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Vnaity Fair - Clergy. 'Congregational Union'. Rev. Joseph Parker. 19 April 1884
Creator:
Carlo Pellegrini, 1839–1889
Date:
1884
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'Liverpool'. Rev. John Charles Ryle, Bishop of Liverpool. 26 March 1881
Creator:
Carlo Pellegrini, 1839–1889
Date:
1881
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'No one has suceeded like him in sketching the comic side of repentance and regeneration'. Charles Spurgeon. 10 December 1870
Creator:
Carlo Pellegrini, 1839–1889
Date:
1870
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'Philosophic Belief'. A.P. Stanley. 21 September 1872
Creator:
unknown artist
Date:
1872
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'Westminster'. Rev. William Gunion Rutherford. Head Master of Westminster School. 3 March 1898
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1898
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Vanity Fair - Clergy. 'Truro' Howard Wilkinson, Bishop of Truro.
Creator:
Leslie Matthew 'Spy' Ward, 1851–1922
Date:
1885
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Dom Carolus De columna A Cons. stat. Prim. A cubic Reg. Ma. tis. Cath. Magister. campi. Gnalis in Belg. etc.
Creator:
Paulus Pontius, 1603–1658
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Set of four [Foxhunting]: 3. Full Cry
Creator:
unknown artist
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Set of four [Foxhunting]: 4. The Death
Creator:
unknown artist
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Set of four [Foxhunting]: 2. Breaking Cover
Creator:
unknown artist
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey
Creator:
Edwin Thomas Dolby, active 1849–1865
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A View of Westminster Hall & the Abbey in St. James Park
Creator:
Pierce Tempest, 1653–1717
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
King Henry the VII Chapel
Creator:
unknown artist
Date:
1819
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
West Front of Westminster Abbey
Creator:
John Bluck, active 1791–1831
Date:
1811
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey and St. Margaret's Church
Creator:
William Wallis, 1794– active 1830
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
View from Deans Yard
Creator:
J. C. Varrall, active 1815–1827
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The Procession from Westminster Hall to the Abbey
Creator:
W. Read, active 1818
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Coronation Procession of H. M. George IV, 19 July 1821
Creator:
William Heath, 1795–1840
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Coronation of King William IV and Queen Adelaide
Creator:
William Woolnoth, active 1806–1830
Date:
1831
Materials & Techniques:
Engraving, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Plan of Westminster Abbey and Environs for the Coronation of George IV
Creator:
James Wyld, 1790–1836
Date:
1821
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey
Creator:
Edmund Walker, active 1836–died 1882
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey, Hospital &c.
Creator:
Thomas Shotter Boys, 1803–1874
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Ecclesiae Parochialis Sra Fidis Prospectus
Creator:
Wenceslaus Hollar, 1607–1677
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Abbey Church of Westminster
Creator:
John Coney, 1786–1833
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
View of the Orchestra Organ &c. Erected in Westminster Abbey
Creator:
John Walker, active 1792–1803
Date:
1784
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Prospectus Interior Abbatiae Westminster
Creator:
unknown artist
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey from the West Entrance
Creator:
unknown artist
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Henry VII Chapel
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The Jerusalem Chamber and Entrance to the Cloisters
Creator:
John Greig, active 1803–1853
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Entrance to the Chapel of Erasmus and the Abbots Tomb Within
Creator:
James S. Storer, 1771–1853
Date:
1805
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Poets Corner, Westminster Abbey
Creator:
James S. Storer, 1771–1853
Date:
1805
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Interior of Henry the Seventh's Chapel
Creator:
Frederick Mackenzie, 1788–1854
Date:
1830
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Porch of Henry seventh Chapel
Creator:
John Bluck, active 1791–1831
Date:
1812
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey
Creator:
James S. Storer, 1771–1853
Date:
1805
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
View in the North Aisle: Showing Henry the third Monument
Creator:
John Le Keux, 1783–1846
Date:
1817
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
North East View of Westminster Abbey (on two sheets)
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
North East View of Westminster Abbey
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westminster Abbey
Creator:
Edmund Walker, active 1836–died 1882
Date:
1852
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Mr. Sparrow's House, Ipswich
Creator:
unknown artist
Date:
1829
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Set of four [Foxhunting]: 1. Going out
Creator:
unknown artist
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Pheasants Shooting. La Chasse au Faisand
Creator:
Thomas Burford, ca. 1710–after 1774
Date:
1787
Materials & Techniques:
Mezzotint, colored by hand
Dimensions:
Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
[Hare hunting and coursing] Six subjects on one sheet
Creator:
unknown artist
Date:
ca. 1830
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 10 1/8 x 13 7/8in. (25.7 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Apsley House
Creator:
unknown artist
Date:
1842
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
S. E. Angle of the Cloisters
Creator:
J. R. Hamble, active 1775–1825
Date:
1812
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Elizabeth Alexander
Creator:
Print made by Elizabeth Christiana Fanshawe, 1778–1856
Date:
1806
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 × 9 1/16 inches (33 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
A French Town
Creator:
unknown artist
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 13 1/4 x 10 1/2in. (33.7 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Poets and Philosophers of England: The Rt. Hon. Joseph Addison, Mathew Prior Esq., Mr. Alexander Pope, and Mr. William Congreve.
