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Joseph Mallord William Turner The Evening Gun
Print made by Joseph Mallord William Turner, 1775–1851
The Evening Gun
ca. 1825
Joseph Mallord William Turner Study of Sea and Sky
Print made by Joseph Mallord William Turner, 1775–1851
Study of Sea and Sky
1820 to 1826
Joseph Mallord William Turner Ship and Cutter
Print made by Joseph Mallord William Turner, 1775–1851
Ship and Cutter
1820 to 1826
Joseph Mallord William Turner Ship and Cutter
Print made by Joseph Mallord William Turner, 1775–1851
Ship and Cutter
1820 to 1826
Joseph Mallord William Turner Bridge and Monument
Print made by Joseph Mallord William Turner, 1775–1851
Bridge and Monument
1820 to 1825
George Romney Figure Composition Study 20
George Romney, 1734–1802
Figure Composition Study 20
undated
William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
William Blake Plate 8 (page 13): 'The present moment terminates our sight'
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
William Blake, 1757–1827
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
William Blake, 1757–1827
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
William Blake Plate 9 (page 15):' The longest night though longer far, would fail'
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
William Blake Plate 13 (page 23): 'We censure nature for a span too short'
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'
William Blake, 1757–1827
Plate 21 (page 37): 'Love, and love only, is the loan for love'
1797
William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'
William Blake, 1757–1827
Plate 22 (page 40): ' Angels should paint it, angels ever there'
1797
William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
William Blake, 1757–1827
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
William Blake, 1757–1827
Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
1797
William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'
William Blake, 1757–1827
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
William Blake, 1757–1827
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
William Blake Beggar's Opera, Act III
William Blake, 1757–1827
Beggar's Opera, Act III
1790
William Blake May-Day in London
William Blake, 1757–1827
May-Day in London
1784
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
Frederick Christian Lewis the Elder View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
unknown artist Mother Teaching Letters to Daughter
unknown artist
Mother Teaching Letters to Daughter
Anne Rudge Southampton
Print made by Anne Rudge, 1761–1836
Southampton
1799
Angela Rudge View on the Itchen
Angela Rudge, active 20th century
View on the Itchen
Anne Rudge Woodland Landscape
Print made by Anne Rudge, 1761–1836
Woodland Landscape
1799
Carlo Pellegrini Ill-used - Sir James Hudson. 26 Sept. 1874
Carlo Pellegrini, 1839–1889
Ill-used - Sir James Hudson. 26 Sept. 1874
1874
Leslie Matthew 'Spy' Ward One of a set; VANITY FAIR, Ambassadors of England: Austro-Hungary Count Fraz Deym, 24 February 1898 (with biography)
Leslie Matthew 'Spy' Ward, 1851–1922
One of a set; VANITY FAIR, Ambassadors of England: Austro-Hungary Count Fraz Deym, 24 February 1898 (with biography)
1898
Leslie Matthew 'Spy' Ward One of a set; VANITY FAIR, Ambassadors to England: Brazil, The Chevailier de Souza Correa; 18 August 1898 (with biography)
Leslie Matthew 'Spy' Ward, 1851–1922
One of a set; VANITY FAIR, Ambassadors to England: Brazil, The Chevailier de Souza Correa; 18 August 1898 (with biography)
1898
Leslie Matthew 'Spy' Ward One of a set; VANITY FAIR, Ambassadors to England: Japan, The Viscount Tadasu Hayashi, 24 April 1902 (with biography)
Leslie Matthew 'Spy' Ward, 1851–1922
