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Collection Prints and Drawings

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Period 18th century

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William Hogarth Hudibras Vanquished by Trulla
William Hogarth, 1697–1764
Hudibras Vanquished by Trulla
William Hogarth William Hogarth
William Hogarth, 1697–1764
William Hogarth
1764
William Hogarth Frontispiece and its Explanation (no.1)
William Hogarth, 1697–1764
Frontispiece and its Explanation (no.1)
1726
William Hogarth Hudibras Vanquish'd by Trulla (no.5)
William Hogarth, 1697–1764
Hudibras Vanquish'd by Trulla (no.5)
William Hogarth Hudibras's First Adventure (no.3)
William Hogarth, 1697–1764
Hudibras's First Adventure (no.3)
William Hogarth Hudibras in Tribulation (no.6)
William Hogarth, 1697–1764
Hudibras in Tribulation (no.6)
William Hogarth Hudibras Catechiz'd (no.9)
William Hogarth, 1697–1764
Hudibras Catechiz'd (no.9)
William Hogarth Burning ye Rumps at Temple-Barr (no.11)
William Hogarth, 1697–1764
Burning ye Rumps at Temple-Barr (no.11)
William Hogarth Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)
William Hogarth, 1697–1764
Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)
William Hogarth Hudibras Encounters the Skimmington (no.12)
William Hogarth, 1697–1764
Hudibras Encounters the Skimmington (no.12)
William Hogarth Simon, Lord Lovat
Print made by William Hogarth, 1697–1764
Simon, Lord Lovat
William Hogarth Pit Ticket
William Hogarth, 1697–1764
Pit Ticket
1759
William Hogarth Paul before Felix
William Hogarth, 1697–1764
Paul before Felix
William Hogarth Hudibras Triumphant (no.4)
William Hogarth, 1697–1764
Hudibras Triumphant (no.4)
William Hogarth Hudibras Sallying Forth (no.2)
William Hogarth, 1697–1764
Hudibras Sallying Forth (no.2)
William Hogarth Prospectus print "Crown & Mitre"
William Hogarth, 1697–1764
Prospectus print "Crown & Mitre"
1754
William Hogarth Fair Scene
William Hogarth, 1697–1764
Fair Scene
1733
William Hogarth Painting of Pharoah's Daughter and Moses in the Foundling Hospital
William Hogarth, 1697–1764
Painting of Pharoah's Daughter and Moses in the Foundling Hospital
1752
William Hogarth The Distressed Poet
William Hogarth, 1697–1764
The Distressed Poet
1740
William Hogarth Mr. Garrick in the Character of Richard III
William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard III
1746
William Hogarth The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
William Hogarth, 1697–1764
The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
1751
William Hogarth Beer Street
William Hogarth, 1697–1764
Beer Street
1751
George Romney Figure Composition Study 20
George Romney, 1734–1802
Figure Composition Study 20
undated
William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
William Blake Plate 8 (page 13): 'The present moment terminates our sight'
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
William Blake Plate 9 (page 15):' The longest night though longer far, would fail'
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'
William Blake, 1757–1827
Plate 21 (page 37): 'Love, and love only, is the loan for love'
1797
William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'
William Blake, 1757–1827
Plate 22 (page 40): ' Angels should paint it, angels ever there'
1797
William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
William Blake, 1757–1827
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
William Blake, 1757–1827
Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
1797
William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
William Blake, 1757–1827
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
William Blake, 1757–1827
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
William Blake Plate 13 (page 23): 'We censure nature for a span too short'
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
William Blake, 1757–1827
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'
William Blake, 1757–1827
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
William Blake Beggar's Opera, Act III
William Blake, 1757–1827
Beggar's Opera, Act III
1790
William Blake May-Day in London
William Blake, 1757–1827
May-Day in London
1784
Thomas Milton Lucan-House
Thomas Milton, 1742/1743–1827
Lucan-House
1783
Anne Rudge Southampton
Print made by Anne Rudge, 1761–1836
Southampton
1799
Anne Rudge Woodland Landscape
Print made by Anne Rudge, 1761–1836
Woodland Landscape
1799
James Barry King Lear
James Barry, 1741–1806
King Lear
1776
Henry Kingsbury The Beggar and his Dog
Henry Kingsbury, active 1750–1780
The Beggar and his Dog
unknown artist Moll King (Broadside Engraved Portrait of the Notorious Mistress of King's Coffee-House in Covent Garden...)
unknown artist
Moll King (Broadside Engraved Portrait of the Notorious Mistress of King's Coffee-House in Covent Garden...)
undated
Pierre Charles Canot Near Plymouth with the Ordinance Wharfe...
