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Vanity Fair - Businessmen and Empire Builders. 'Beggar-General to the Metal Trades. Kennard. 6 December 1890
Creator:
Liborio Prosperi, 1854–1928
Date:
1890
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair, Businessmen and Empire Builders. 'Bullion'. Mr. Stewart Pixley, J.P.D.L. - 25 January 1890
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1890
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

203. Prosperity

Prosperity
Creator:
James Tissot, 1836–1902
Date:
1876
Materials & Techniques:
chromolithograph
Dimensions:
Sheet: 15 1/8 x 10 3/8 inches (38.4 x 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Businessmen and Empire Builders. Statesmne no.146 'The King of Wales, Sir Watkins Williams-Wynn'. 14 June 1873
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1873
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Businessmen and Empire Builders. 'Glasgow.' Mr. Charles Tennant, M.P. - 9 June 1883
Creator:
unknown artist
Date:
1883
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Chancellors of Exchequer. 'A scagliola apollo' Beach. 22 August 1874
Creator:
Carlo Pellegrini, 1839–1889
Date:
1874
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Chancellors of Exchequer. 'In the winning Crew'. Mr. R. McKenna, M.P.
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1906
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'A wet Quaker' Lewis Llewwellyn Dillwyn M.P. - 13 May 1882
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1882
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. Men of the Day, no. 45 'Come to Jesus'. Hall. 23 November 1872
Creator:
unknown artist
Date:
1872
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'Greek'. Rev. Benjamin Jowett. 26 February 1876
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1876
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'St. Margaret's'. The Rev. Hensley Henson. 1910-12
Creator:
unknown artist
Date:
1910-1912
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'He makes religion a tragedy, and the movement of his muscles a solemn ceremony.' Mackonchie. 31 December 1870
Creator:
Carlo Pellegrini, 1839–1889
Date:
1870
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'The noblest of English names.' Earn Nelson. 16 April 1881
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1881
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'Tracts for the times'. Cardinal Newman. 20 January 1877
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1877
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vnaity Fair - Clergy. 'Congregational Union'. Rev. Joseph Parker. 19 April 1884
Creator:
Carlo Pellegrini, 1839–1889
Date:
1884
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'A man Right Reverend and Well-Beloved'. The Bishop of Ripon. William Boyd Carpenter.
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1906
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'Southwell'. Rev. George Ridding, Bishop of Southwell. 15 August 1901
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1901
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'A Bishop of Decision'. Rev. Cosmo Gordon Lang. 19 April 1906
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1906
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'Westminster'. Rev. William Gunion Rutherford. Head Master of Westminster School. 3 March 1898
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1898
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'Calcutta'. James Edward Cowell Welldon. 17 November 1898
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1898
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'Prayers'. Rev. Henry White. 26 December 1874
Creator:
Carlo Pellegrini, 1839–1889
Date:
1874
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'The Chaplain'. Archdeacon Wilberforce. One of a set.
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1909
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'Prelate of the Garter'. Randall Thomas Davidson, Bishop of Winchester. 19 December 1901
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1901
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Apsley House
Creator:
unknown artist
Date:
1842
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A House (unidentified)
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A Brace of Blessings
Creator:
Attributed to Isaac Cruikshank, 1764–1811
Date:
1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/16 x 12 13/16in. (21.4 x 32.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A Brace of Blessings
Creator:
Attributed to Isaac Cruikshank, 1764–1811
Date:
1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/16 x 12 13/16in. (21.4 x 32.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The Rape of Helen
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/8 x 14 1/8in. (24.4 x 35.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Symptoms of Affection, Or - A Specimen of Martial Prowess
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 14 11/16in. (22.2 x 37.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
One of the Family!
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 15/16 x 9 1/4in. (30.3 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/16 x 12 9/16in. (20.8 x 31.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The Rival Pigs
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 11/16 x 14 3/16in. (22.1 x 36cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The Political Locust
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 14 1/16in. (24.8 x 35.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/8 x 14 7/16in. (25.1 x 36.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Sedition, Levelling and Plundering
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13 1/16in. (22.2 x 33.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/16 x 15 1/4in. (21.4 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A Delitanti Performance of Midas at Turnbridge Wells, October 1792
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 9/16 x 15 3/16in. (21.7 x 38.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Poets and Philosophers of England: The Rt. Hon. Joseph Addison, Mathew Prior Esq., Mr. Alexander Pope, and Mr. William Congreve.
Creator:
John Smith, 1652–1743
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 17 x 11 1/4in. (43.2 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
West Front of Westminster Abbey
Creator:
John Bluck, active 1791–1831
Date:
1811
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey and St. Margaret's Church
Creator:
William Wallis, 1794– active 1830
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
View from Deans Yard
Creator:
J. C. Varrall, active 1815–1827
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A View of Westminster taken from Tothill Fields
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster
Creator:
John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The S.W. View of Little Dean's Yard
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Coronation of King William IV and Queen Adelaide
Creator:
William Woolnoth, active 1806–1830
Date:
1831
Materials & Techniques:
Engraving, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Coronation Procession of H. M. George IV, 19 July 1821
Creator:
William Heath, 1795–1840
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey, Hospital &c.
Creator:
Thomas Shotter Boys, 1803–1874
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Prospectus Interior Abbatiae Westminster
Creator:
unknown artist
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Henry VII Chapel
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey
Creator:
James S. Storer, 1771–1853
Date:
1805
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Poets Corner, Westminster Abbey
Creator:
James S. Storer, 1771–1853
Date:
1805
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Entrance to the Chapel of Erasmus and the Abbots Tomb Within
Creator:
James S. Storer, 1771–1853
Date:
1805
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The Jerusalem Chamber and Entrance to the Cloisters
Creator:
John Greig, active 1803–1853
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Interior of Henry the Seventh's Chapel
Creator:
Frederick Mackenzie, 1788–1854
Date:
1830
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Porch of Henry seventh Chapel
Creator:
John Bluck, active 1791–1831
Date:
1812
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
View of the Gallery Prepared for the Reception of their Majesties...at the Commemoration of Handel
Creator:
John Spilsbury, 1730–1795
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
View in the North Aisle: Showing Henry the third Monument
Creator:
John Le Keux, 1783–1846
Date:
1817
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Memorials in the North Entrance
Creator:
John Bluck, active 1791–1831
Date:
1811
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
An Airing in Hyde Park
Creator:
Thomas Gaugain, 1748–1812
Date:
1796
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Exterior of the Prince of Wales Conservatory at Charlton House
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 1/4 x 12 1/2in. (26 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Set of four: 3. Pheasant Shooting
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Set of four: 2. Partridge Shooting
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Set of four: 4. Woodcock Shooting
Creator:
unknown artist
Date:
1804
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
John Phillipps Emslie, 1839–1913
Date:
ca. 1880
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
John Phillipps Emslie, 1839–1913
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