One of a set; VANITY FAIR, Ambassadors to England: Japan, The Viscount Tadasu Hayashi, 24 April 1902 (with biography)
1902
Leslie Matthew 'Spy' Ward One of a set; VANITY FAIR, Ambassadors to England: The Belgian Minister, Count Charles De La Laing, 21 July 1904
Leslie Matthew 'Spy' Ward, 1851–1922
One of a set; VANITY FAIR, Ambassadors to England: The Belgian Minister, Count Charles De La Laing, 21 July 1904
1904
Carlo Pellegrini One of a set; VANITY FAIR, Ambassadors of England: The most interesting of all the Diplomatic Corps in London, Mr. Musurus, 4 February 1871
Carlo Pellegrini, 1839–1889
One of a set; VANITY FAIR, Ambassadors of England: The most interesting of all the Diplomatic Corps in London, Mr. Musurus, 4 February 1871
1871
Leslie Matthew 'Spy' Ward One of a set; VANITY FAIR, Ambassadors to England: The German Ambassador, Count George Herbert Munster, 23 December 1876 (with biography)
Leslie Matthew 'Spy' Ward, 1851–1922
One of a set; VANITY FAIR, Ambassadors to England: The German Ambassador, Count George Herbert Munster, 23 December 1876 (with biography)
1876
Amos Green Views in England, Scotland and Wales: Tour in Scotland; Dunkeld
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Dunkeld
1803
Amos Green Trossacs
Amos Green, 1735–1807
Trossacs
1803
Amos Green Views in England, Scotland and Wales: Tour in Scotland; Glen Lochy
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Glen Lochy
1803
Amos Green Views in England, Scotland and Wales: Tour in Scotland; Junction of the Lochy and the Dochart near Killin
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Junction of the Lochy and the Dochart near Killin
1803
Amos Green Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine
1803
Amos Green Loch Katterine
Amos Green, 1735–1807
Loch Katterine
1803
Amos Green Views in England, Scotland and Wales: Tour in Scotland; Glen Hinglas
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Glen Hinglas
1803
Amos Green Views in England, Scotland and Wales: Tour in Scotland; The Fall of Moness
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; The Fall of Moness
1803
Amos Green Views in England, Scotland and Wales: Tour in Scotland; View at Dalmally
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; View at Dalmally
1803
Amos Green Views in England, Scotland and Wales: Tour in Scotland; Near Wyburn Lake
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Near Wyburn Lake
1803
Amos Green Near Wyburn Lake
Amos Green, 1735–1807
Near Wyburn Lake
1803
Amos Green Views in England, Scotland and Wales; Tour in Scotland: Near Wyburn Lake
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Near Wyburn Lake
1803
Amos Green Views in England, Scotland and Wales; Tour in Scotland: Landscape near Wyburn?
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Landscape near Wyburn?
1803
Amos Green Views in England, Scotland and Wales: Gordale Scar
Amos Green, 1735–1807
Views in England, Scotland and Wales: Gordale Scar
Amos Green Views in England, Scotland and Wales: Colwith Force
Amos Green, 1735–1807
Views in England, Scotland and Wales: Colwith Force
1803
Amos Green Views in England, Scotland and Wales: Snowdon, from Capel Cerrig
Amos Green, 1735–1807
Views in England, Scotland and Wales: Snowdon, from Capel Cerrig
1803
Amos Green Views in England, Scotland and Wale: View near Bolton Abbey
Amos Green, 1735–1807
Views in England, Scotland and Wale: View near Bolton Abbey
1802
Amos Green Views in England, Scotland and Wales: Near Capel Cerrig
Amos Green, 1735–1807
Views in England, Scotland and Wales: Near Capel Cerrig
1803
Amos Green Views in England, Scotland and Wales: Upper Park Cascade
Amos Green, 1735–1807
Views in England, Scotland and Wales: Upper Park Cascade
1803
Amos Green Views in England, Scotland and Wales: Near Tan-y-bwlch
Amos Green, 1735–1807
