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Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner St. Peters and the Vatican from the Gardens of the Villa Barberini, Rome
after Joseph Mallord William Turner, 1775–1851
St. Peters and the Vatican from the Gardens of the Villa Barberini, Rome
c.1819
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
William Blake Plate 9 (page 15):' The longest night though longer far, would fail'
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
William Blake Plate 13 (page 23): 'We censure nature for a span too short'
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'
William Blake, 1757–1827
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
William Blake, 1757–1827
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
William Blake Plate 8 (page 13): 'The present moment terminates our sight'
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
William Blake, 1757–1827
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'
William Blake, 1757–1827
Plate 21 (page 37): 'Love, and love only, is the loan for love'
1797
William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'
William Blake, 1757–1827
Plate 22 (page 40): ' Angels should paint it, angels ever there'
1797
William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
William Blake, 1757–1827
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
William Blake, 1757–1827
Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
1797
William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
William Blake, 1757–1827
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake Beggar's Opera, Act III
William Blake, 1757–1827
Beggar's Opera, Act III
1790
William Blake May-Day in London
William Blake, 1757–1827
May-Day in London
1784
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
George Romney Figure Composition Study 20
George Romney, 1734–1802
Figure Composition Study 20
undated
Frederick Christian Lewis the Elder View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
Amos Green Views in England, Scotland and Wales; Tour in Scotland: Landscape near Wyburn?
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Landscape near Wyburn?
1803
Amos Green Views in England, Scotland and Wales; Tour in Scotland: Near Lowdoor
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Near Lowdoor
1803
Amos Green Mountainous Landscape
Amos Green, 1735–1807
Mountainous Landscape
1803
Amos Green Views in England, Scotland and Wales; Tour in Scotland: Distant View of Keswick and Basenth Waite
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Distant View of Keswick and Basenth Waite
1803
Amos Green Views in England, Scotland and Wales; Tour in Scotland: Mountainous landscape with goats
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Mountainous landscape with goats
1803
Amos Green Views in England, Scotland and Wales; Tour in Scotland: Mountainous landscape with road
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Mountainous landscape with road
1803
Amos Green Views in England, Scotland and Wales; Tour in Scotland: Vale of Newlands
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Vale of Newlands
1803
Amos Green Views in England, Scotland and Wales: Waterfall, Views in 1799
Amos Green, 1735–1807
Views in England, Scotland and Wales: Waterfall, Views in 1799
1803
Amos Green Views in England, Scotland and Wales; Tour in Scotland: Vale of Newlands, AG
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Vale of Newlands, AG
1803
Amos Green Views in England, Scotland and Wales: Ilkley Bridge and Church
Amos Green, 1735–1807
Views in England, Scotland and Wales: Ilkley Bridge and Church
1803
Amos Green Views in England, Scotland and Wales; Tour in Scotland: Mountainous landscape with bridge
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Mountainous landscape with bridge
1803
Amos Green Views in England, Scotland and Wales: Gordale Scar
Amos Green, 1735–1807
Views in England, Scotland and Wales: Gordale Scar
Amos Green Views in England, Scotland and Wales: The North Homes near Ilkley
Amos Green, 1735–1807
Views in England, Scotland and Wales: The North Homes near Ilkley
1803
Amos Green Views in England, Scotland and Wales: Casterton Hall near Shirkby Lonsdale
Amos Green, 1735–1807
Views in England, Scotland and Wales: Casterton Hall near Shirkby Lonsdale
1803
Amos Green Views in England, Scotland and Wales: Conway Castle
Amos Green, 1735–1807
Views in England, Scotland and Wales: Conway Castle
1803
Amos Green Views in England, Scotland and Wales: Furness Abbey
Amos Green, 1735–1807
Views in England, Scotland and Wales: Furness Abbey
1803
Amos Green Views in England, Scotland and Wales: The Pass of Penmanmawr
Amos Green, 1735–1807
Views in England, Scotland and Wales: The Pass of Penmanmawr
1803
Amos Green Views in England, Scotland and Wales: Conway Castle
Amos Green, 1735–1807
Views in England, Scotland and Wales: Conway Castle
1803
Amos Green Views in England, Scotland and Wales: Between Llanrwst and Capel Cerrig, The Mountain is Moel Shiabod, The River is Lligwy
Amos Green, 1735–1807
Views in England, Scotland and Wales: Between Llanrwst and Capel Cerrig, The Mountain is Moel Shiabod, The River is Lligwy
