Album Collection of Sixty-six Engravings after William Hogarth
4
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
5
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
6
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
7
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
8
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
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William Brockedon, 1787–1854
Smailbohn Tower
10
William Brockedon, 1787–1854
Coast Scene (upper half) and Slight Sketch of Trees and Mountains (lower)
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William Brockedon, 1787–1854
Sketches of Animals
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William Brockedon, 1787–1854
Mount Mol (recto)
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William Brockedon, 1787–1854
On Lake of Geneva (recto)
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William Brockedon, 1787–1854
Sketch of a Lakefront Village with Mountains in the Distance
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William Brockedon, 1787–1854
Village on a Lake with Mountains in the Distance
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William Brockedon, 1787–1854
Lake of Geneva (recto)
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William Brockedon, 1787–1854
Mont Blanc (recto)
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William Brockedon, 1787–1854
Village on a Lake Facing Mountains
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William Brockedon, 1787–1854
Mountain Village with Church Steeples (recto)
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William Brockedon, 1787–1854
Mountainous Landscape with Church Steeples (recto)
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William Brockedon, 1787–1854
Sketch of a Lake with Hills in the Distance
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William Brockedon, 1787–1854
Landscape with Church Steeples (recto)
23
William Brockedon, 1787–1854
Mountainous Hillside with Two Houses (recto)
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William Brockedon, 1787–1854
Lakefront Village with Mountains in the Distance (recto)
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William Brockedon, 1787–1854
Small Village by a Lake
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William Brockedon, 1787–1854
Landscape with a House and a Lake (recto)
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William Brockedon, 1787–1854
Sketch of a Shurch Steeple with Mountains in the Distance
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William Brockedon, 1787–1854
Sketch of Mountains and Lake
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William Brockedon, 1787–1854
Sketch of Grazing Animals with a Man
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William Brockedon, 1787–1854
Small Cottage Over looking a Lake with Mountains
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William Brockedon, 1787–1854
Sketch of Mountains and Lake with Goat in the Foreground
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William Brockedon, 1787–1854
Grazing animals with mountains in the distance
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William Brockedon, 1787–1854
Mountainous Landscape with Shepherd and Grazing Animals
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William Brockedon, 1787–1854
Houses by a Lake with Mountains in the Distance
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William Brockedon, 1787–1854
Farmyard scene
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William Brockedon, 1787–1854
Mountainous Landscape with Farmer and his Cart
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William Brockedon, 1787–1854
Slight Sketch of a Landscape
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Rev. William Gilpin, 1724–1804
[One from an] Album of 46 Landscape Drawings including loose leaf wrapper
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W. A. Glynn
Western Tour: [one from] An Album of 66 drawings of landscapes, seascapes and marine views of places around Cornwall, Devon
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Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Piqale Appartenant a Madame la Comtesse Rapp - Cote de la Cour
41
John Leech, 1817–1864
From Album One of Original Pencillings
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John Leech, 1817–1864
Two Volumes of Original Pencillings
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John Leech, 1817–1864
[One from] An Album of 204 drawings for "The Cosmic History of England"
44
Thomas Creswick, 1811–1869
Etchings for the Art Union of London by the Etching Club: The Old Bridge, Number 1
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John Calcott Horsley, 1817–1903
Etchings for the Art Union of London by the Etching Club: Monsieur se Chauffe, Number 3
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John Calcott Horsley, 1817–1903
Etchings for the Art Union of London by the Etching Club: Madame se Chauffe, Number 4
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George Bernard O'Neill, 1828–1917
Etchings for the Art Union of London by the Etching Club: The Fourteenth of February, Number 5
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Charles West Cope, 1811–1890
Etchings for the Art Union of London by the Etching Club: The Illuminator, Number 6
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John Frederick Tayler, 1802–1889
Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8
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Richard Ansdell, 1815–1885
Etchings for the Art Union of London by the Etching Club: The Anxious Mother, Number 10
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John Frederick Tayler, 1802–1889
Etchings for the Art Union of London by the Etching Club: Dogs and Wild Boar, Number 12
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James Clarke Hook, 1819–1907
Etchings for the Art Union of London by the Etching Club: Sea Urchins, Number 18
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George Bernard O'Neill, 1828–1917
Etchings for the Art Union of London by the Etching Club: Nestlings, Number 19
54
Charles West Cope, 1811–1890
Etchings for the Art Club of London by the Etching Club: Summer Dreams, Number 20
55
William M. Larkins, 1901–1974
Sketchbook
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William M. Larkins, 1901–1974
Sketchbook
57
James Watson, 1740–1790
Samuel Johnson
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Lionel Edwards, 1878–1966
Full Cry - The Ledbury Vale
59
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Lamprie'
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James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Old Partner'
61
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Bald Charlotte' or 'Lady Legs'
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James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Crab'
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James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Starling'
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James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Bonny Black'
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James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Second'
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James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Regulus'
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James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Babraham'
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James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Victorious'
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James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Cato'
70
James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
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James Clark, 19th century
Scenes of Ancient Rome, possibly from Bundy's translation of Catrou and Rouille's Roman History
72
James Gillray, 1756–1815
Honi Soit Qui Mal Y Pense (Shame on Him Who Evil Thinks)
73
Francesco Bartolozzi, 1728–1815
Portrait of a Young Woman wearing a Frilly Collar and a Shawl
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Francesco Bartolozzi, 1728–1815
Jesus lying in a Manger
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Francesco Bartolozzi, 1728–1815
Portrait of a Young Woman wearing a Turban-like Headdress
76
unknown artist
[Edinburgh, Glasgow, Mancester and London Coach]
77
T. J. Rawlins, active 1837–1840
Recommendation to Farriers and Shoeing-Smiths thoughout the United Kingdom of Great Britain, In Respect to the Injurious Practice of slicing and cutting away the horn from the frogs of horses' feet
78
Valentine Green, 1739–1813
Jacob Blessing the Sons of Joseph
79
William M. Larkins, 1901–1974
Old Bruges
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William M. Larkins, 1901–1974
Old Bruges
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William M. Larkins, 1901–1974
Old Bruges
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William M. Larkins, 1901–1974
Old Bruges
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William M. Larkins, 1901–1974
Old Bruges
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William M. Larkins, 1901–1974
Le Quai de Rosaire (Preparatory drawing I)
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William M. Larkins, 1901–1974
Le Quai de Rosaire
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William M. Larkins, 1901–1974
Le Quai de Rosaire
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William M. Larkins, 1901–1974
Le Quai de Rosaire
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William M. Larkins, 1901–1974
Le Quai de Rosaire
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Thomas Sanders, active 1775–1781
The South West View of Worcester, near Bromwych Farm
90
Thomas Sanders, active 1775–1781
A View of Dudley from Easey-Hill
91
William M. Larkins, 1901–1974
The Cloth Hall
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William M. Larkins, 1901–1974
Le Quai de Rosaire
93
William M. Larkins, 1901–1974
Le Quai de Rosaire
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William M. Larkins, 1901–1974
Le Quai de Rosaire
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William M. Larkins, 1901–1974
Le Quai de Rosaire
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William M. Larkins, 1901–1974
The Cloth Hall
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William M. Larkins, 1901–1974
Old Bruges
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Henry Thomas Alken, 1785–1851
Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
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unknown artist
"Mr. Sponge's Sporting Tour"
100
Charles Hamilton Smith, 1776–1859
'Hunting Scenes' in Africa, North & South America, Ceylon, Australia, The Antarctic, Arctic, etc