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Collection Prints and Drawings

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Period 18th century

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William Hogarth Hudibras Vanquished by Trulla
William Hogarth, 1697–1764
Hudibras Vanquished by Trulla
William Hogarth Fair Scene
William Hogarth, 1697–1764
Fair Scene
1733
William Hogarth Pit Ticket
William Hogarth, 1697–1764
Pit Ticket
1759
William Hogarth Simon, Lord Lovat
Print made by William Hogarth, 1697–1764
Simon, Lord Lovat
William Hogarth Beer Street
William Hogarth, 1697–1764
Beer Street
1751
William Hogarth Paul before Felix
William Hogarth, 1697–1764
Paul before Felix
William Hogarth The Distressed Poet
William Hogarth, 1697–1764
The Distressed Poet
1740
William Hogarth Mr. Garrick in the Character of Richard III
William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard III
1746
William Hogarth Painting of Pharoah's Daughter and Moses in the Foundling Hospital
William Hogarth, 1697–1764
Painting of Pharoah's Daughter and Moses in the Foundling Hospital
1752
William Hogarth The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
William Hogarth, 1697–1764
The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
1751
William Hogarth Hudibras in Tribulation (no.6)
William Hogarth, 1697–1764
Hudibras in Tribulation (no.6)
William Hogarth Hudibras Catechiz'd (no.9)
William Hogarth, 1697–1764
Hudibras Catechiz'd (no.9)
William Hogarth Burning ye Rumps at Temple-Barr (no.11)
William Hogarth, 1697–1764
Burning ye Rumps at Temple-Barr (no.11)
William Hogarth Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)
William Hogarth, 1697–1764
Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)
William Hogarth Frontispiece and its Explanation (no.1)
William Hogarth, 1697–1764
Frontispiece and its Explanation (no.1)
1726
William Hogarth Hudibras's First Adventure (no.3)
William Hogarth, 1697–1764
Hudibras's First Adventure (no.3)
William Hogarth Hudibras Triumphant (no.4)
William Hogarth, 1697–1764
Hudibras Triumphant (no.4)
William Hogarth Hudibras Vanquish'd by Trulla (no.5)
William Hogarth, 1697–1764
Hudibras Vanquish'd by Trulla (no.5)
William Hogarth Hudibras Encounters the Skimmington (no.12)
William Hogarth, 1697–1764
Hudibras Encounters the Skimmington (no.12)
William Hogarth Hudibras Sallying Forth (no.2)
William Hogarth, 1697–1764
Hudibras Sallying Forth (no.2)
William Hogarth William Hogarth
William Hogarth, 1697–1764
William Hogarth
1764
William Hogarth Prospectus print "Crown & Mitre"
William Hogarth, 1697–1764
Prospectus print "Crown & Mitre"
1754
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'
William Blake, 1757–1827
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
William Blake, 1757–1827
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
William Blake Plate 9 (page 15):' The longest night though longer far, would fail'
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
William Blake, 1757–1827
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
William Blake, 1757–1827
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
William Blake Plate 8 (page 13): 'The present moment terminates our sight'
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'
William Blake, 1757–1827
Plate 21 (page 37): 'Love, and love only, is the loan for love'
1797
William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
William Blake, 1757–1827
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
William Blake Plate 13 (page 23): 'We censure nature for a span too short'
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
William Blake Beggar's Opera, Act III
William Blake, 1757–1827
Beggar's Opera, Act III
1790
William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'
William Blake, 1757–1827
Plate 22 (page 40): ' Angels should paint it, angels ever there'
1797
William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
William Blake, 1757–1827
Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
1797
William Blake May-Day in London
William Blake, 1757–1827
May-Day in London
1784
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
George Romney Figure Composition Study 20
George Romney, 1734–1802
Figure Composition Study 20
undated
Francesco Bartolozzi Cupid's Manufactory
Francesco Bartolozzi, 1728–1815
Cupid's Manufactory
ca.1785
Francesco Bartolozzi Herculea and Omphale
Francesco Bartolozzi, 1728–1815
Herculea and Omphale
1786