267. Untitled

No cover image available
Creator:
unknown artist
Materials & Techniques:
Etching (etched fasimile of woodcut)
Dimensions:
Plate: 6 3/4 x 12in. (17.1 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Etching on wove paper
Dimensions:
Plate: 7 x 5 7/8in. (17.8 x 14.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
after unknown artist
Date:
1811
Materials & Techniques:
Aquatint, tinted with watercolor
Dimensions:
Sheet: 10 3/4 x 14 3/4in. (27.3 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
Perhaps Thomas Allwood, ca. 1750–ca.1800
Date:
late 18th century
Materials & Techniques:
Carved wood, regilded over original water gilding; sanded spandrels
Dimensions:
Frame: 50 3/4 × 60 1/2 inches (128.9 × 153.7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' style frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British or Irish Provincial Rococo frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, later parcel gilding and black paint
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, partial regilding over original oil and water gilding; original gilding on sanded inlay
Dimensions:
Frame: 15 3/8 × 18 1/2 × 2 1/4 inches (39.1 × 47 × 5.7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' - NeoClassical variant frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?), Palladian; One-Off Design frame
Creator:
unknown framemaker
Date:
first quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical with (later) tondo inlay frame
Creator:
unknown framemaker
Date:
last third of 18th century
Materials & Techniques:
Carved wood, partially regilded over original oil and water gilding; inlay water gilt and patinated with sanded spandrels
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Dimensions:
Frame: 43 × 55 × 3 inches (109.2 × 139.7 × 7.6 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
1st quarter of 19th century
Materials & Techniques:
Carved wood, probably original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' style frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Dimensions:
Frame: 16 × 21 × 2 1/4 inches (40.6 × 53.3 × 5.7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood,regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
French, Louis XIV 'Flower corner' frame
Creator:
unknown framemaker
Date:
late 17th to early 18th century
Materials & Techniques:
Carved wood, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, later patinated water gilding over original gilding
Dimensions:
Frame: 22 1/8 × 29 × 2 3/8 inches (56.2 × 73.7 × 6 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV- Régence style frame
Creator:
unknown framemaker
Date:
1st half of 18th century
Materials & Techniques:
Carved wood, later oil gilding and re-sanded frieze over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo style frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, regilded over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, later oil gilding and restoration over original oil and water gilding, punched ground and sanded frieze
Dimensions:
Frame: 33 1/2 × 38 1/2 × 3 5/8 inches (85.1 × 97.8 × 9.2 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Palladian, 'William Kent' frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Régence style frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Dimensions:
Frame: 60 × 51 1/4 × 4 inches (152.4 × 130.2 × 10.2 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' - 'Semi-Carlo' variant frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original oil and water gilding
Dimensions:
Frame: 48 × 57 × 3 3/4 inches (121.9 × 144.8 × 9.5 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Palladian, 'William Kent' frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Louis XV style frame
Creator:
unknown framemaker
Date:
2nd and 3rd quarters of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
last third of 18th century
Materials & Techniques:
Wood, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Baroque moulding frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, oil and water gilt
Collection:
Frames
Credit Line:
Yale Center for British Art
British, NeoClassical style frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art