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Materials & Techniques beeswax

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Brown and White Norfolk or Water Spaniel
Creator:
George Stubbs, 1724–1806
Date:
1778
Materials & Techniques:
Beeswax and oil on panel
Dimensions:
31 3/4 x 38 1/4 inches (80.6 x 97.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Pumpkin with a Stable-lad
Creator:
George Stubbs, 1724–1806
Date:
1774
Materials & Techniques:
beeswax and oil on panel
Dimensions:
32 3/8 × 39 7/8 inches (82.2 × 101.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Horse Attacked by a Lion (Episode C)
Creator:
George Stubbs, 1724–1806
Date:
between 1768 and 1769
Materials & Techniques:
beeswax and oil on panel
Dimensions:
10 1/8 × 11 5/8 inches (25.7 × 29.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Greenland Falcon
Creator:
George Stubbs, 1724–1806
Date:
1780
Materials & Techniques:
beeswax on panel
Dimensions:
32 x 39 inches (81.3 x 99.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Phaeton with a Pair of Cream Ponies and a Stable-Lad
Creator:
George Stubbs, 1724–1806
Date:
between 1780 and 1784
Materials & Techniques:
beeswax and oil on panel
Dimensions:
35 1/4 x 53 1/2 inches (89.5 x 135.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Farmer's Wife and the Raven
Creator:
George Stubbs, 1724–1806
Date:
1786
Materials & Techniques:
beeswax and oil on millboard
Dimensions:
26 1/2 x 38 1/2 inches (67.3 x 97.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Bulls Fighting
Creator:
George Stubbs, 1724–1806
Date:
1786
Materials & Techniques:
beeswax and oil on panel
Dimensions:
24 1/4 x 32 1/2 inches (61.6 x 82.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view