Creator:
John Smith, 1652–1743
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 17 x 11 1/4in. (43.2 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
An Airing in Hyde Park
Creator:
Thomas Gaugain, 1748–1812
Date:
1796
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Gray's Letters, Volume First (a vignette)
Creator:
unknown artist
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Westerham Mill, Kent
Creator:
unknown artist
Date:
1812
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 13 7/8 x 10 1/4in. (35.2 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Set of four: 4. Woodcock Shooting
Creator:
unknown artist
Date:
1804
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Set of four: 3. Pheasant Shooting
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Exterior of the Prince of Wales Conservatory at Charlton House
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 1/4 x 12 1/2in. (26 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
Set of four: 2. Partridge Shooting
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
after unknown artist
Date:
1811
Materials & Techniques:
Aquatint, tinted with watercolor
Dimensions:
Sheet: 10 3/4 x 14 3/4in. (27.3 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
John Phillipps Emslie, 1839–1913
Date:
ca. 1880
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
John Phillipps Emslie, 1839–1913
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown artist
Date:
1793
Materials & Techniques:
Etching on wove paper
Dimensions:
Plate: 7 x 5 7/8in. (17.8 x 14.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

269. Untitled

No cover image available
Creator:
unknown artist
Materials & Techniques:
Etching (etched fasimile of woodcut)
Dimensions:
Plate: 6 3/4 x 12in. (17.1 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
George II frame
Creator:
unknown framemaker
Date:
early 18th century
Materials & Techniques:
Carved wood, gilding
Dimensions:
Frame: 32 × 36 3/4 inches (81.3 × 93.3 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIII style frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Carved wood and plaster, original oil, water gilding and sanded frieze
Dimensions:
Frame: 58 × 48 × 3 1/2 inches (147.3 × 121.9 × 8.9 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' - NeoClassical variant frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?), Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, matt and burnished water gilding, sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
last third of 18th century
Materials & Techniques:
Carved wood, partially regilded over original oil and water gilding and sanded rail
Dimensions:
Frame: 59 1/4 × 49 3/4 × 3 1/2 inches (150.5 × 126.4 × 8.9 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?), Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, matt and burnished water gilding, sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British Louis XIV- Régence style frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, regilded over original gilding and sanded frieze
Dimensions:
Frame: 57 1/2 × 47 3/4 × 4 inches (146.1 × 121.3 × 10.2 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British Palladian frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood and compo, regilded over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British Victorian Rococo Revival frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, oil gilt
Collection:
Frames
Credit Line:
Yale Center for British Art
British Victorian Rococo Revival frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, oil gilt
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XV style frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, original oil, water gilding and sanded frieze
Dimensions:
Frame: 42 1/4 × 60 1/4 × 2 1/2 inches (107.3 × 153 × 6.4 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Régence style frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding, sanded frieze and ground at corners
Collection:
Frames
Credit Line:
Yale Center for British Art
British or Irish (?), Gothic Revival frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, original parcel gilding, black and brown paint; gessoed frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, successive later oil gildings over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Baroque, Queen Anne frame
Creator:
unknown framemaker
Date:
1st half of 18th century
Materials & Techniques:
Carved wood, later patinated oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Rococo frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, regilded over original gilding and sanded frieze
Dimensions:
Frame: 49 × 63 × 3 inches (124.5 × 160 × 7.6 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV- Régence style frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Régence style frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, later oil gilding over original oil and water gilding, punched ground and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Provincial Louis XIV style frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding
Dimensions:
Frame: 19 3/8 × 23 7/8 × 2 3/8 inches (49.2 × 60.6 × 6 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original oil and water gilding and punched and lattice ground
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th century to early 19th century
Materials & Techniques:
Wood and compo, later oil and water gilding and over original gilding
Dimensions:
Frame: 31 × 29 1/2 inches (78.7 × 74.9 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, partially regilded over original water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Palladian frame
Creator:
unknown framemaker
Date:
late 18th century to early 19th century
Materials & Techniques:
Carved wood, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original gilding and sanded rail
Collection:
Frames
Credit Line:
Yale Center for British Art