Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
102
James Gillray, 1756–1815
What a Cur ' tis
1795
103
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
104
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
105
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
106
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
107
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
108
James Gillray, 1756–1815
The Prodigal Son
1787
109
James Gillray, 1756–1815
Love's Last Shift
1787
110
James Gillray, 1756–1815
Les Trois Magots
1791
111
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
112
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
113
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
114
James Gillray, 1756–1815
The Bottomless-Pitt
1792
115
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified
1792
116
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
117
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
118
James Gillray, 1756–1815
Wha Wants Me?
1792
119
James Gillray, 1756–1815
The Finishing Touch
1791
120
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
121
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
122
James Gillray, 1756–1815
The Bridal-Night
1797
123
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
124
James Gillray, 1756–1815
The Sleep-Walker
1795
125
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
126
James Gillray, 1756–1815
The Royal-Bull-Fight
1795
127
James Gillray, 1756–1815
Hounds in Full-Cry
1800
128
James Gillray, 1756–1815
United Irishmen Upon Duty
1798
129
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
130
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
131
James Gillray, 1756–1815
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
132
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
133
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
134
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
135
James Gillray, 1756–1815
Britania's Assassination..or - The Republican Amuseument
1782
136
James Gillray, 1756–1815
Scene le Vrog House
1782
137
James Gillray, 1756–1815
Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
1798
138
James Gillray, 1756–1815
Apothecaries, Taylors & c. Conquering France and Spain
1779
139
James Gillray, 1756–1815
National Discourse
1780
140
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
141
James Gillray, 1756–1815
Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise
1806
142
James Gillray, 1756–1815
Anticipation, or the approaching fate of the French commercial treaty
1787
143
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
144
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
145
James Gillray, 1756–1815
Gentle Emetic
1804
146
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
147
James Gillray, 1756–1815
Charming-well again
1804
148
James Gillray, 1756–1815
Breathing a vein
1804
149
James Gillray, 1756–1815
Wha Wants Me?
1792
150
James Gillray, 1756–1815
Light Expelling Darkness
1795
151
James Gillray, 1756–1815
Egyptian Sketches
1799
152
James Gillray, 1756–1815
The Pigs Possessed
1807
153
James Gillray, 1756–1815
Doublûres of Characters
1798
154
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
155
James Gillray, 1756–1815
Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings
1806
156
James Gillray, 1756–1815
Election Troops bringing in their accounts to the Paytable
1788
157
James Gillray, 1756–1815
Tales of wonder
1802
158
James Gillray, 1756–1815
Tom Paine's Nightly Pest
1792
159
James Gillray, 1756–1815
Maniac Ravings or Little Boney in a Strong Fit
1803
160
James Gillray, 1756–1815
The Generae of Patriotism
1796
161
James Gillray, 1756–1815
Patriotic Petitions on the Convention
ca. 1808
162
James Gillray, 1756–1815
Playing in Parts
1801
163
James Gillray, 1756–1815
L'Enfant Trouve: a sample of Roman Charity
1808
164
James Gillray, 1756–1815
A kick at the Broad Bottoms
1807
165
Print made by James Gillray, 1756–1815
Every Man has his Hobby Horse
1784
166
James Gillray, 1756–1815
Visiting the Sick
1806
167
James Gillray, 1756–1815
Progress of the Toilet - The Stays Plate I
1810
168
Print made by James Gillray, 1756–1815
The Pillar of the Constitution
1807, published 1835
169
James Gillray, 1756–1815
Effusions of a Pot of Porter
1799
170
James Gillray, 1756–1815
Président d'Administration Municipale. French Habits no 5
1798
171
James Gillray, 1756–1815
Les Membres du Conseil des Cinq Cents. French Habits No. 3
1798
172
James Gillray, 1756–1815
[ untitled ]
1800
173
James Gillray, 1756–1815
Maecenas, in pursuit of the Fine Arts
1808
174
James Gillray, 1756–1815
A Peep into the Cave of Jacobinism
1798
175
James Gillray, 1756–1815
Fine Bracing Weather
1808
176
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
177
James Gillray, 1756–1815
Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
1798
178
James Gillray, 1756–1815
Taking Physic
1800
179
James Gillray, 1756–1815
Breathing a Vein
1804
180
James Gillray, 1756–1815
Charming Well Again
1804
181
James Gillray, 1756–1815
Brisk Cathartic
1804
182
James Gillray, 1756–1815
Brisk Cathartic
1804
183
James Gillray, 1756–1815
A Standing dish at Boodles
1800
184
James Gillray, 1756–1815
Visiting the Sick
1806
185
James Gillray, 1756–1815
A Masonic Anecdote
1786
186
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
187
James Gillray, 1756–1815
Britania's Assassination or The Republican's Amusement
1782
188
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
189
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
190
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
191
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
192
James Gillray, 1756–1815
The Grand - Signior retiring
1796
193
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
194
James Gillray, 1756–1815
Duke William's Ghost
1799
195
James Gillray, 1756–1815
Palemon and Lavinia
1805
196
James Gillray, 1756–1815
Playing in Parts
1801
197
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
198
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"