<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Image Available Available

Remove constraint Image Available: Available

Height [cm] Unknown

Remove constraint Height [cm]: Unknown

Search Results

Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner Approach to Venice
after Joseph Mallord William Turner, 1775–1851
Approach to Venice
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner Crossing the Brook
after Joseph Mallord William Turner, 1775–1851
Crossing the Brook
Joseph Mallord William Turner St. Mary's Redcliffe, Bristol
after Joseph Mallord William Turner, 1775–1851
St. Mary's Redcliffe, Bristol
1814
Joseph Mallord William Turner Magdalen Bridge and Tower, Oxford College
after Joseph Mallord William Turner, 1775–1851
Magdalen Bridge and Tower, Oxford College
1891
Joseph Mallord William Turner Windmill and Lock
after Joseph Mallord William Turner, 1775–1851
Windmill and Lock
Joseph Mallord William Turner North-West Front, Cassiobury, with Hounds and Huntsmen
after Joseph Mallord William Turner, 1775–1851
North-West Front, Cassiobury, with Hounds and Huntsmen
Joseph Mallord William Turner The Trout Stream
after Joseph Mallord William Turner, 1775–1851
The Trout Stream
Joseph Mallord William Turner Campo Santo, Venice, 1842
after Joseph Mallord William Turner, 1775–1851
Campo Santo, Venice, 1842
Joseph Mallord William Turner Lake Constane
after Joseph Mallord William Turner, 1775–1851
Lake Constane
Joseph Mallord William Turner Messieurs les Voyageurs on their Return from Italy in a Snow Drift upon Mount Tarrar, 22nd of January, 1829
after Joseph Mallord William Turner, 1775–1851
Messieurs les Voyageurs on their Return from Italy in a Snow Drift upon Mount Tarrar, 22nd of January, 1829
Joseph Mallord William Turner Boats Carrying Out Anchors to the Dutch Men of War
after Joseph Mallord William Turner, 1775–1851
Boats Carrying Out Anchors to the Dutch Men of War
Joseph Mallord William Turner Scarborough
after Joseph Mallord William Turner, 1775–1851
Scarborough
Joseph Mallord William Turner Shoreham
after Joseph Mallord William Turner, 1775–1851
Shoreham
Joseph Mallord William Turner Purfleet and the Essex Shore, As Seen from Long Reach
after Joseph Mallord William Turner, 1775–1851
Purfleet and the Essex Shore, As Seen from Long Reach
Joseph Mallord William Turner Junction of the Thames and the Medway
after Joseph Mallord William Turner, 1775–1851
Junction of the Thames and the Medway
Joseph Mallord William Turner Schaaffhausen: The Town
after Joseph Mallord William Turner, 1775–1851
Schaaffhausen: The Town
Joseph Mallord William Turner Study of Sea and Sky
Print made by Joseph Mallord William Turner, 1775–1851
Study of Sea and Sky
1820 to 1826
Joseph Mallord William Turner Ship and Cutter
Print made by Joseph Mallord William Turner, 1775–1851
Ship and Cutter
1820 to 1826
Joseph Mallord William Turner Ship and Cutter
Print made by Joseph Mallord William Turner, 1775–1851
Ship and Cutter
1820 to 1826
George Romney Figure Composition Study 20
George Romney, 1734–1802
Figure Composition Study 20
undated
William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
William Blake Plate 8 (page 13): 'The present moment terminates our sight'
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
William Blake Plate 13 (page 23): 'We censure nature for a span too short'
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
William Blake, 1757–1827
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
William Blake Plate 9 (page 15):' The longest night though longer far, would fail'
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'
William Blake, 1757–1827
Plate 21 (page 37): 'Love, and love only, is the loan for love'
1797
William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
William Blake, 1757–1827
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'
William Blake, 1757–1827
Plate 22 (page 40): ' Angels should paint it, angels ever there'
1797
William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
William Blake, 1757–1827
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
William Blake, 1757–1827
Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
