Album Collection of Sixty-six Engravings after William Hogarth
2
Col. Christopher Machell, 1747–1827
Album containing 85 drawings and 15 etchings
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Thomas Hosmer Shepherd, 1792–1864
The Tower of London
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John Sebastian Miller, 1715–1792
Portrait of George Edwards
5
unknown artist
The Gate Portese formerly Portuensis: 1. the Apostolick office of St. Michael 2. the Custom house on the Grand Quay 3. the Priory of the Knights of Jerusalem 4. the Marble Wharf
6
unknown artist
The Gate of St. Pancrass formerly Janiculensis: 1. the Vitellia road which leads to the Sea Coast 2. the Aurelian Way to Antient Gaul of France
7
unknown artist
A View of Castle Gate: 1. the Castle of Angels 2. the Gallery of Communication from thence to the Vaticein Palace
8
unknown artist
A View of the Angelick Gate: 1. the Summer House Belvedere 2. the Gallery of Communiation between the Vatian Palace and the Summer House
9
unknown artist
A View of St. Pauls Gate formerly call'd Trigemina: 1. the Monument of Caus Cestus
10
unknown artist
Plan of the Second Battle of Serbraxos Fought 20 May 1772
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unknown artist
Plan of theThird Battle of Serbraxos Fought 23 May 1772
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John Sebastian Miller, 1715–1792
Title page: "Gleanings of Natural History" (15 unpublished watercolors by George Edwards)
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Rev. William Gilpin, 1724–1804
[One from an] Album of 46 Landscape Drawings including loose leaf wrapper
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Richard Cooper the Elder, 1701–1764
View of the Ruins of the Temple of Peace
15
unknown artist
Algiers
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Joseph Grozer, ca. 1755–1798
The Gypsie's Tent
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Thomas Sanders, active 1775–1781
The North View of the City of Worcester, from the Porto Bello Henwick-Hall
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Thomas Sanders, active 1775–1781
A View of Droitwich from Dodder Hill
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Thomas Sanders, active 1775–1781
The South View of the City of Worcester, from Digley Fields
20
Francesco Bartolozzi, 1728–1815
Ruins, Woman leaning against Horse talking to Man sitting on a Stone
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Francesco Bartolozzi, 1728–1815
Ruins, Three Men on the Left
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Francesco Bartolozzi, 1728–1815
Classical Landscape with a Man and a Boy fishing from a River Bank
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Francesco Bartolozzi, 1728–1815
Soldiers resting among Ruins
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Francesco Bartolozzi, 1728–1815
Joseph, Virgin and Child
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Francesco Bartolozzi, 1728–1815
Soldiers talking among Ruins
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Thomas Sanders, active 1775–1781
A View of Dudley from Easey-Hill
27
Thomas Sanders, active 1775–1781
The South West View of Worcester, near Bromwych Farm
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Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
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Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
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Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
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Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
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Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
33
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
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Richard Cooper the Elder, 1701–1764
A view of Rome with adjacent hills
35
unknown artist
Plan of the Third battle of Serbraxos fought 23 May 1772
36
unknown artist
Plan of the Second Battle of Serbraxos fought 20 May 1772
37
Francesco Bartolozzi, 1728–1815
Joseph and Child holding an Apple and Joseph's Staff
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Francesco Bartolozzi, 1728–1815
Virgin and Child and John the Baptist
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Francesco Bartolozzi, 1728–1815
Joseph Watching Mary Suckle Baby Jesus
40
Francesco Bartolozzi, 1728–1815
Three Monks having a Vision
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Francesco Bartolozzi, 1728–1815
Three Women and a Baby
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Francesco Bartolozzi, 1728–1815
Joseph, Virgin Mary, and Child who is Leaning on a Globe
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Francesco Bartolozzi, 1728–1815
St. John Baptist Holding His Reed Cross
44
John Maurer, active 1713–1761
A Perspective View of ye Parade in St. Jame's Park
45
unknown artist
A View of the Royal Buildings for his Majesty's Horse and Foot Guards
46
unknown artist
The Admiralty office at White Hall
47
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Bonny Black'
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James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Fearnought'
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James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Starling'
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James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Babraham'
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James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Regulus'
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James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Whynot'
53
Attributed to Jeremiah Bridges, fl.1751
[Anatomical Study of a Horse]. 'To His Grace the Duke of Northumberland..Inscribed by Joseph Barber