water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
French, Régence frame
Creator:
unknown framemaker
Date:
1st quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original water gilding, incised ground and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art