1803
Amos Green Views in England, Scotland and Wales: Capel Cerrig and Snowdon
Amos Green, 1735–1807
Views in England, Scotland and Wales: Capel Cerrig and Snowdon
1803
Amos Green Views in England, Scotland and Wales: Near Tan-y-bwlch
Amos Green, 1735–1807
Views in England, Scotland and Wales: Near Tan-y-bwlch
1803
Amos Green Views in England, Scotland and Wales: Near Capel Cerrig
Amos Green, 1735–1807
Views in England, Scotland and Wales: Near Capel Cerrig
1803
Amos Green Views in England, Scotland and Wale: View near Bolton Abbey
Amos Green, 1735–1807
Views in England, Scotland and Wale: View near Bolton Abbey
1802
Amos Green Views in England, Scotland and Wales: Landscape with Stream
Amos Green, 1735–1807
Views in England, Scotland and Wales: Landscape with Stream
1802
Amos Green Views in England, Scotland and Wales: Upper Park Cascade
Amos Green, 1735–1807
Views in England, Scotland and Wales: Upper Park Cascade
1803
Amos Green Views in England, Scotland and Wales: Park Cascade
Amos Green, 1735–1807
Views in England, Scotland and Wales: Park Cascade
1803
Amos Green Views in England, Scotland and Wales: Upper part of the Fall of Lowdoor, A Study from Nature
Amos Green, 1735–1807
Views in England, Scotland and Wales: Upper part of the Fall of Lowdoor, A Study from Nature
1803
Amos Green Views in England, Scotland and Wales: Evening gleam at Lowdoor
Amos Green, 1735–1807
Views in England, Scotland and Wales: Evening gleam at Lowdoor
Amos Green Views in England, Scotland and Wales: Watenlath, August 30, 1802
Amos Green, 1735–1807
Views in England, Scotland and Wales: Watenlath, August 30, 1802
Amos Green Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802
Amos Green, 1735–1807
Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802
1802
Amos Green Views in England, Scotland and Wales: Watenlath, August 30, 1802
Amos Green, 1735–1807
Views in England, Scotland and Wales: Watenlath, August 30, 1802
1802
Amos Green Views in England, Scotland and Wales: Beyond Barden Tower
Amos Green, 1735–1807
Views in England, Scotland and Wales: Beyond Barden Tower
1803
Amos Green Views in England, Scotland and Wales: Netley Abbey near Southampton, July 24, 1804
Amos Green, 1735–1807
Views in England, Scotland and Wales: Netley Abbey near Southampton, July 24, 1804
1804
Amos Green Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802
Amos Green, 1735–1807
Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802
1802
Amos Green Views in England, Scotland and Wales: The Devil's Bridge near Aberystwith, Cardiganshire, September 1804
Amos Green, 1735–1807
Views in England, Scotland and Wales: The Devil's Bridge near Aberystwith, Cardiganshire, September 1804
1804
Amos Green Views in England, Scotland and Wales: Ventnor Cove, Isle of Wight, July 1804
Amos Green, 1735–1807
Views in England, Scotland and Wales: Ventnor Cove, Isle of Wight, July 1804
1804
Amos Green Views in England, Scotland and Wales: Inn at the Devil's Bridge, with the Fall of the Mynach
Amos Green, 1735–1807
Views in England, Scotland and Wales: Inn at the Devil's Bridge, with the Fall of the Mynach
1804
Amos Green Views in England, Scotland and Wales: Part of the Fall of the Mynach
Amos Green, 1735–1807
Views in England, Scotland and Wales: Part of the Fall of the Mynach
Amos Green Views in England, Scotland and Wales: View about the lower Cascade, Rydal Westmorland
Amos Green, 1735–1807
Views in England, Scotland and Wales: View about the lower Cascade, Rydal Westmorland
Percy Thomas The Temple, London
Print made by Percy Thomas, 1846–1922
The Temple, London
1897
Daniel Lerpiniere The Representation of the Dealer of a Squardon of Spanish Ships
Daniel Lerpiniere, c.1745–1785
The Representation of the Dealer of a Squardon of Spanish Ships
1782
John Scott Prior, Love Disarmed, vol. II
John Scott, 1774–1828
Prior, Love Disarmed, vol. II
1802
William Ridley Cymbelline, Act II, Sc. 7
William Ridley, 1764–1838
Cymbelline, Act II, Sc. 7
1799
Abraham Raimbach Antony and Cleopatra Act IV Sc. 8
Print made by Abraham Raimbach, 1784–1868
Antony and Cleopatra Act IV Sc. 8
1805
Anker Smith Lara
Anker Smith, 1759–1819
Lara
1814
Anker Smith Goldsmith's "Deserted Village"
Anker Smith, 1759–1819
Goldsmith's "Deserted Village"
1800
William Sharp The Tempest, Act I Sc. 3
Print made by William Sharp, 1749–1824
The Tempest, Act I Sc. 3
1783
Anker Smith Goldsmith's "Deserted Village"
Anker Smith, 1759–1819
Goldsmith's "Deserted Village"
1800
Leslie Matthew 'Spy' Ward "The Queen's Memorial". Thomas Brock 21 September 1905 (with biography). Vanity Fair.
Leslie Matthew 'Spy' Ward, 1851–1922
"The Queen's Memorial". Thomas Brock 21 September 1905 (with biography). Vanity Fair
1905
unknown artist Mother Teaching Letters to Daughter
unknown artist
Mother Teaching Letters to Daughter
Amos Green Views in England, Scotland and Wales: Ruins of Dunbar Castle, HG/Tour in Scotland
Amos Green, 1735–1807
Views in England, Scotland and Wales: Ruins of Dunbar Castle, HG/Tour in Scotland
1803
Amos Green Views in England, Scotland, and Wales: Tour in Scotland; View at Sterling
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; View at Sterling
1803