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Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkCredit Line Yale Center for British Art, Paul Mellon Fund
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon FundPeriod 18th century
Remove constraint Period: 18th centurySearch Results
1
- Manuscript Notes
- 1773
2
- Manuscript Notes
- 1773
3
- Manuscript Notes
- 1773
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- Manuscript Notes
- 1773
5
- Manuscript Notes
- 1773
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- Manuscript Notes
- 1773
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- Manuscript Notes
- 1773
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- Manuscript Notes
- 1773
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- Manuscript Notes
- 1773
10
- Manuscript Notes
- 1773
11
- Manuscript Notes
- 1773
12
- The Shepherd, from Songs of Innocence
- ca. 1795
13
- Spring, from Songs of Innocence
- ca. 1795
14
- Lord Hopetoun's Lead Mines
- 1751
15
- A Temple Perched on a Rocky Outcrop Seen Across a Lake
- ca. 1767
16
- Receipt for a Set of Six London Views
- ca. 1758
17
- The Duel: 'Twelfth Night,' Act III, Scene IV
- ca. 1790
18
- Cool Pipe in Pall Mall
- undated
19
- Johnny MacCree in the Dumps
- undated
20
- A Coat of Arms for a Stamp on Income
- undated
21
- The South View of Berwick Upon Tweed
- ca. 1743-1745
22
- The Body of Lucretia Exposed to the Romans
- between 1777 and 1778
23
- Original Sketches by Sir Joshua Reynolds
- undated
24
- Death on a Pale Horse
- undated
25
- Place des Victoires, Paris
- ca. 1783
26
- The Bread and Butter Manufactory, or the Humors of Bagnigge Wells
- 1783
27
- Study of Hercules for 'Crowning the Victors at Olympia'
- between 1777 and 1780
28
- A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
- undated
29
- Italian Sketchbook
- 1773
30
- Manuscript Notes
- 1773
31
- Sketchbook Drawing
- 1773
32
- Sketchbook Drawing
- 1773
33
- Manuscript Notes
- 1773
34
- Sketchbook Drawing
- 1773
35
- Sketchbook Drawing
- 1773
36
- Sketchbook Drawing
- 1773
37
- Sketchbook Drawing
- 1773
38
- Manuscript Notes
- 1773
39
- Sketchbook Drawing
- 1773
40
- Sketchbook Drawing
- 1773
41
- Sketchbook Drawing
- 1773
42
- Sketchbook Drawing
- 1773
43
- Sketchbook Drawing
- 1773
44
- Sketchbook Drawing
- 1773
45
- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
48
- Sketchbook Drawing
- 1773
49
- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
55
- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
64
- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
66
- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
69
- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773
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- Sketchbook Drawing
- 1773