Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
2
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
3
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
4
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
5
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
6
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
7
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
8
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 22 (page 21): [Job and his Wife restored to Prosperity]
1826
9
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
10
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
11
Print made by William Blake, 1757–1827
Psyche Disobeys
1794
12
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
13
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
14
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
15
Print made by William Blake, 1757–1827
Venus Councels Cupid
1794
16
Print made by William Blake, 1757–1827
Iron Age
1794
17
Print made by William Blake, 1757–1827
Aristophanes Clouds. Scene I
1795
18
Print made by William Blake, 1757–1827
Anacreon Ode LII
1795
19
Print made by William Blake, 1757–1827
Psyche Disobeys
1794
20
Print made by William Blake, 1757–1827
Psyche Repents
1794
21
Print made by William Blake, 1757–1827
Venus Counsels Cupid
1794
22
Print made by William Blake, 1757–1827
The Conjugal Union of Cupid
1794
23
Print made by William Blake, 1757–1827
Aristophanes Clouds. Scene I
1795
24
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
25
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
26
Print made by William Blake, 1757–1827
Cupid & Psyche
1794
27
Print made by William Blake, 1757–1827
Anacreon Ode LII
1794
28
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
29
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
30
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
31
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
32
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
33
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
34
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
35
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
36
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
37
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
38
Print made by William Blake, 1757–1827
Psyche Repents
1794
39
Print made by William Blake, 1757–1827
The Conjugal Union of Cupid
1794
40
Print made by William Blake, 1757–1827
Cupid & Psyche
1794
41
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
1826
42
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]
1826
43
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 2 (page 1): [Job and his Family]
1826
44
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 9 (page 8): [Job's Despair]
1826
45
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 14 (page 13): [The Lord answering Job out of the Whirlwind]
1826
46
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 15 (page 14): [The Creation]
1826
47
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 17 (page 16): [The Fall of Satan]
1826
48
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 21 (page 20): [Job and his Daughters]
1826
49
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 10 (page 9): [The Vision of Eliphaz]
1826
50
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 11 (page 10): [Job rebuked by his Friends]
1826
51
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 12 (page 11): [Job's Evil Dreams]
1826
52
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 13 (page 12): [The Wrath of Elihu]
1826
53
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 16 (page 15): [Behemoth and Leviathan]
1826
54
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 18 (page 17): [The Vision of God]
1826
55
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 19 (page 18): [Job's Sacrifice]
1826
56
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 20 (page 19): [Job Accepting Charity]
1826
57
William Blake, 1757–1827
Illustrations of the Book of Job, p. 5 (page 4): [The Messengers tell Job of the Misfortunes that have Befallen Him]
1826
58
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 4 (page 3): [The Destruction of Job's Sons]
1826
59
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 6 (page 5): [Satan going forth from the Presence of the Lord]
1826
60
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 7 (page 6): [Satan smiting Job with Boils]
1826
61
Print made by William Blake, 1757–1827
Illustrations of the Book of Job, pl. 8 (page 7): [Job's Comforters]
1826
62
William Blake, 1757–1827
Illustrations of the Book of Job
1825
63
William Blake, 1757–1827
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
64
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
65
Prints made by William Blake, 1757–1827
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists in Composing their Figures and Groupes