Pierre Charles Canot, ca. 1710–1777
Near Plymouth with the Ordinance Wharfe..
1756
Isaac Basire Cherokee Delegation to England
Print made by Isaac Basire, 1704–1768
Cherokee Delegation to England
1730, printed ca. 1748
Samuel Buck The Southwest view of Hertsmonceux Castle in the County of Sussex
Samuel Buck, 1696–1779
The Southwest view of Hertsmonceux Castle in the County of Sussex
John Bowles Untitled
John Bowles, 1701–1779
Untitled
John Bowles Untitled
John Bowles, 1701–1779
Untitled
John Bowles Untitled
John Bowles, 1701–1779
Untitled
John Bowles Untitled
John Bowles, 1701–1779
Untitled
Charles West The Silver Age
Charles West, Active c. 1778
The Silver Age
1782
William Baillie Parish Orphans
William Baillie, 1723–1810
Parish Orphans
1770
George Noble Maternal Instructions
George Noble, active 1795–1806
Maternal Instructions
1790
Francois Vivares Untitled
Francois Vivares, 1709–1780
Untitled
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
John Taylor Untitled
John Taylor, 1739–1838
Untitled
1775
John Browne Walworth The Forest
John Browne Walworth, active 1800
The Forest
1800
Robert Strange La Retour du Marche
Robert Strange, 1721–1792
La Retour du Marche
Francesco Bartolozzi The Death of Arcite
Francesco Bartolozzi, 1728–1815
The Death of Arcite
1790
James Mason A View in the Island of Jamaica
James Mason, 1710–1783
A View in the Island of Jamaica
1778
John Chapman Black-George
John Chapman, active ca. 1792–1823
Black-George
1791
unknown artist Falstaff reproved by King Henry
unknown artist
Falstaff reproved by King Henry
1792
John Keyse Sherwin James MacPherson, Esquire
John Keyse Sherwin, c.1751–1790
James MacPherson, Esquire
Jacobus Houbraken Sir Walter Ralegh
Jacobus Houbraken, 1698–1780
Sir Walter Ralegh
1739
Joseph Constantine Stadler Court of Common Pleas, Westminster Hall
Joseph Constantine Stadler, active 1780–1812
Court of Common Pleas, Westminster Hall
1808
T. Thornton The Devastations occasioned by the Rioters of London Firing the New Goal of Newgate and burning Mr. Akerman's furniture & c. June 6, 1780
Print made by T. Thornton, active 1780–1789
The Devastations occasioned by the Rioters of London Firing the New Goal of Newgate and burning Mr. Akerman's furniture & c. June 6, 1780
1780
Charles Warren The Surprise of Peregrine Pickle, by a visit from a Lady of Quality, who comes to relieve his distresses
Charles Warren, 1767–1823
The Surprise of Peregrine Pickle, by a visit from a Lady of Quality, who comes to relieve his distresses
1798
Richard Earlom Sir Robert Harland
Richard Earlom, 1743–1822
Sir Robert Harland
1798
Thomas Gaugain Turnips and Carrots Ho
Thomas Gaugain, 1748–1812
Turnips and Carrots Ho
1797
Jacobus Houbraken John Pym, Esquire
Jacobus Houbraken, 1698–1780
John Pym, Esquire
1738
unknown artist Bell's British Theatre Comedies
unknown artist
Bell's British Theatre Comedies
1776
Richard Gough Roman Tower in Hound's Ditch, 28 April 1763
Richard Gough, 1735–1809
Roman Tower in Hound's Ditch, 28 April 1763
1763
unknown artist Miss Elizabeth Appleton
unknown artist
Miss Elizabeth Appleton
1777