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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
128
Creator
Bartolozzi, Francesco, 1727–1815
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128
Cipriani, Giovanni Battista, 1727–1785
[remove]
128
Barret, George, 1732–1784
1
Byrne, William, 1743–1805
1
Gilpin, Sawrey, 1733–1807
1
Hearne, Thomas, 1744–1817
1
Middiman, Samuel, ca. 1750–1831
1
Pouncey, Benjamin Thomas, active 1772–1799
1
Date
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0
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1795
Unknown
19
On-site Access
Accessible by appointment in the Study Room
128
Image Use
Free to Use
128
Image Available
Available
119
Unavailable
9
Classification
Prints
128
Creator Gender
male
128
Period
18th century
128
Materials & Techniques
stipple engraving
125
line engraving
83
brown wash
3
etching (printing process)
3
Work Type
intaglio print
[remove]
128
ticket
36
Genre
religious and mythological subject
51
genre subject
34
literary theme
20
portrait
8
figure study
4
historical subject
4
military art
2
sporting art
2
animal art
1
marine art
1
Subject Terms
Orlando Furioso (1516) by Ludovico Ariosto
2
literary theme
2
angels
1
bed (furniture)
1
boat
1
cliffs
1
drapes
1
duel
1
fighting
1
horse (animal)
1
nude
1
religious and mythological subject
1
sheet music
1
shields (armor)
1
swords
1
Associated People
Ariosto, Ludovico (1474–1533) Italian poet
2
Shakespeare, William (1564–1616), playwright and poet
2
Olimpia (Orlando Furioso by Ludovico Ariosto)
1
Orlando (Orlando Furioso by Ludovico Ariosto)
1
Rodomonte (Orlando Furioso by Ludovico Ariosto)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
128
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Creator
Bartolozzi, Francesco, 1727–1815
Remove constraint Creator: Bartolozzi, Francesco, 1727–1815
Creator
Cipriani, Giovanni Battista, 1727–1785
Remove constraint Creator: Cipriani, Giovanni Battista, 1727–1785
Work Type
intaglio print
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Width [cm]
Unknown
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1
Francesco Bartolozzi, 1728–1815
The Resurrection, St. Mary Magdalene; And Mary, Mother Of James
1782
2
Francesco Bartolozzi, 1728–1815
Classical Scene Of Soldier Carrying Child With Two Women
1786
3
Francesco Bartolozzi, 1728–1815
Three Cupids With Bows & Arrows, And Two Doves
ca.1785
4
Francesco Bartolozzi, 1728–1815
Prosperity
1783
5
Francesco Bartolozzi, 1728–1815
Three Putti And A Goat
ca.1785
6
Francesco Bartolozzi, 1728–1815
Virtue Directed By Prudence To Honor
1784
7
Francesco Bartolozzi, 1728–1815
Innocence Taught By Love And Friendship
1784
8
Francesco Bartolozzi, 1728–1815
Genius Describing Beauty, And Cupid Dictating Him
1782
9
Francesco Bartolozzi, 1728–1815
Prudence Endeavoring To Retain Beauty From Following The Insinuation Of Love
1782
10
Print made by Francesco Bartolozzi, 1728–1815
Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
1774
11
Francesco Bartolozzi, 1728–1815
The Choice Of Hercules
undated
12
Francesco Bartolozzi, 1728–1815
Alexander and Nerina
1784
13
Francesco Bartolozzi, 1728–1815
Angel Gesticulating
1776
14
Francesco Bartolozzi, 1728–1815
Vignette with Cherubs carrying a Crozier, a Staff, and a Tablet: Woman carries Chalice and holds a Bishop's mitre above a Coat of Arms
1784
15
Francesco Bartolozzi, 1728–1815
Death of Dido
16
Francesco Bartolozzi, 1728–1815
Woman Dying On A Bed, With One Man and Two Women Mourning Her
1787
17
Francesco Bartolozzi, 1728–1815
Cupids And Diana Bathing
1788
18
Francesco Bartolozzi, 1728–1815
Perseus Having Rescued Andromeda From Imminent Danger, Is Enamoured With Her Beauty
1789
19
Francesco Bartolozzi, 1728–1815
Perseus Cautiously Relating To Andromeda The Transforming Power Of Medusa's Head
1789
20
Francesco Bartolozzi, 1728–1815
...Scuote, il Lembo Pieno; e Nella Torbida Onda..
1773
21
Francesco Bartolozzi, 1728–1815
Angelica, e Medoro in Varj Modi..
1773
22
Francesco Bartolozzi, 1728–1815
Stava Ella Nel Sepolcro; e Quivi Attrita..