Views in England, Scotland and Wales: Near Tan-y-bwlch
1803
Amos Green Views in England, Scotland and Wales: Park Cascade
Amos Green, 1735–1807
Views in England, Scotland and Wales: Park Cascade
1803
Amos Green Views in England, Scotland and Wales: Landscape with Stream
Amos Green, 1735–1807
Views in England, Scotland and Wales: Landscape with Stream
1802
Amos Green Views in England, Scotland and Wales: Beyond Barden Tower
Amos Green, 1735–1807
Views in England, Scotland and Wales: Beyond Barden Tower
1803
Amos Green Views in England, Scotland and Wales: Evening gleam at Lowdoor
Amos Green, 1735–1807
Views in England, Scotland and Wales: Evening gleam at Lowdoor
Amos Green Views in England, Scotland and Wales: Transient effect on Skodow and c., on returning from the fall of Lowdoor, July 30, 1805
Amos Green, 1735–1807
Views in England, Scotland and Wales: Transient effect on Skodow and c., on returning from the fall of Lowdoor, July 30, 1805
1805
Amos Green Views in England, Scotland and Wales: Upper part of the Fall of Lowdoor, A Study from Nature
Amos Green, 1735–1807
Views in England, Scotland and Wales: Upper part of the Fall of Lowdoor, A Study from Nature
1803
Amos Green Views in England, Scotland and Wales: The Devil's Bridge near Aberystwith, Cardiganshire, September 1804
Amos Green, 1735–1807
Views in England, Scotland and Wales: The Devil's Bridge near Aberystwith, Cardiganshire, September 1804
1804
Amos Green Views in England, Scotland and Wales: Darley Pond, Buttercoomb Moor
Amos Green, 1735–1807
Views in England, Scotland and Wales: Darley Pond, Buttercoomb Moor
Amos Green Views in England, Scotland and Wales: Ash in Londesbro Park, May 1800
Amos Green, 1735–1807
Views in England, Scotland and Wales: Ash in Londesbro Park, May 1800
1800
Amos Green Views in England, Scotland and Wales: Copied from a Picture in the Duke of Devonshire's House at Londesbro'
Amos Green, 1735–1807
Views in England, Scotland and Wales: Copied from a Picture in the Duke of Devonshire's House at Londesbro'
Amos Green Views in England, Scotland and Wales: Head of Coniston Lake
Amos Green, 1735–1807
Views in England, Scotland and Wales: Head of Coniston Lake
1805-1808
Amos Green Views in England, Scotland and Wales: Ascent towards Levers Farm near Coniston
Amos Green, 1735–1807
Views in England, Scotland and Wales: Ascent towards Levers Farm near Coniston
1807
Amos Green Views in England, Scotland and Wales: Loughrig with part of Windemere from the Terrace at Hill Top Cottage
Amos Green, 1735–1807
Views in England, Scotland and Wales: Loughrig with part of Windemere from the Terrace at Hill Top Cottage
Amos Green View in England, Scotland and Wales: Gordale Scar
Amos Green, 1735–1807
View in England, Scotland and Wales: Gordale Scar
Amos Green Views in England, Scotland and Wales: Nook edn, near Ambleside
Amos Green, 1735–1807
Views in England, Scotland and Wales: Nook edn, near Ambleside
John Thomas Smith Geometrical View of St. Stephen's Chapel, as it appeared before the alterations in 1806 and after Mr. Sandby's view, which was taken about 1755
John Thomas Smith, 1766–1833
Geometrical View of St. Stephen's Chapel, as it appeared before the alterations in 1806 and after Mr. Sandby's view, which was taken about 1755
1807
J. Pass Representation of Storming and Taking Bangalore, by the Marquis Cornwalls
J. Pass, active 1796–1800
Representation of Storming and Taking Bangalore, by the Marquis Cornwalls
undated
George Frederic Watts Untitled
George Frederic Watts, 1817–1904
Untitled
R. Dunning N.E. End of the Upper Transept at Fountains Abbey
R. Dunning, active 1819
N.E. End of the Upper Transept at Fountains Abbey
John Bowles Untitled
John Bowles, 1701–1779
Untitled
John Bowles Untitled
John Bowles, 1701–1779
Untitled