Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
121
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
122
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
123
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
124
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
125
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
126
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
127
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
128
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
129
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
130
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
131
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
132
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
133
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
134
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
135
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
136
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
137
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
138
William Blake, 1757–1827
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
139
William Blake, 1757–1827
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
140
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
141
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
142
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
143
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
144
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
145
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
146
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
147
George Romney, 1734–1802
Figure Composition Study 20
undated
148
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
149
unknown artist
This Typographic Specimen to the Memory of William Caxton
150
unknown artist
The Kingdom's Martyr - Sir Edmund Burie Godfrey
1678
151
John Preston Neale, 1771/80–1847
The Quadrangle of the Royal Exchange
undated
152
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Man Riding a Horse on the Beach
153
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Rocky Coastal Scene
154
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Rural Landscape Scene with Farm and Grazing Sheep
155
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Storm at Sea
156
Thomas Bradshaw, Born 1767
Album of Landscape and Figures Studies: Slight Sketch of Rocks
157
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketch of Castle Ruins
158
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Ruins of a Castle on a Rocky Coastline
159
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Two Stone Cottages
160
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketch of Rural Landscape with Horse-Drawn Carriage
161
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Two Houses Along a Roadside in the Mountains
162
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketch of Shrubbery
163
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Drawings: Sketch of Clouds
164
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Face of a Young Man
165
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketches of Waves, Buildings, Trees/Two Profiles
166
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketches of a Man's face (illegible jottings in brown ink, crossed out)
167
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Hounds Chasing a Hare
168
unknown artist
Mansion of Thomas Hope Esqr. Flemish Picture Gallery
1821
169
unknown artist
Mr. Thomas Hope's Picture Gallery, Duchess Street, London
1821
170
William Henry Brooke, 1772–1860
Herstmonceux Castle from the Southwest
undated
171
Thomas Sutherland, ca. 1785–1838
Improvements opposite Carlton House (Showing the view up Regent Street)
1817
172
Francis Jukes, 1747–1812
Perspective view of the Crescent now erecting near the town of Birmingham
1804
173
Thomas Worlidge, 1700–1766
Self Portrait
1752
174
Benjamin West, 1738–1820
Sketchbook of Figure and Composition Studies
175
Benjamin West, 1738–1820
Sketchbook of Figure, Landscape and Animal Studies
176
William Watts, 1752–1851
Heveningham Hall, in Suffolk, the Seat of Sir Gerard William Vanneck Bartholomew
1782
177
Harriet Hunter
The Port of Wisbech, Cambridgeshire
1840
178
Henry Kingsbury, active 1750–1780
The Beggar and his Dog
179
Joseph Constantine Stadler, active 1780–1812
South View of the New Custom House
1817
180
Pierre Charles Canot, ca. 1710–1777
Near Plymouth with the Ordinance Wharfe..
1756
181
Print made by Isaac Basire, 1704–1768
Cherokee Delegation to England
1730, printed ca. 1748
182
unknown artist
[Trade Card] W. Lowe, Foreign & English Toy Warehouse
undated
183
unknown artist
Moll King (Broadside Engraved Portrait of the Notorious Mistress of King's Coffee-House in Covent Garden...)
undated
184
Samuel Buck, 1696–1779
The Southwest view of Hertsmonceux Castle in the County of Sussex
185
Leslie Matthew 'Spy' Ward, 1851–1922
"The Queen's Memorial". Thomas Brock 21 September 1905 (with biography). Vanity Fair
1905
186
unknown artist
Mother Teaching Letters to Daughter
187
Print made by Anne Rudge, 1761–1836
Southampton
1799
188
Print made by Anne Rudge, 1761–1836
Woodland Landscape
1799
189
Angela Rudge, active 20th century
View on the Itchen
190
Amos Green, 1735–1807
Views in England, Scotland and Wales: Ruins of Dunbar Castle, HG/Tour in Scotland
1803
191
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; The Trossacs, with Benvenue
1803
192
Amos Green, 1735–1807
Trossacs
1803
193
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; View at Sterling
1803
194
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; The Trossacs
1803
195
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine
1803
196
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine
1803
197
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; From the Braid Hills
1803
198
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; Loch van-a-char, with the moutain called Benvenue
1803
199
Amos Green, 1735–1807
Loch Katterine
1803
200
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine