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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 18th century
Remove constraint Period: 18th centuryImage Available Available
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1
- Queen Charlotte
- ca. 1776
- Not on view
2
- Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black
- 18th century
- Not on view
3
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
4
- William Hogarth
- 1764
5
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
6
- Prospectus print "Crown & Mitre"
- 1754
7
- Fair Scene
- 1733
![William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'](https://media.collections.yale.edu/thumbnail/ycba/5a919703-759e-494b-a892-d66a8288096b)
8
- Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
- 1797
9
- Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
- 1797
10
- Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
- 1797
11
- Plate 3 (page 4): 'What, though my soul fantastick measures trod'
- 1797
12
- Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
- 1797
13
- Plate 8 (page 13): 'The present moment terminates our sight'
- 1797
14
- Plate 12 (page 19): 'Emblem of that which shall awake the dead'
- 1797
15
- Plate 13 (page 23): 'We censure nature for a span too short'
- 1797
16
- Plate 15 (page 25): 'Behold him, when past by; what then is seen'
- 1797
17
- Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
- 1797
18
- Plate 6 (page 10): 'Disease invades the chastest temperence'
- 1797
19
- Plate 9 (page 15):' The longest night though longer far, would fail'
- 1797
20
- Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
- 1797
21
- Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
- 1797
22
- Plate 21 (page 37): 'Love, and love only, is the loan for love'
- 1797
23
- Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
- 1797
24
- Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
- 1797
25
- Plate 22 (page 40): ' Angels should paint it, angels ever there'
- 1797
26
- Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
- 1797
27
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
28
- Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
- 1797
29
- Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
- 1797
30
- Plate 7 (page 12): 'Its favours here are trials, not rewards'
- 1797
31
- Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
- 1797
32
- Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
- 1797
33
- Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
- 1797
34
- Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
- 1797
35
- Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
- 1797
36
- Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
- 1797
37
- Plate 37 (page 86): 'His hand the good man fastens on the skies'
- 1797
38
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
39
- Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
- 1797
40
- Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
- 1797
41
- Plate 41 (page 92): 'When faith is virtue, reason makes it so'
- 1797
42
- Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
- 1797
43
- Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
- 1797
44
- May-Day in London
- 1784
45
- "The Book of Thel William Blake Original Wrappers 1789"
- 1789
46
- "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
- 1797
47
- Plate 33 (page 72): 'And vapid; sense and reason shew the door'
- 1797
48
- Views in England, Scotland and Wales: Prebend's Bridge at Durham
- 1799
49
- Views in England, Scotland and Wales: View on the Brathay near Clappensgate
- 1799
50
- The Mansion House
- 1750
51
- The Mansion House
52
- No. 1 Temple of Ceres Legitera
53
- No. 3 Minerva Polias and Neptune the King
54
- Paesto 2nd period
55
- Paesto 3rd period
56
- Posidonia 1st period
![Luigi Balugani Coins of Juba II and Ptolemay [sic]](https://media.collections.yale.edu/thumbnail/ycba/8edadcd3-d01d-4cca-81e3-9399f650f131)
57
- Coins of Juba II and Ptolemay [sic]
58
- No. 3 and 4 in the 8 stages of growth of the Surinam Frog
- 1796
59
- No. 7 and No. 8 in the 8 stages of growth of the Surinam Frog
- 1796
60
- No. 5 and No. 6 in the 8 stages of growth of the Surinam Frog
- 1769
61
- Rhinoceros of Africa
- 1789
62
- Pearls
- 1789
63
- Jerboa
- 1789
64
- Lynx
- 1789
65
- Arab of Loheia, Tribe Beni Koreish
- 1789
66
- Statue of a Man
- ca. 1804
67
- Examples of Ceremonial Dress of Soldiers
- 1789
68
- Title page for a set of drawings entitled "The Ruins of Paesto"
69
- Paesto 2nd period
70
- Self Portrait
- 1752
71
- Abou Hannes
- 1789
72
- Canja Undersail
- 1789
73
- Sheregrig
- 1789
74
- Bee Cuckoo
- 1790
75
- Rachamah
- 1790
76
- Section of the Canja
- 1789
77
- Painting in the Sepulchres of Thebes
- 1789
78
- Painting in Fresco in the Sepulchres of Thebes
- 1789
79
- No. 1 - A Table of Hieroglyphics found at Axum
- 1771-1789
80
- Arab Shekh, Tribe Beni Koreish
- 1789
81
- Mikeas
- 1789
82
- Plan of the First Battle of Serbraxos Fought 16 May 1772
83
- Posidonia: 1st period
84
- Paesto 3rd period
85
- Folia Prima
86
- Graphite drawing of 6 coins
87
- Coins of Juba I and II
88
- Tortoise
- 1789
89
- Turnips and Carrots Ho
- 1797
90
- Roman Tower in Hound's Ditch, 28 April 1763
- 1763
91
- Lady Helena Forman
92
- Fancy subject; Miss G
- undated
93
- Lady Fortescue
94
- Mrs. J. Gomeldon
- undated
95
- Mrs. Frederick
- 1777
96
- Jane Duchess of Gordon
- 1775
97
- Mrs Mary Ann Granville
98
- Lady Grammont
99
- Miss Greenway
100
- Lady Harriot Grosvenor
- 1774