1797
William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'
William Blake, 1757–1827
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
William Blake, 1757–1827
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
William Blake Beggar's Opera, Act III
William Blake, 1757–1827
Beggar's Opera, Act III
1790
William Blake May-Day in London
William Blake, 1757–1827
May-Day in London
1784
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
Frederick Christian Lewis the Elder View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
J. Pass Representation of Storming and Taking Bangalore, by the Marquis Cornwalls
J. Pass, active 1796–1800
Representation of Storming and Taking Bangalore, by the Marquis Cornwalls
undated
Sir David Wilkie Mother and Child
Sir David Wilkie, 1785–1841
Mother and Child
1820
George Noble Maternal Instructions
George Noble, active 1795–1806
Maternal Instructions
1790
Charles West The Silver Age
Charles West, Active c. 1778
The Silver Age
1782
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
John Taylor Untitled
John Taylor, 1739–1838
Untitled
1775
Francois Vivares Untitled
Francois Vivares, 1709–1780
Untitled
Francois Vivares A Prospect of that Beautiful Cascade below Matlock Bath
Francois Vivares, 1709–1780
A Prospect of that Beautiful Cascade below Matlock Bath
1743
Joseph Powell Untitled
Joseph Powell, 1780–1834
Untitled
unknown artist The Cathedral Church of Ely
unknown artist
The Cathedral Church of Ely
Thomas Rowlandson The Journalist, with a view of Auchinleck or the Land of Stones
Thomas Rowlandson, 1756–1827
The Journalist, with a view of Auchinleck or the Land of Stones
1786
Francesco Bartolozzi The Death of Arcite
Francesco Bartolozzi, 1728–1815
The Death of Arcite
1790
Daniel Lerpiniere The Representation of the Dealer of a Squardon of Spanish Ships
Daniel Lerpiniere, c.1745–1785
The Representation of the Dealer of a Squardon of Spanish Ships
1782
James Peak Mercury and Battus
James Peak, 1703–1782
Mercury and Battus
Peter P. Benazech The Storm
Peter P. Benazech, 1767–1794
The Storm
1779
unknown artist Untitled [frigates, possibly after a battle]
unknown artist
Untitled [frigates, possibly after a battle]
Peter Simon Tom Jones
Peter Simon, 1750–1810
Tom Jones
John Chapman Black-George
John Chapman, active ca. 1792–1823
Black-George
1791
William Byrne Morning
William Byrne, 1743–1805
Morning
Jean B. C. Chatelain A View from Durdham-Down near Bristol looking down the Avon
Print made by Jean B. C. Chatelain, 1710–1771
A View from Durdham-Down near Bristol looking down the Avon
1756
Abraham Raimbach Antony and Cleopatra Act IV Sc. 8
Print made by Abraham Raimbach, 1784–1868
Antony and Cleopatra Act IV Sc. 8
1805
John Scott Prior, Love Disarmed, vol. II
John Scott, 1774–1828
Prior, Love Disarmed, vol. II
1802
William Ridley Cymbelline, Act II, Sc. 7
William Ridley, 1764–1838
Cymbelline, Act II, Sc. 7
1799
Anker Smith Goldsmith's "Deserted Village"
Anker Smith, 1759–1819
Goldsmith's "Deserted Village"
1800
Anker Smith Lara
Anker Smith, 1759–1819
Lara
1814
John Brandard Ruins of Kenilworth Castle and Bed of the Lake
John Brandard, 1812–1863
Ruins of Kenilworth Castle and Bed of the Lake
undated
John Brandard Warwick Castle
John Brandard, 1812–1863
Warwick Castle
John Brandard The Parade with the Regent Hotel
John Brandard, 1812–1863
The Parade with the Regent Hotel
undated
John Wilson Carmichael Grey Street, Newcastle
John Wilson Carmichael, 1799–1868
Grey Street, Newcastle
W. Collard Grainger Street (Newcastle)
W. Collard, active 1840–1845
Grainger Street (Newcastle)
W. Collard Westgate Street (Newcastle)
W. Collard, active 1840–1845
Westgate Street (Newcastle)
Anker Smith Love's Labour Lost, Act IV, Sc. 3
Anker Smith, 1759–1819
Love's Labour Lost, Act IV, Sc. 3
1803
Taylor Two Gentlemen... Act V, Scene IV
Taylor, active 1790
Two Gentlemen... Act V, Scene IV
1790
William Walker Peregrine and Emilia Exchange Rings
Print made by William Walker, 1729–1793
Peregrine and Emilia Exchange Rings
1781
William Walker Grandison, Plate XXVIII
Print made by William Walker, 1729–1793
Grandison, Plate XXVIII
1783