John Boydell A View of London taken off Lambeth Church
John Boydell, 1720–1804
A View of London taken off Lambeth Church
1752
Benjamin Cole A Prospect of the City of London from St. George's Fields in Surry
Benjamin Cole, 1697–1783
A Prospect of the City of London from St. George's Fields in Surry
1752
Joseph Constantine Stadler View of London from Lambeth
Joseph Constantine Stadler, active 1780–1812
View of London from Lambeth
1795
unknown artist A General View of the City of London, next the River Thames
unknown artist
A General View of the City of London, next the River Thames
undated
Francesco Bartolozzi Catherine II Empress of Russia
Francesco Bartolozzi, 1728–1815
Catherine II Empress of Russia
1785
Thomas Malton Watergate, York Buildings
Thomas Malton, 1726–1801
Watergate, York Buildings
1795
Samuel Howitt Herd of Eight Horses under a Tree
Samuel Howitt, 1756–1822
Herd of Eight Horses under a Tree
1792
unknown artist View of the New Public Offices at Somerset House, fronting the Thames
unknown artist
View of the New Public Offices at Somerset House, fronting the Thames
1783
William Watts Strensham, the ancient Seat of the Russells
William Watts, 1752–1851
Strensham, the ancient Seat of the Russells
1776
Francesco Bartolozzi The Graces Crowning the Bust of Raphael
Francesco Bartolozzi, 1728–1815
The Graces Crowning the Bust of Raphael
1787
Benjamin Thomas Pouncey An Iron Work at Downton, Herefordshire
Benjamin Thomas Pouncey, active 1772–1799
An Iron Work at Downton, Herefordshire
1798
L. Truchy The Exercise of See Saw
L. Truchy, 1721–1764
The Exercise of See Saw
ca. 1743
unknown artist A View of the Royal Palace of Hampton Court
unknown artist
A View of the Royal Palace of Hampton Court
1763
John Jones Mr. Ramsden, Optician to His Majesty
John Jones, ca. 1745–1797
Mr. Ramsden, Optician to His Majesty
1790
Francois Vivares A View in Craven Yorkshire of a beautiful and Romantic Natural Casade in Bolton Park, belonging to the Rt. Hon. Earl of Burlington
Francois Vivares, 1709–1780
A View in Craven Yorkshire of a beautiful and Romantic Natural Casade in Bolton Park, belonging to the Rt. Hon. Earl of Burlington
unknown artist Londinum Urbs Praecipua Regnianglice
unknown artist
Londinum Urbs Praecipua Regnianglice
undated
Francesco Bartolozzi The Flight Into Egypt
Francesco Bartolozzi, 1728–1815
The Flight Into Egypt
1790
unknown artist View of the City of London as it appears from under one of the Arches of Westminster Bridge
unknown artist
View of the City of London as it appears from under one of the Arches of Westminster Bridge
1775
Francesco Bartolozzi The Death of Alcestis
Francesco Bartolozzi, 1728–1815
The Death of Alcestis
1796
Francesco Bartolozzi Bacchus and Ariadne
Francesco Bartolozzi, 1728–1815
Bacchus and Ariadne
1787
Francesco Bartolozzi Euphrosine
Francesco Bartolozzi, 1728–1815
Euphrosine
1784
Daniel Lerpiniere A South View of the Cities of London and Westminster, taken from Denmark Hill near Camberwell
Daniel Lerpiniere, c.1745–1785
A South View of the Cities of London and Westminster, taken from Denmark Hill near Camberwell
1779
unknown artist Frost-Fair. General View
unknown artist
Frost-Fair. General View
1740
Francesco Bartolozzi Venus And Cupid
Francesco Bartolozzi, 1728–1815
Venus And Cupid
1790
Francesco Bartolozzi Venus And Cupid
Francesco Bartolozzi, 1728–1815
Venus And Cupid
1790
Thomas Rowlandson Cut Two and Right Protect
Thomas Rowlandson, 1756–1827
Cut Two and Right Protect
1798
Francesco Bartolozzi Commemoration of the Victory of June 1st, 1794
Francesco Bartolozzi, 1728–1815
Commemoration of the Victory of June 1st, 1794
1794
Francesco Bartolozzi Genius Calling Forth The Fine Arts To Adorn Manufactures and Commerce
Francesco Bartolozzi, 1728–1815
Genius Calling Forth The Fine Arts To Adorn Manufactures and Commerce
1789
Francesco Bartolozzi The Transparency Picture at the Bank of England
Francesco Bartolozzi, 1728–1815
The Transparency Picture at the Bank of England
1790
Francesco Bartolozzi G. B. Cipriani, R.A.
Francesco Bartolozzi, 1728–1815
G. B. Cipriani, R.A
1785
Francesco Bartolozzi William Beckford
Francesco Bartolozzi, 1728–1815
William Beckford
1772
Francesco Bartolozzi Thomas Hollis
Francesco Bartolozzi, 1728–1815
Thomas Hollis
1767
Francesco Bartolozzi Charles Rogers
Francesco Bartolozzi, 1728–1815
Charles Rogers
Francesco Bartolozzi Ticket for the Benefit of Mr. Tenducci
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Tenducci