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Period 18th century
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1
- Queen Charlotte
- ca. 1776
- Not on view
2
- Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black
- 18th century
- Not on view
3
- Hudibras Vanquished by Trulla
4
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
5
- The Distressed Poet
- 1740
6
- Simon, Lord Lovat
7
- Pit Ticket
- 1759
8
- Beer Street
- 1751
9
- Mr. Garrick in the Character of Richard III
- 1746
10
- Paul before Felix
11
- Frontispiece and its Explanation (no.1)
- 1726
12
- Burning ye Rumps at Temple-Barr (no.11)
13
- Hudibras Encounters the Skimmington (no.12)
14
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
15
- Fair Scene
- 1733
16
- Hudibras Sallying Forth (no.2)
17
- Hudibras's First Adventure (no.3)
18
- Hudibras Vanquish'd by Trulla (no.5)
19
- Hudibras Triumphant (no.4)
20
- Hudibras Catechiz'd (no.9)
21
- Hudibras in Tribulation (no.6)
22
- Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)
23
- William Hogarth
- 1764
24
- Prospectus print "Crown & Mitre"
- 1754
25
- Plate 33 (page 72): 'And vapid; sense and reason shew the door'
- 1797
26
- Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
- 1797
27
- Plate 6 (page 10): 'Disease invades the chastest temperence'
- 1797
28
- Plate 7 (page 12): 'Its favours here are trials, not rewards'
- 1797
29
- Plate 8 (page 13): 'The present moment terminates our sight'
- 1797
30
- Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
- 1797
31
- Plate 15 (page 25): 'Behold him, when past by; what then is seen'
- 1797
32
- Plate 21 (page 37): 'Love, and love only, is the loan for love'
- 1797
33
- Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
- 1797
34
- Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
- 1797
35
- Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
- 1797
36
- Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
- 1797
37
- Plate 37 (page 86): 'His hand the good man fastens on the skies'
- 1797
38
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
39
- Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
- 1797
40
- Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
- 1797
41
- Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
- 1797
42
- Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
- 1797
43
- Plate 41 (page 92): 'When faith is virtue, reason makes it so'
- 1797
![William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'](https://media.collections.yale.edu/thumbnail/ycba/5a919703-759e-494b-a892-d66a8288096b)
44
- Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
- 1797
45
- Plate 9 (page 15):' The longest night though longer far, would fail'
- 1797
46
- Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
- 1797
47
- Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
- 1797
48
- Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
- 1797
49
- Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
- 1797
50
- Plate 22 (page 40): ' Angels should paint it, angels ever there'
- 1797
51
- Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
- 1797
52
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
53
- Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
- 1797
54
- Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
- 1797
55
- Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
- 1797
56
- Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
- 1797
57
- Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
- 1797
58
- Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
- 1797
59
- Plate 3 (page 4): 'What, though my soul fantastick measures trod'
- 1797
60
- Plate 12 (page 19): 'Emblem of that which shall awake the dead'
- 1797
61
- Plate 13 (page 23): 'We censure nature for a span too short'
- 1797
62
- May-Day in London
- 1784
63
- "The Book of Thel William Blake Original Wrappers 1789"
- 1789
64
- Beggar's Opera, Act III
- 1790
65
- "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
- 1797
66
- Figure Composition Study 20
- undated
67
- Fancy subject; Miss G
- undated
68
- Mrs. J. Gomeldon
- undated
69
- Her Grace the Duchess of Grafton
70
- Mrs Mary Ann Granville
71
- Lady Grammont
72
- Jane Duchess of Gordon
- 1775
73
- Miss Greenway
74
- Miss Harriote
- 1750s
75
- Miss Hill
- 1777
76
- Mrs. Howard
- undated
77
- Miss Horneck
78
- The Right Honorable Lady Charlotte Johnston
79
- Miss Jones
80
- Baynard's Castle (published by Harding); page 28 (Volume One)
- 1790
81
- A Cloyster, Formerly Part of the Monastry of St. Bartholomew the Great (from European Magazine); page 26 (Volume One)
82
- Biebrich; page 33 (Volume One)
83
- The North Prospect of the Lord Burghley's Hospital in Stanford Baron; page 49 (Volume One)
84
- The Ichonography of ye Lord Burghleys Hospital; as it stood Anno 1597, from an old manuscript; page 50 (Volume One)
85
- Fonthill as it was before Mr. Beckford's alterations
- 1793
86
- S.W. Prospect of Birmingham
- 1731-1748
87
- James Paine Architect, James Paine Junior
88
- The Fruit Barrow
- 1780
89
- Abou Hannes
- 1789
90
- Goldsmith's Traveller, page 10
- 1800
91
- Taming...Act III, Scene I
- 1791
92
- View of the Town and Cathedral of Carlisle
93
- Two Gentlemen of Verona, Act I, Sc. II
- 1790
94
- Merchant...Act V, Scene 1
- 1790
95
- Two Gentlemen... Act V, Scene IV
- 1790
96
- Peregrine and Emilia Exchange Rings
- 1781
97
- Taming... Act II, Sc. I
- 1791
98
- Grandison, Plate XXVIII
- 1783
99
- Grandison, Plate XI
- 1783
100
- All's Well... Act III, Sc. V
- 1791