Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
19
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
20
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
21
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
22
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
23
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
24
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
25
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
26
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
27
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
28
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
29
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
30
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
31
William Blake, 1757–1827
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
32
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
33
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
34
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
35
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
36
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
37
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
38
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
39
William Blake, 1757–1827
May-Day in London
1784
40
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
41
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
42
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
43
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
44
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
45
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
46
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
47
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
48
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
49
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
50
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
51
William Blake, 1757–1827
A Select Collection of English Songs
1783
52
William Blake, 1757–1827
A Select Collection of English Songs
1783
53
William Blake, 1757–1827
A Select Collection of English Songs
1783
54
William Blake, 1757–1827
A Select Collection of English Songs
1783
55
William Blake, 1757–1827
A Select Collection of English Songs
1783
56
William Blake, 1757–1827
A Select Collection of English Songs
1783
57
William Blake, 1757–1827
A Select Collection of English Songs
1783
58
William Blake, 1757–1827
A Select Collection of English Songs
1783
59
William Blake, 1757–1827
A Select Collection of English Songs
1783
60
William Blake, 1757–1827
A Select Collection of English Songs
1783
61
William Blake, 1757–1827
A Select Collection of English Songs
1783
62
William Blake, 1757–1827
A Select Collection of English Songs
1783
63
William Blake, 1757–1827
A Select Collection of English Songs
1783
64
William Blake, 1757–1827
A Select Collection of English Songs
1783
65
William Blake, 1757–1827
A Select Collection of English Songs
1783
66
William Blake, 1757–1827
A Select Collection of English Songs
1783
67
William Blake, 1757–1827
"A Select Collection of English Songs," London, 1783
1783
68
Prints made by George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists in Composing their Figures and Groupes