1773
23
Francesco Bartolozzi, 1728–1815
Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC
1780
24
Francesco Bartolozzi, 1728–1815
Rural Felicity
1789
25
Francesco Bartolozzi, 1728–1815
Time and Beauty
1780
26
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
27
Francesco Bartolozzi, 1728–1815
Diana Preparing for the Hunt
1781
28
Francesco Bartolozzi, 1728–1815
Adam and Eve in Paradise
1790
29
Francesco Bartolozzi, 1728–1815
Chryseis Restored To Her Father
1786
30
Francesco Bartolozzi, 1728–1815
Hermaphrodite
1787
31
Francesco Bartolozzi, 1728–1815
Faun
1787
32
Francesco Bartolozzi, 1728–1815
Medea Murdering Her Two Children
1787
33
Francesco Bartolozzi, 1728–1815
The Toilet Of Venus
1788
34
Francesco Bartolozzi, 1728–1815
Mercury, Minerva, And Paris
1787
35
Francesco Bartolozzi, 1728–1815
Hercules, Deianeira And Nessus
1787
36
Francesco Bartolozzi, 1728–1815
Bacchus And Bacchante
1787
37
Francesco Bartolozzi, 1728–1815
Nymphs And Diana Bathing
1787
38
Francesco Bartolozzi, 1728–1815
A Naiad
1779
39
Francesco Bartolozzi, 1728–1815
Nymphs And Diana Bathing
1787
40
Francesco Bartolozzi, 1728–1815
Nymphs And Putti Sleeping
1787
41
Francesco Bartolozzi, 1728–1815
Minerva And The Muses
1788
42
Francesco Bartolozzi, 1728–1815
Hercules Presented To Jupiter And Juno
1788
43
Francesco Bartolozzi, 1728–1815
Venus Lending Juno Her Belt
1784
44
Francesco Bartolozzi, 1728–1815
The Heroism of Prince Edward, Son of Henry VI
1789
45
Francesco Bartolozzi, 1728–1815
Vede di Mezzo il Fiume un Cavaliero..
1773
46
Francesco Bartolozzi, 1728–1815
Jupiter and Juno on Mount Ida
1784
47
Francesco Bartolozzi, 1728–1815
Polyhemus, Playing The Panpipes For Galatea
1783
48
Francesco Bartolozzi, 1728–1815
King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
1779
49
Francesco Bartolozzi, 1728–1815
Cipriani's Daughter
ca.1785
50
Francesco Bartolozzi, 1728–1815
Medea looking at her two Children, one of whom she has Murdered with a Dagger
1777
51
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
52
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
ca.1785
53
Francesco Bartolozzi, 1728–1815
Hebe
1791
54
Francesco Bartolozzi, 1728–1815
Mother And Child
1795
55
Francesco Bartolozzi, 1728–1815
Meekness
1783
56
Francesco Bartolozzi, 1728–1815
Beauty
1783
57
Francesco Bartolozzi, 1728–1815
Prudence, Holding A Land Mirror, And An Arrow With A Serpant
1783
58
Francesco Bartolozzi, 1728–1815
Cicero
1790
59
Francesco Bartolozzi, 1728–1815
Angelica And Medora
1787
60
Francesco Bartolozzi, 1728–1815
Neptune And Galatea Riding In A Shell, Driven By Dolphins
1787
61
Francesco Bartolozzi, 1728–1815
Cherub Whispering To Woman Holding Letter
1783
62
Francesco Bartolozzi, 1728–1815
The Happy Father
1785
63
Francesco Bartolozzi, 1728–1815
The Distressed Mother
1785
64
Francesco Bartolozzi, 1728–1815
Hercules and Omphale
65
Francesco Bartolozzi, 1728–1815
St. Cicilia
1774
66
Francesco Bartolozzi, 1728–1815
Niobe
1772
67
Francesco Bartolozzi, 1728–1815
Conjugal Love
1786
68
Francesco Bartolozzi, 1728–1815
Mother and Child
1768
69
Francesco Bartolozzi, 1728–1815
A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
70
Francesco Bartolozzi, 1728–1815
Lo Corse ad Abbracciare, e a Sargli Sesta..
1773
71
Francesco Bartolozzi, 1728–1815
In Quel Momento il Monte, e il Piano Scosse..
1773
72
Francesco Bartolozzi, 1728–1815
Contemplation
1791
73
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
74
Francesco Bartolozzi, 1728–1815
Vincentius Marinelli
c.1766
75
Francesco Bartolozzi, 1728–1815
Psyche Going To Dress
1786
76
Francesco Bartolozzi, 1728–1815
E d'Uccider se Stesso in Pensier Venne..
1773
77
Francesco Bartolozzi, 1728–1815
As You Like It, Act IV, Orlando and Oliver
1788
78
Francesco Bartolozzi, 1728–1815
Pulto Carrying Apples, Bride Leading Eros
c.1785
79
Francesco Bartolozzi, 1728–1815
The Triumph of Beauty and Love
1783
80
Francesco Bartolozzi, 1728–1815
A Sacrifice To Cupid
1783
81
Francesco Bartolozzi, 1728–1815
Bacchus and Ariadne
1787
82
Francesco Bartolozzi, 1728–1815
Prudence
1783
83
Francesco Bartolozzi, 1728–1815
Alcander and Nerina
1784
84
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Savoia
1789
85
Francesco Bartolozzi, 1728–1815
Ticket for the Hanover Square Grand Concert
86
Francesco Bartolozzi, 1728–1815
Orpheus and Eurydice
87
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Tenducci
88
Print made by Francesco Bartolozzi, 1728–1815
Hanover Square
1782
89
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
1781
90
Francesco Bartolozzi, 1728–1815
The Graces Crowning the Bust of Raphael
1787
91
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
92
Francesco Bartolozzi, 1728–1815
Painting and Sculpture
1793
93
Francesco Bartolozzi, 1728–1815
Sympathy
1782
94
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
95
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
96
Francesco Bartolozzi, 1728–1815
Ticket for the Masked Ball at Ranelagh
1776
97
Francesco Bartolozzi, 1728–1815
Ticket for the Ball at the Mansion House
1775
98
Francesco Bartolozzi, 1728–1815
Ticket to the Masqued Ball, New Club, Soho
1775
99
Francesco Bartolozzi, 1728–1815
Regatta Ball at Ranelagh
1775
100
Francesco Bartolozzi, 1728–1815
Bacchus and Ariadne
1787
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